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BeoLab 200

Bang & Olufsen Beolab 150

BeoLab 200

On the amplifier itself were buttons for adjusting bass and the level of sensitivity. This meant that you could arrive at a permanent adjustment that matched the room exactly.

BeoLab 150: Controlled overdrive

At the base of the BeoLab Penta column was the BeoLab 150 amplifier with a power output of 175 watts DIN/IEC. This could give your music a tremendous boost, both to the quality and the actual power output. It was ideal if you loved to party but had a relatively small music system. Big power needs careful control – so the amplifier was equipped with Bang & Olufsen’s Dynamic Soft Clipping system. This was a circuit that prevented both distortion and damage to the speaker units by softly rounding off signals that were too powerful. Another circuit prevented damage due to prolonged overloading.

BeoLab Penta turned on automatically when it received a signal and also turned itself off three minutes after receiving the last signal. BeoLab Penta had a light display that indicated the volume level and which sound source the music was coming from. This was especially useful with Beosystem 5500 and Beocenter 9500.

BeoLab 150 and 200 were used as part of the BeoLab Penta active loudspeakers range.

Connections:

At the bottom of BeoLab 150 were two clip-sockets and a four pole DIN socket for connecting speakers, a line input phono socket and a mains cable.

BeoLab 200 Product Details

Type Numbers

1721 (1986 – Dec 1988)
1725 (AUS) (1986 – Nov 1987)
1722 (GB-N) (1986 – Dec 1988)
1724 (J) (1986 – Dec 1988)
1723 (USA) (1986 – De 1988)

Designer

Please let us know

Manufactured

1986 – 1988

Colour Options

Grey

BeoLab 200 Product Specification

Specifications: Power output 20 – 20,000 Hz IHF 1 x 150 watts / 8 ohms
Power output RMS DIN/IEC 1 x 175 W / 8 ohms
Power output music 1 x 225 W / 8 ohms
Total harmonic distortion < 0.015 %
Intermodulation distortion IHF < 0.02 %
Wideband damping factor IHF 150
Dynamic headroom IHF > 1.5 dB / 8 ohms
SN A-weighted 1 W IHF > 78 dB
S/N A-weighted 150 W > 100 dB
LINE input 80 mV / 1W, 10 V / 150 W, 150 Kohms
22 Kohms, phono plugs

Speaker input
800 mV / 1 W, 10 V / 150 W, 15 Kohms
DIN 4-pin or spring loaded contacts
Bass level switch Linear, +3 dB / 40 Hz, +6 dB / 40 Hz
Sensitivity switch 0 dB, -3 dB, -6 dB

Power supply:
1721: 220 V
1722/1725: 240 V
1723: 120 V
1724: 100 V
Power frequency 50 – 60 Hz
Dimensions WxHxD: 25 x 13 x 25cm
Weight 7kg

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Available documents are listed, if none are listed then please reach out to see if we have them.

    Type

Language

    Type

Service Manual

EN

BeoLab 150 Service Manual

BeoLab 200 FAQs

Please let us know

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BeoMaster 5500

Bang & Olufsen BeoMaster 5500

BeoMaster 5500

Beomaster 5500 was the brains and heart of the system which it made up.

Connected by Datalink to the record player, tape recorder and CD player it allowed the user to remote-control the whole system via the Master Control Panel. The 2 x 60 watt/8 ohm tuner/amplifier gave true hi-fi quality. Bang & Olufsen’s Automatic Power Handling Control system prevented overloading and distortion, regardless of how many speakers were connected. Up to 20 stations on the tuner could be preset and the frequency synthesizer took care of automatic search and fine tuning of stations. The result – superb reception of LW, MW and FM wavebands and impressive ease of use.

Beomaster 5500 was aesthetically balanced to match the rest of the components within Beosystem 5500

These days, these receivers are the cheapest of the Beolink 1000 controlled stackable systems. They do have the huge advantage of having not only DIN connectors but also a full complement of RCA plugs. This actually makes them ideal for present day use as the extra connections allow computer and digital music connections in addition to usual sources.

