There were no fussy buttons to spoil the clean looks of Beovision L2802. You controlled it entirely with the Beolink 1000 remote control terminal. Only a discreet red light told you that the TV was ready and awaiting your commands. The flat-square 66cm picture tube gave you a clear, undistorted view, even if you were not sitting right in front of the screen. Bang & Olufsen’s own VisionClear system regulated the colour balance 50 times a second, and in variable light conditions the picture always looked good, with automatic contrast regulation and the contrast screen.
As specialists in good sound, Bang & Olufsen are always very particular about loudspeakers. That is why both Beovision LX and L models incorporated a special bass-reflex speaker system, giving you genuine hi-fi quality to enhance your stereo video tapes. You could also have a NICAM decoder fitted, ready to receive stereo broadcasts of TV programmes.
Beovision LX models had Bang & Olufsen’s powerful Teletext module fitted as standard. However, for the Beovision L2802 and L2502 models, this was left out. This was the only difference between the LX2802 and L2802 models.
Beovision L2502 had a 63cm screen; the specifications were the same as the 66cm model.
There were no fussy buttons to spoil the clean looks of Beovision L2802. You controlled it entirely with the Beolink 1000 remote control terminal. Only a discreet red light told you that the TV was ready and awaiting your commands. The flat-square 66cm picture tube gave you a clear, undistorted view, even if you were not sitting right in front of the screen. Bang & Olufsen’s own VisionClear system regulated the colour balance 50 times a second, and in variable light conditions the picture always looked good, with automatic contrast regulation and the contrast screen.
As specialists in good sound, Bang & Olufsen are always very particular about loudspeakers. That is why both Beovision LX and L models incorporated a special bass-reflex speaker system, giving you genuine hi-fi quality to enhance your stereo video tapes. You could also have a NICAM decoder fitted, ready to receive stereo broadcasts of TV programmes.
Beovision LX models had Bang & Olufsen’s powerful Teletext module fitted as standard. However, for the Beovision L2802 and L2502 models, this was left out. This was the only difference between the LX2802 and L2802 models.
L2502 had a 63cm screen; the specifications were the same as the 66cm model.
A classic Bang & Olufsen TV has always been a good investment. However, if you didn’t need the advanced features that Beovision LX had to offer, the alternative TV was the ‘L’ range. It offered same design, same engineering, same quality, but different pricing and different colours.
A classic Bang & Olufsen TV has always been a good investment. However, if you didn’t need the advanced features that Beovision LX had to offer, the alternative TV was the ‘L’ range. It offered same design, same engineering, same quality, but different pricing and different colours.
TV and video in all simplicity
A Bang & Olufsen TV is always a good investment. But perhaps you didn’t want all the highly advanced functions in Bang & Olufsen’s video systems. In that case, you could choose a television like Beovision LS instead. It had the same classic lines as Beovision LX and the quality again was extremely high. There was just a slight difference in design and technical specifications. For example, unlike Bang & Olufsen’s video systems, Beovision LS and its VCR partner, Beocord V3000, could not be included in a Beolink® system.
Beovision LS was available as a 66cm or a 63cm TV – the LS5500 and LS4500 (as well as two further models – LS5000 and LS6000). All materials were of the finest quality and as always, attention to detail was meticulously made. For example, it was real wood that was used in the rosewood model and not plastic laminate. The glass screen in front of the picture tube was made of a high-quality glass, from Europe’s leading glassmaker. It served two functions: it captured the light reflections that struck the screen, minimising their effect on the picture. And at the same time, it unified the appearance of the television.
Picture and sound in high quality
You obtained the same distinguished picture on a Beovision LS as on the more advanced TVs in Bang & Olufsen’s range. The philosophy behind Bang & Olufsen’s TV picture is that it should appear as natural as possible. One of the reasons for this choice is that your eyes tire quickly if colours are too strong. In comparison with other brands, this philosophy can make a Bang & Olufsen picture seem less like a picture postcard. But Bang & Olufsen would rather be compared to reality than to glossy reproduction.
The sound in Beovision LS4500 and LS5500 also lived up to the expectations you had for a Bang & Olufsen TV. The amplifier in the built-in two-way bass-reflex speakers was, in fact, the same fine quality that was used in audio systems.
Beovision LS5500 66cm television was the result of generations of development and provided superb natural colour which is balanced automatically up to 50 times every second. Its powerful loudspeakers were set smoothly on each side of the screen which stretched from the very top to the bottom of the cabinet. Fast Teletext access was provided together with, satellite compatibility and NICAM digital stereo sound including Beolink 1000 remote control.
Beovision LS5500 could be happily married to Beocord V3000 video cassette recorder and both Teletext and NICAM stereo sound were standard on both the Beovision LS4500 and LS5500.
