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BeoVision Avant 28 VCR

Bang & Olufsen BeoVision Avant 28 VCR

Everything is operated from the remote control and you have full control from the best seat in the living room

TV isn’t just something you watch, it’s something you experience. That’s why BeoVision Avant makes a big deal about giving you the best in audio-visual entertainment. The BeoVision Avant was created as a video system, but during its design, the idea came up of making the television a picture on the wall. This has been achieved by deceiving the eye: this is a familiar ploy in the very best of designs. The BeoVision Avant gives you a television that acts like a picture on the wall: a wall you personally position in the room. It has a built-in video which is invisible to the viewer. Everything is operated via the Beo4 remote control. You have full control from the best seat in the living room, and the television turns towards the viewer using the motorised base.

BeoVision Avant
Designed by David Lewis – was a totally new concept from Bang & Olufsen and was introduced in 1995. This video system is completely integrated holding a widescreen television, a hi-fi stereo VCR and a couple of active speakers in its attractive-looking cabinet. It was also the first wide-screen TV from Bang & Olufsen ever. Although by the end of the twentieth-century widescreen TVs were taking more and more market share, most TVs still used the 4:3 format. When Bang & Olufsen started planning for this model they originally envisaged to use the same technology then currently used in the MX series but along the way they decided to develop a completely new chassis. This new chassis is much more advanced.

The Avant is also a very environment-friendly TV using a lot of recycled material as well being recyclable itself at the end of its serviceable life. The set can also be expanded with several add-ons. For example: picture-in-picture (PIP), satellite receiver and Dolby Pro-Logic or Dolby Digital decoder. The Avant is the pathway to the future of video systems; a whole new concept of the most advanced video system from Bang & Olufsen to date.

The widescreen format 16:9 picture tube is used for the first time in the BeoVision Avant. This created conflict between designer David Lewis and Bang & Olufsen’s technicians, as the designer could not see the point of it. A new picture tube that could not be filled by the TV picture. Where randomly placed grey stripes on the picture tube were a part of the framing of the picture most of the time. The technicians did not think it could be their fault. Wide format 16:9 was an attempt to consolidate a whole industry around a new market standard. The designer’s talk of trimming and stretching the picture to fill out the frame was, in their eyes, simply distortion. There was no ideal solution to the dilemma.

Together they had to find the solution that would work best in practice. It was not possible to fill the 16:9 format with a 4:3 TV picture. The necessary trimming and stretching annoyed the eye too much. On the other hand, wide format had a lower limit. In the eyes of designer David Lewis, that lower limit lay in the 14:9 format. The technicians struggled to implement the format with as little distortion as possible. They also checked to see whether designer David Lewis would notice the difference if the format was a little bit smaller. Just a few millimetres smaller on the longer element! But David Lewis saw it straight away.

There was a distinct limit in the eye’s perception of the transition to wide format, and it lay at 14:9. Finally, they managed to come up with a method that could handle the problem satisfactorily in practice. A method that has subsequently been further developed to implement the 15:9 format that is close to the aesthetic ideal: the golden rectangle. Programmes recorded and distributed in 16:9 are the ideal way of filling the wide format, but the range is still limited. Bang & Olufsen’s wide-format TV offers a practical solution to filling the screen with ordinary TV and video programmes. It was created by trained eyes.

TOP TIP

Information valid for:

BeoVision Avant 50 HZ MK I MK II

Intermittent jamming of cassettes during eject; VTR fails

Symptom: Intermittent jamming of certain types of cassettes in the tape mechanism during eject.

Cause: An edge of the cassette or a misfitted label, etc. may catch the lower part of the cassette lid and prevent the cassette from being ejected.

Solution: Replace the cassette lid by the new type, which is fitted with two small round knobs on the lower part of the lid.

This solution is implemented in the production as from Avant serial number 12159658 (week 38 of 1996)

Its standard features were: VisionClear Technology and multi-format picture. It houses a 16:9 widescreen television with automatic picture adaptation, which means that every broadcast, no matter where it originates, is automatically shown with the optimum reproduction, from news reports in standard format, to movies in widescreen.

BeoVision Avant features the same functions as Beosystem AV 9000. When you turn it on, first it turns on its motorised stand toward your favourite watching-place. Then comes the sound, produced by four active loudspeakers hidden directly underneath the widescreen, while behind the black curtain the picture adapts to its format and to the lighting conditions in the room, before the curtains glide aside and reveal a perfect picture.

BeoVision Avant encourages you to lose yourself in a sound and picture experience – and not in the technology. That’s why we hang the 16:9 Real Flat wide-screen on its own smooth wall and conceal everything else behind it – including a set of speakers that will outpace the average hi-fi and a video recorder that tunes itself automatically.

You can choose a built-in DVD player or video tape recorder and from a range of five colours. There’s also the option of a simplified 66cm version with no integrated entertainment source.

Design
Close your eyes and imagine the perfect TV. Open them again and take a look at BeoVision Avant. It’s a widescreen TV that’s easy to understand, effortless to use and always a pleasure to watch.

Though a widescreen TV is never going to be small in size, it doesn’t mean that it has to dominate its surroundings. The Avant has a subtle presence and comes in a range of colours that allow it to compliment any environment in which it’s placed.

At Bang & Olufsen, it is taken for granted that when you watch TV, you want to concentrate on the experience rather than on the technology. That’s why the Real Flat screen is ‘hung’ on its own “wall” with everything else concealed behind.