BeoMaster 5500 Product Details

Type Numbers

2331 (1986 – March 1990)
2332 (GB) (1986 – March 1990)
2333 (US) (1986 – Dec 1989)
2334 (J)(1986 – Oct 1989)
2335 (AUS) (1986 – Aug 1989)

Designer

Manufactured

1986 – 1989

Colour Options

Aluminium, White

BeoMaster 5500 Product Specification

Long-term max. output power IEC 2 z 110 / 8 ohms
Power output 20 – 20,000 Hz IHF 2 x 50 W / 8 ohms
Total harmonic distortion IHF < 0.09 % / 8 ohms 20 – 20,000 Hz
Intermodulation IHF < 0.1 %
Signal-to-noise ratio:
TAPE A-weighted: >78 d
PHONO A-weighted: >80 dB
Channel separation: 10000 Hz 60 dB
FM range 87.5 – 108 MHz
LW range 150 – 350 kHz
MW range 520 – 1610 kHz

Power supply:
2331: 220 V
2332/2335: 240 V
2334: 100 V
Power consumption. max 225 W
Dimensions W x H x D: 42 x 7.5 x 32.5cm
Weight: 8.5 kg

RIAA amplifier: built-in

Connections: Beocord Tape 1 7 pole DIN, Datalink
Beocord Tape 2 7 pole DIN, Datalink
Beogram CD 7 pole DIN, Datalink
Beogram LP 7 pole DIN, Datalink
Beovox/BeoLab 4 pole DIN
Beovision 7 pole DIN, Datalink
Link room: Speaker set Master Control Link
Line IN/OUT Phono plugs
Extra speakers Phono plugs

Link compatibility: Master Control Link

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Available documents are listed, if none are listed then please reach out to see if we have them.

    Type

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    Type

User Guide

DK

BeoMaster 5500 User Guide

User Guide

EN

BeoMaster 5500 User Guide

User Guide

FR

BeoMaster 5500 User Guide

User Guide

GER

BeoMaster 5500 User Guide

Setup Guide

EN

BeoMaster 5500 Setup Guide

Service Manual

EN

BeoMaster 5500 Service Manual

BeoMaster 5500 FAQs

BeoMaster 5500 works but produces no sound!

Check which speaker sockets are being used. If Speaker 1, try pressing the right side of the front of the Beomaster.

This is the Mute button. If it clicks, but nothing happens, try the speakers in the Speaker 2 socket. If that works, the problem is the mute relay which needs replacing. A relatively cheap fix!

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BeoLab 1

BeoLab 1

New and Improved Sound on BeoLab 1

After purchasing a pair of brand new Beolab 1 I was dissatisfied with the sound (as I expressed in the BeoWorld Forum). Bang & Olufsen seemed to be unhelpful and a little arrogant in the matter, as to helping me resolve the issue.

In my opinion these big “pillar” speakers sounded razor sharp, ice-cold and screamy when playing CDs of good dynamic qualities.

As a technician I refused to accept this. I started researching everything I could about these speakers.

After having spent some time researching, I discovered three potentiometers on the active X–over located behind the covers (at the bottom), which controls each of the amplifier units with 3-4 Db. I started experimenting with these.

I quickly discovered that, when turning a potentiometer left, an element played less, and when turned right it played louder. I wrote down all the original values and continued experimenting.

After a little while I was able to localise each screw and what element it symbolised:

I have now customised the values on the screws and the result: a little more bass and less ice-cold and screamy sound from the mid-range element!

These customised changes have allowed me now to enjoy a little more listening, instead of getting worn out by the continuous metallic, cold, surgical and artificial sharp sound (especially at high volumes 50-56).

 

Warning: Before attempting any form of modifications, please be aware that modifications carried out by none B&O personnel could result in loss of warranty (as posted by our moderator). Further more, if you make the modifications be sure to “mark” the positions of the “damping bricks” as to where they are located in the cabinet. The following modifications are based on previous modifications made to my BeoLab 1s (where I changed all three potentiometer values).