TV and video in all simplicity
A Bang & Olufsen TV is always a good investment. But perhaps you didn’t want all the highly advanced functions in Bang & Olufsen’s video systems. In that case, you could choose a television like Beovision LS instead. It had the same classic lines as Beovision LX and the quality again was extremely high. There was just a slight difference in design and technical specifications. For example, unlike Bang & Olufsen’s video systems, Beovision LS and its VCR partner, Beocord V3000, could not be included in a Beolink® system.
Beovision LS was available as a 66cm or a 63cm TV – the LS5500 and LS4500 (as well as two further models – LS5000 and LS6000). All materials were of the finest quality and as always, attention to detail was meticulously made. For example, it was real wood that was used in the rosewood model and not plastic laminate. The glass screen in front of the picture tube was made of a high-quality glass, from Europe’s leading glassmaker. It served two functions: it captured the light reflections that struck the screen, minimising their effect on the picture. And at the same time, it unified the appearance of the television.
Picture and sound in high quality
You obtained the same distinguished picture on a Beovision LS as on the more advanced TVs in Bang & Olufsen’s range. The philosophy behind Bang & Olufsen’s TV picture is that it should appear as natural as possible. One of the reasons for this choice is that your eyes tire quickly if colours are too strong. In comparison with other brands, this philosophy can make a Bang & Olufsen picture seem less like a picture postcard. But Bang & Olufsen would rather be compared to reality than to glossy reproduction.
The sound in Beovision LS4500 and LS5500 also lived up to the expectations you had for a Bang & Olufsen TV. The amplifier in the built-in two-way bass-reflex speakers was, in fact, the same fine quality that was used in audio systems.
Beovision LS5500 66cm television was the result of generations of development and provided superb natural colour which is balanced automatically up to 50 times every second. Its powerful loudspeakers were set smoothly on each side of the screen which stretched from the very top to the bottom of the cabinet. Fast Teletext access was provided together with, satellite compatibility and NICAM digital stereo sound including Beolink 1000 remote control.
Beovision LS5500 could be happily married to Beocord V3000 video cassette recorder and both Teletext and NICAM stereo sound were standard on both the Beovision LS4500 and LS5500.
Advanced TV technology at its most elegant
Beovision 2802 was the latest version of the classic Bang & Olufsen TV. Fully remote controlled, it was created specially for those who require all the features of today’s TV – and who also seek a timeless design that would blend perfectly into their living environment. Slim and elegant, Beovision LX2802 came in either traditional natural woods or a contemporary white finish.
To the finest detail
B&O is renowned for its attention to detail and craftsmanship. You won’t find any fussy buttons on B&O’s sets – because, with full remote control, they simply aren’t necessary. Absolutely nothing looks out of place or superfluous with a Bang & Olufsen TV. The materials are always selected with the utmost care. The closest attention is always paid even to the design of the back of the TV. The company believes that appearances matter a great deal, because you’ve got to live with a TV day in, day out. On or off, it should be easy on the eye.
The perfect picture – from any angle
You don’t have to sit bang in front to get a good view of Bang & Olufsen TV sets. The 66cm flat-square picture tube of these Beovisions gave a clear, undistorted picture even when viewed from the side. Combine that with the specially developed VisionClear system, and you’ve got eye-opening picture quality. The colour balance and contrast are regulated automatically, 50 times every second. There’s even a contrast screen to make sure that your picture’s always in harmony with the light levels in the room. Razor-sharp quality – and it’s built to last.
Advanced TV technology at its most elegant
Beovision 2802 was the latest version of the classic Bang & Olufsen TV. Fully remote controlled, it was created specially for those who require all the features of today’s TV – and who also seek a timeless design that would blend perfectly into their living environment. Slim and elegant, Beovision LX2802 came in either traditional natural woods or a contemporary white finish.
To the finest detail
B&O is renowned for its attention to detail and craftsmanship. You won’t find any fussy buttons on B&O’s sets – because, with full remote control, they simply aren’t necessary. Absolutely nothing looks out of place or superfluous with a Bang & Olufsen TV. The materials are always selected with the utmost care. The closest attention is always paid even to the design of the back of the TV. The company believes that appearances matter a great deal, because you’ve got to live with a TV day in, day out. On or off, it should be easy on the eye.
The perfect picture – from any angle
You don’t have to sit bang in front to get a good view of Bang & Olufsen TV sets. The 66cm flat-square picture tube of these Beovisions gave a clear, undistorted picture even when viewed from the side. Combine that with the specially developed VisionClear system, and you’ve got eye-opening picture quality. The colour balance and contrast are regulated automatically, 50 times every second. There’s even a contrast screen to make sure that your picture’s always in harmony with the light levels in the room. Razor-sharp quality – and it’s built to last.
And the sound to match
One of the things that make Bang & Olufsen TVs so special is the sound – because it’s just as breathtakingly good as the picture. The L and LX TVs have a bass reflex loudspeaker system – which, in words of one syllable, means great sound. You’ll be amazed at the difference it makes, even listening to the news! Of course, you’ll also appreciate Bang & Olufsen sound quality when you listen to music from your sound system through the TV. (Perfectly possible – all Bang & Olufsen’s latest audio, TV and video systems can talk to each other). Close your eyes and it sounds like you’ve just acquired a splendid pair of new hi-fi speakers for your music centre. Which is exactly what you HAVE done.