Modifications carried out with the following setup: BeoSound 3000 and BeoLab 2.

Even with my previous modifications (to the potentiometers) I was never 100% satisfied with the outcome. Though the modifications (in my opinion) were a great improvement, I decided to see if any other modifications could be carried out (as to improve the sound).

So, in my quest for perfection, I recently decided to disassemble my BeoLab 1s.

The first thing I noticed was that very little damping material had been used to damp the reflection of the inner-waves. As illustrated on the picture below, only four small “damping” bricks and one very thin sheet of damping material (at the bottom) are used.

As you can see on the picture, no damping material has been used on the upper part of the speakers (where the upper woofer is located), which seems very odd to me.

Now if you disassemble other speakers of high-end brands like B&W, Tannoy etc you would see that the speakers are filled with damping material. And even as insignificant that this may seem to many of you, I can assure you that it has a great impact on the “sound experience” from a speaker.

So I decided to modify the BeoLab1 with high-quality damping material, enough for 30 – 40 litres. And filled the whole cabinet with it (as illustrated on the bottom picture):

Before assembly, I moved the “bricks placement” to maximum width to see how the woofers sounded. When placed far apart, the woofers sounded softer (much more like the Pentas) and when placed close together (like originally mounted), it sounded punchier! So I decided to experiment with the placement of the “bricks”, and eventually found a satisfying position for them.

With the original placement of the “bricks” the woofers theoretically only had about 2-3 litres of volume.

These customised changes, have made my BeoLab 1s much smoother and I think I’m nearing pure perfection.

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Datalink

Datalink

DataLink

Datalink was the first digital language developed by Bang & Olufsen and allowed various components of a music system to work in conjunction with each other. It used the addition of two extra pins to a standard 5-pin DIN plug via which a digital code was sent.  It was a way whereby products could ‘talk to each other’. Datalink is the forerunner of Beolink®. The DIN connector has two pins for control signals, one pin as an audio ‘common’, two pins for stereo ‘in’ and two more pins for stereo ‘out’. The control pins are referred to as Datalink pins and these carry signals to do the following:

  • transfer program-location data to the primary component to show up on the primary unit’s console, two-way remote controls, display-equipped BeoLab speakers or BeoVision TVs that are installed in other rooms and part of their Beolink ‘multi-room’ audio-video infrastructure
  • ‘open up’ the audio inputs on the BeoMaster or BeoCenter if the local ‘PLAY’ key is pressed on the unit
  • accept control signals to control the device from either the primary unit or a remote control

The original idea was seen in a prototype system called BeoSystem 6000 which comprised a stereo receiver, stereo tangential tracking turntable and an advanced auto reverse reel to reel tape recorder. This system was never put into production but styling cues from the BeoMaster led to the BeoMaster 6000 quad receiver, the record player became the BeoGram 4000 but the BeoCord was dropped after only 6 examples were made. The idea of each component being able to talk to each other was postulated but no system was put into production based on this design.

The first production model with any type of link system was the BeoMaster 2400 which, when connected to a BeoGram 4004, allowed remote control of the BeoGram via an ultrasonic remote control. Unlike previous systems, all the major controls on the BeoGram and the BeoMaster were electronic and hence suitable for remote operation The system was later to include a radial BeoGram as well, the BeoGram 2402. This system however was a one off and was incompatible with later versions of Datalink. The BeoGram and receiver were connected via a captive 7-pin lead on the BeoGram.

Datalink first was seen in its full glory in the BeoLab 8000 system in 1981. Unlike the earlier system, full remote control of all the different sources was now possible, with play, record, cueing, programme selection and volume control all possible at the press of a single button on an infra red remote control. The system also allowed one to press a start button on any of the sources which would switch on the BeoMaster or vice versa. All the sources were attached to the BeoMaster by 7-pin DIN leads. An important point was that the BeoMaster remained the hub of the system with all commands from the remote control travelling via the infra red receiver on the BeoMaster and Datalink being the messenger to the source.

The system was refined over the years and eventually allowed all functions to be controlled remotely as seen in the BeoSystem 7000. These days, the system has fallen into disuse but the language continues in a different guise as MasterLink. No longer speaking between components in a single audio system, MasterLink connects systems together. Older systems can still communicate with the aid of the 1611 converter which translates Datalink to the newer codes.

Main Datalink audio products:

BeoMaster2000  **45007000
 2400 / 2400-250008000
 30005500 
 33006000 
 35006500 
BeoCord200050006500 ***8004
 33005500  ***7000 ***9000
 350060008000 
 450060028002 
BeoCord VCRVHS 91VHS 91.2
BeoGram1900 / 190245006002*9000
 2000500060069500
 300050056500 
 330055007000 
 35006000 *8000 
 400260008002 
BeoGram CD33005500
 35006500
 45007000
 CD50 
BeoCenter23009000
 25009300
 80009500
 8500 
BeoSound4000Ouverture

Notes:

* Datalink communication in the BeoGram 6000/6002 is one-way, which means that pressing /PLAY/ on BeoGram 6000/6002 will not start the BeoMaster/BeoCenter

** BeoMaster 2000 cannot be operated by remote control

*** BeoCord 5500/6500/7000 have some special functions, for example tape counter and adjustment of recording level via remote control, which can be only operated with BeoMaster 5500and MCP5500

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Master Control Link 2 Connections

Master Control Link 2 Connections

Introduction / Speaker Link

The Master Control Link connection at the Speaker 2 output sockets of a BeoMaster/BeoCenter. Connection from this point is made to the MCL ABLI or MCL2AV relay box via a special 7-conductor cable with 3-pin speaker plugs on one end and bare wires on the other.

Signals

The MCL cable carries speaker level signals, left and right. Along with the speaker signals, a two-way data signal is carried for communication purposes between main room and local room, as well as display data for BeoLab Penta or BeoVox panel speakers. The BeoMaster/BeoCenter also supplies 7 volts DC which is transferred via the link cable to the relay box.  This power source is used only by the MCL 2ABLI.  The MCL 2AV receives its power either from a separate power supply or from the MCL 2P amplifier.

Speaker Link

Speaker Link defines the connections between a BeoMaster/BeoCenter Speaker 1 output and a pair of active or passive speakers in the main room.

Signals

Audio signals are transferred at speaker level. The top pin of the socket is the speaker ‘hot’, the blade the speaker ground.  The bottom pins are used to transfer data and data ground from the BeoMaster/BeoCenter to BeoLab active speakers.

Connection to BeoLab speakers via speaker link must be done with shielded speaker cables.

PowerLink

PowerLink defines the connection between a BeoSystem or MCL2AV with 8-pin DIN PowerLink sockets and BeoLab active speakers or the MCL2P power amplifier.

Signals

The PowerLink connection carries both left and right pre-amp output signals.  Additionally, the PowerLink connection transfers data signals for the BeoLab active speaker (and status display for those active speakers fitted with this LED readout). The remaining connections provide turn on and protection signals (APHC) for the amplifier.

PowerLink outputs may be adapted to standard RCA outputs for driving non-B&O power amplifiers using a DIN to RCA adaptor number 6270316.

The remote mains switch  may be activated by the PowerLink outputs using DIN to DC female adaptor number 9627100.

Note that there are two thicknesses of PowerLink cable: the thick cable should be used for source display on active speakers with such displays (like BeoLab Penta, BeoLab 4500, BeoLab 5000); the thinner cable is unable to do this.

Audio Link

Audio link connections are those which take place between an audio master (like BeoMaster or BeoCenter) and its program sources: BeoCord, BeoGram record deck and BeoGram CD.

Signals: BeoGram Record Decks and CD Players

Both analogue stereo signals and two-way Datalink codes for operation and display are transferred. For BeoGram turntables and CD players the analogue signals are one-way, from the source to the Master. These signals terminate at pin 3 (left) and pin 5 (right) of a 7-pin DIN plug. Pin 2 is the signal ground. BeoGram 5500 and 9000 transfer signals at phono level. All other products transfer signal at line level.