A view to the future
Your LX 2802 TV was also ready for satellite broadcasts when they became available. It’ll be able to receive broadcasts either through communal aerials and a hybrid network, or through your own parabolic ‘dish’ antenna. Just add the BeoSat LX module when the future arrives.
No-wait Teletext
The live information bank of Teletext is a tremendous benefit, whether you want an instant weather update, flight times or racing results. Now we’ve added even more of a bonus, with the computer-controlled Teletext module. This allows you to flip through the Teletext pages without having to wait. You can also call up four different pages instantly on the screen (in the order you want) by pressing the Teletext button. So you can hop easily from one topic to another, with quicker access to the facts you need.
The right connections
When you buy a Bang & Olufsen video recorder to partner your TV, you’ll be able to operate both with one remote control – the Beolink 1000. Needless to say, our video recorders are as intelligently designed as our TVs: Beocord VX5000 and VHS 82.2 even have a visual display to make operation and programming absolute child’s play. But your connection options don’t stop there. Your TV can team up with your music system. It can even form part of your Bang & Olufsen ’round-the-house’ TV, video and music system. All under the command of the ingenious Beolink 1000 remote control. You can also connect headphones, your personal computer, video games and a loop amplifier for the hard of hearing.
Take four
You could choose one of four models: the 63cm L2502 and LX 2502, and the 66cm L2802 and LX 2802. In all the most important technical respects, these TVs shared the same advanced features.
Fine finishes
The Beovision LX series was available in rosewood, teak, white and White Line (B&O’s modern colour and styling treatment).
Beovision LX 5500 / 4500 and Beovision L 5500 / 4500
Beovision LX was the result of several generations of development. Superb technology offering a wealth of functions. And the elegant design was sheer pleasure to look at. Without doubt, Beovision LX was a thoroughbred, according to Bang & Olufsen’s 1990 catalogue. And the Beocord VX5000 video cassette recorder a worthy stable mate.
Bang & Olufsen continually seeks new ways not only to streamline operation and function but to simplify exteriors. The powerful speakers of Beovision LX had a totally smooth facade when they were originally introduced in 1990. The contrast screen in front of the picture tube stretches from the very top to the very bottom of the cabinet. And the lacquer was as polished as a grand piano’s.
The result was unity; no knobs or displays interrupted the flow.
You could keep an eye on more than one programme at a time by letting a miniature picture run in one corner of the screen. Or you could show 4, 9 or 16 ‘clips’ from programmes on air at that very moment. Beovision LX 5500 also gave fast, direct access to to four Teletext pages you used the most. And there was room for a satellite receiver to be installed as well as using the TV set for the connection of extra speakers, loop amplifier for the hard of hearing and TV game consoles.
By mounting the whole TV set on a motorised base, you could sit in your armchair and turn the TV up to 35 degrees to each side with just one press of your Beolink 1000 remote control terminal. By programming it into the set, the TV then turned automatically towards your favourite viewing position every time the set switches on. And, naturally, the TV returned to centre stage each time you switched it off.
A stage designer can creative positive associations of purity by using predominantly white or light grey in stage sets and costumes. White and grey symbolize a simple style of living and, as the audience, we associate this virtue in our mind’s eye with the person who decorates with, or dresses in, these light colours. In interior design white and grey give a modern impression with everything blending together, perfectly executed down to the tiniest detail. For those who prefer an all-white look,. Bang & Olufsen in 1990 dressed its Beovision LX range completely in white; even the back.
You could put Beovision LX White Line in the middle of a large room if you so desired. It looked discreet and elegant and spoke its own, well-modulated design language. If a pleasant light grey was more to your taste, the Beovision LX range was available in a light grey finish too. All the other technicalities internally were identical to the other LX family members.
Beovision LX 5000 and LX6000 were the classic Bang & Olufsen televisions, with the loudspeakers on either side of the screen. They were equipped with 66cm and 63cm Black Line picture tubes and VisionClear which makes the picture sharper and the colours clearer. Automatic adjustment of the contrast and light strength continuously kept the picture optimal under different light conditions in the room.
The powerful loudspeakers were based on a two-way bass reflex loudspeaker system that delivered the high sound quality of more and more TV programmes and video tapes. Both TVs were equipped with A2 and NICAM stereo systems.
A BeoSat LM satellite receiver could be built in, allowing access to 99 TV or radio programmes via a parabolic aerial. A D2MAC decoder could also be built in. Bang & Olufsen made it possible for you to pre-program the recording of video programmes from the satellite. The satellite receiver and video recorder were operated by the same Beolink® remote control that operated the TV.
The same remote control also did the work if the Beovision LX6000 and LX5000 were coupled to a Bang & Olufsen music system. Other connection options were headphones, decoders, TV games and camcorder.