Signals: BeoCord audio

In addition to the above, audio signals are transferred to the BeoCord from the audio master for the purposes of recording.  These signals take place at pin 1 (left) and pin 4 (right) of the 7-pin DIN plug. All signals are at line level.

BeoCord signal cables may be extended via extension cable number 6270338.

Audio Aux Link

Audio Aux Link is the connection between a Bang & Olufsen MX 5000 television and a Bang & Olufsen Beolink compatible audio system. This connection is also known as a Beolink connection.

Signals

Both analogue stereo sound signals and two way Datalink codes for operation and display are transferred. Audio signals are in two directions. This gives the ability to play audio signals from the video system through the audio system, as well as allowing programs from the audio system to be played through the MX 5000 TV set.

The Audio Aux Link connection also permits sound from the VX5000 VCR to be played through the audio system and sound from the audio system to be recorded on the VX5000. This connection takes place automatically whenever a VX5000 is connected to an MX 5000.

In practice, the Audio Aux Link connection is identical to the Audio Link connection for BeoCord audio. Therefore, the same types of cables and extensions which are used for two way Audio Link connections may be used for Audio Aux Link connections.

AV Link

AV link describes the connections between the MX5000 TV and the VX5000 VCR.

Signals

The AV link transfers audio, video and data signals between the MX5000 TV and VX5000 VCR. A special cable with 21 pin SCART plug on each end is used to accomplish the AV link connection.

Audio signals are transferred in both directions between TV and VCR. This allows sound recording from the audio system via the Aux Link connection to the TV set, as well as playback of stereo sound from the VCR through the TV or the audio system.

Composite video signals are transferred from the TV to the VCR. This allows recording from a second VCR, camcorder or other video source.

Model Audio Link AV Link Audio Aux Link Power Link Speaker Link Master Control Link
BeoMaster/BeoCenter
BM4500 * * * * *
BM5500 * * * *
BM6500 * * * * *
BC9000 * * * *
BC9500 * * * * *
BeoCord cassette recorder
BC3300/4500 *
BC5500/6500 *
BeoGram record deck
BG4500 *1
BG6500 *1
BG3300/4500 *
BG89000/9500 *
BeoGram CD
CD3300 *2
CD4500 *
CD5500/6500 *
Master Control Link 2
MCL2A *
MCL2AV * * * * *
BeoLab active speakers
Penta 1 *
Penta 2 * *
BeoLab 3000/5000 * *
BeoVox passive speakers *
MX5000 TV * * * *3
VX5000VCR *
Key:
1 = built-in phono preamp
2 = Special Datalink code for BM3300 only
3 = 2-pin only
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Technology Profiles

Technology Profiles

BeoSound 9000

Normally only a few Bang & Olufsen products and technologies are patented. The investments patenting require are simply unnecessary, as no real threats exist within the current market of consumer electronics. Usually the distinctiveness of Bang & Olufsen products (concepts, materials used, the craftsmanship and overall quality) is very far from the reality, large scale manufacturers of consumer electronics have to deal with.

However, as BeoSound 9000 is probably one of the most innovative audio products ever marketed, it was decided to patent the uniqueness of Bang & Olufsen re-thinking the CD media. The patents cover two issues; the basic idea of the concept and part of the advanced technology controlling the CD player mechanism.

The basic idea
The primary principle distinguishing BeoSound 9000 is playback of CDs, visibly placed in a linear fashion. Instead of transporting the CD to the laser pick-up, the laser finds its way to the CD, speedily and elegantly. These principles provide a new way of using – and living with – compact discs (see above picture).

Patenting ‘the basic idea’ limits any attempts to plagiarise the basic principles of BeoSound 9000. As the versatile approach might be applicable to future types of compact disc based equipment, also this aspect is covered by the patent.

The feature
Besides expressing a brilliant idea, BeoSound 9000 is a remarkable technological achievement. One of the most prominent features, the automatic positioning of CDs, is a unique compound of a simple, yet powerful idea, combined with advanced digital technology.

With auto-positioning, BeoSound 9000 is capable of detecting and memorising a specific angular position for CDs. After playback, a CD returns to a position chosen by the user; most likely a position where the textual information printed on the CD is readable.

A small piece of information on the CD, the so-called P-bit, is used as the point of reference for the angular positioning. Using the location of this P-bit information, present on virtually all audio CDs, software-controlled tachometers enable a very precise positioning of discs after playback. Automatic positioning of CDs by use of the P-bit information is a Bang & Olufsen copyright.

A patented concept will prevent other manufacturers using the same approach. In fact, the ‘simple’ idea of placing compact discs linear in a multi-CD player cannot be copied without violating the copyright. Without competition from plagiarising products, BeoSound 9000 cements its position as a unique alternative to traditional multi-CD players. Finally, patents are significant communications parameters. Most people are aware of the fact, that special efforts have been made to design a product, that has been granted a patent.

BeoVision 4

The idea behind this is to allow users to integrate BeoVision 4 and BeoCenter 2 together with a pair of BeoLab active speakers as a 2-channel bedroom ‘TV’ system. This alternative to the classic BeoVision 4 paired with BeoSystem 1 as a full surround system, serves individuals who are not interested in surround sound but just wish to use the BeoVision 4 for say, a bedroom.

The BeoVision 4 TV solution can be configured in one of two ways:

System 1: Bedroom TV system w DVD/STB
1 BeoVision4 42”
1 BeoCenter 2
1 Selected Cable STB or SAT receiver
2 BeoLab speakers
1 Crestron pre-programmed controller
1 Lintronic IR>RS232 converter
1 Avant IR receiver

System 2: Link room TV system w STB
1 BeoVision 4 42”
1 BeoLink ML Active kit
1 Selected Cable STB or SAT receiver
2 BeoLab speakers
1 Crestron pre-programmed controller
1 Lintronic IR>RS232 converter
1 Avant IR receiver

System 1 Offers a simple A/V option to customers looking for a 2-channel bedroom TV, with Beo4 operation of all basic functions.

System 2 Offers a Link room TV system allowing use of Audio sources from BeoLink ML Active kit, as well as control of one selected STB for TV viewing, all controlled easily by BV4.

Operation:

Operation can be carried out via Beo4 in a fashion similar to BeoSystem 1, however, there will not be overlay menus for the sources or surround capability. Bang & Olufsen supports one of 11 selected STB or SAT receivers pre-programmed into the Crestron controller.

These are intended to be 2-channel TV solutions. For digital surround sound, for the incorporation of additional sources, for superior picture quality improvements etc., then BeoSystem 1 is recommended.

BeoVision 4 42” TV kit (Item number: 0894394)
This kit includes:
1 x Crestron pre-programmed controller
1 x Lintronic IR>RS232 converter
1 x Avant IR receiver
Assorted RS232 control cables & power supplies

Required Cables :

Item number: 0894395
YPbPr > VGA 15 pin Dsub adaptor
YPbPr from SAT/STB to BeoVision 4

Item number: 0894396
Scart > VGA 15 pin Dsub adaptor cable
YPbPr from BeoCenter 2 to BeoVision 4

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Problem Solving

Problem Solving

How do I clean the tape path?

The tape path, that is, the tape heads, pinch rollers and other parts which the tape touches during playback or recording, should be cleaned every now and then to avoid dust and fluff build-up.

It is a good idea always to clean the tape path prior to making a recording. Use a tape head maintenance kit or simply a cotton wool stick dipped in a cleaning fluid (preferably iso-propyl alcohol which will not harm plastics if spilt) intended for this purpose.

The cleaning process must be carried out while there is no cassette in the tape compartment.

Press [A.TAPE]. The tape head and the right-hand pinch roller are now exposed, enabling you to clean them.

Press [TURN]. The left-hand pinch roller is now exposed.

Press [Stand-by] or switch to another source when you have finished the cleaning process

Which remote control will work my equipment?

First ascertain that your equipment can be controlled by remote. The Beocenter 2200 looks the right design and era but is completely manual as an example.

If it is remote control, then there are various families of remotes to consider.

The very first B&O remotes used ultrasound rather than infra-red and were seen initially for use with the Beomasters 2400 and 6000 and Beovision 6000. Each remote was unique to the individual product and could not really be used to operate any other device.

The ultrasound system was improved in the later Beovision Control Module which was used for the Beovision 3802, 4402 and 6002. This was a superb remote designed so that the user could identify buttons by feel as well as appearance.

These remotes were superseded by the first infra-red devices though the ultimate goal of audio-visual integration was still not realised. The Video remote, known affectionately as the Mars Bar, allowed both TV and video to be controlled and was a lovely metal alloy device. It controlled the Beovision 8800 series sets and its derivatives. It was also used in the first of the MX range, the MX2000.

Meanwhile the audio remotes were becoming complicated! The Beocenter 7000 had been released with its own hand held infra red controller and this design was now used for all the different audio systems. However the codes used were not common so to all intents, you needed the correct controller for each product. The Beomaster 8000 was the next to be introduced and this remote featured far more controls than that for the Beomaster 2400, with the ability to control both Beogram and Beocord as well as change balance and switch the filters in and out. Radio channels and volume were of course also catered for. The same design was used for the Beomaster 6000 that followed though the functions were subtlety changed and if used with the other product, not all keys behaved as advertised!

Similar style controllers were then introduced for the Beomaster 3000 and 5000, though again, the codes varied. Mention must also be made of the terminal for the Beogram CD50, the only stand alone remote for a CD player made by B&O which necessitated the fitting of a board in the CD50. These are rare.

The last of this style of remote was that for the Beomaster 3300 and was the most interesting as it now possessed the codes that would serve as the basis of all remote codes used by B&O from then to the present day: a muted start to a revolution in control.

This was we had been waiting for and within the year we had the first of a completely new range of remotes which were to become the Beolink 1000. To start with we had the Audio Terminal, the Video Terminal and, most interestingly, the AV Terminal. The last operated both audio and video systems realising the dream of one remote to control them all!

Within a short time, the remotes were simplified and the Beolink 1000 was born.

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Caring for your Bang & Olufsen

Caring for your Bang & Olufsen

How do I clean my Bang & Olufsen product?

Always try a diluted amount of soap and water first, applied to the surface of your product with a very soft brush. Use a vacuum cleaner attachment first in order to remove excess dust that may have accumulated.

For wood trim on your products then use a teak oil (or similar) applied sparingly with a soft cloth. Wipe off any excess after a minute or two and gently buff up.

For metal trim on older products this is generally brushed aluminium. To clean these again use a soft cloth and warm soapy water. Dry afterwards. This should remove most, if not all of the dirt and grime that has set in over the years.

More modern B&O products use either a shiny aluminium or stainless steel. Be very careful when you clean these as you can leave behind little ‘skid marks’ on their surfaces.

For plastic trims (for example the tops of record decks or digital readouts) again use a very soft cloth with just a small amount of soapy water applied to it. Dry off. If any marks or stains persist then try using silver polish. Apply the silver polish (Silvo is a good make) to a small out-of-sight area first; if you are satisfied then continue with the rest. This can be a long and laborious process, but it’s well worth it! Note that you will only remove minor, superficial scratches. For deeper scratches and gouges then you will have to either replace the offending part or learn to live with it!

For glass, a product to use (at least for those living in France) is St Marc Zerotrace Spécial Vitres Anti-coulure. This leaves no smears on the glass and leaves it as shiny as the day that it was manufactured! For those elsewhere, a good quality spray Glass Cleaner and Kitchen Roll does the trick – but be very careful with products that have Anti Reflective Glass Coatings.