Widescreen
The picture quality provided by the Avant is as close to the real thing as you can get. Its smooth Real Flat widescreen provides the perfect format for movie watching – and together with the exceptional sound creates a spatial illusion that’s second to none.

Switch on the Avant and it automatically adjusts any broadcast to the optimal widescreen picture – no matter what format it was produced in. News and sports broadcasts are expanded from the traditional 4:3 format into 15:9, while movies shot in widescreen are reproduced in a 16:9 format that’s as close to the original cinema version as you can get. And, if you don’t like the picture as it is, you can easily change to another format with the Beo4 remote control.

BeoVision Avant models:
BeoVision Avant 100Hz MK III (832x)

BeoVision Avant 100Hz MK I MK II (830x)

BeoVision Avant 28 DVD (834X)

BeoVision Avant 32 MK II MK III (842x)

BeoVision Avant 32 DVD (844X)

BeoVision Avant 50Hz MK III MK IV (810x)

BeoVision Avant 50Hz MK I MK II (81xx)

BeoVision Avant CTV (836x)

BeoVision Avant RF 28 (833x)

BeoVision Avant RF 28 CTV (837x)

BeoVision Avant RF 32 (843x)

BeoVision Avant US (8490)

Features
Watching movies should be about simple entertainment, not complicated technology. That’s why the Avant is available with its own built-in DVD player or video recorder. Its presence is only given away by a discreet lid on the front. All cables are hidden in the back of the set.

To ensure even greater viewing comfort, the Avant has its own motorised stand that turns effortlessly through a 70 degree arc. You can program it to turn automatically towards your favourite viewing chair, or use the Beo4 to turn it in the opposite direction. When you switch the Avant off again, it returns silently to its original position in line with your furniture.

A red LED display on top of the cabinet gives you a discreet status of the source you are viewing, without intruding on the picture. It also shows the volume status when you adjust the volume level, and other information related to recording, Dolby Surround and so on. On the back of the display is a hidden push button panel for the most frequently used controls.

The Beo4 remote control is used to access all the various functions of video-playback and recording, menus, tuning, text-television, picture optimisation, sound properties and so on. Beo4 is designed for user-friendly and ergonomical operation with one hand. The buttons in a star-shape for search, ultra-sharp still-picture, super slow-motion, programme shift and fast forward can be controlled by your thumb only, you don’t even have to move your eyes. Beo4 also controls all the latest B&O audio systems as well – it’s the key to complete home entertainment!

A discreet display on the upper right hand corner of the Avant lets you know what source is playing and a small control panel placed behind it offers hands-on control of all basic functions.

This television became the basis for renewed efforts in the US television market which has been overall successful.

Let the show commence!
It has been said that ‘Bang & Olufsen’s products are enchanting’ ! And the magic, the good idea, often comes into being in the course of finding a solution to some practical problem. The practical problem here was that there was a short time lag between pressing the button and a picture appearing on the screen. So you would sit and wait expectantly for a little while. The experience of waiting reminded designer David Lewis of a theatre before the curtain went up! Behind the curtain, preparations are being made for the performance. The lighting and sound are adjusted and the actors take their places. The curtain only goes up when everything is ready.

The first television to have a curtain was the BeoVision AV 9000. The curtain was a thin steel sheet that was slid to one side by a clever mechanism when the stage was set. Bang & Olufsen’s wide-format television, the BeoVision Avant, is equipped with an electronic curtain. From the moment you press the button until the curtain slides away, the technology is busily working unnoticed. No pop from the loudspeakers, no random flash of light from the screen. Only when the sound is ready and the picture is in place can the performance begin.

VCR
Underneath the loudspeakers is the access to the VCR. The Avant incorporates the same video-technology as the V8000 systems, namely a stereo VCR that can play back recordings of all standards. The video machine has, naturally, record indexing and it can show the elapsed or remaining time of any cassette being played. Dolby Surround is an option, and when installed, Avant can take the place of the AV9000 video system. Another option is a PIP-module (Picture-In-Picture)

Sound
The perfect picture deserves a sound to match and that’s exactly what the Avant offers. A pair of specially developed loudspeaker units – capable of outperforming many traditional hi-fi setups – are discreetly placed below the screen and offer an exceptional sound performance that will enhance the best action-movie or concert footage.

The BeoVision Avant features a built-in Dolby® Digital* module that lets you bring the cinema directly into your living room. With a pair of loudspeakers from Bang & Olufsen’s BeoLab range positioned at either side of the TV and two more placed at the rear, you can put yourself in the middle of a surround sound experience that’s second to none.

The sound quality of the active loudspeakers can compete with any modern audio system. When the herd of horses approaches your seat from within the widescreen, you can feel the tremble of the horses’ hooves – so powerful is the bass. And as a video-master in a Beolink system, Avant can distribute sound and vision all over your home – just as it can play the music from your audio system in its speakers.

The Perfect Illusion
Press a key on the Beo4 remote and the electronic curtain glides aside to reveal a perfect picture. A theatrical gimmick or another technological leap forward? Actually, a bit of both! In the short reaction time before the curtain glides aside, a comprehensive circuit adjusts contrast levels, brilliance and colour to the prevailing light conditions in the room, ensuring the optimum picture reproduction every time.

An anti-reflective coating on the picture tube, as well as on the contrast screen is provided to eliminate reflections from windows, carpets and furniture. If you watch television during the day you’ve probably experienced the glare and reflections caused by direct sunshine. To minimise the problem, the Avant’s picture tube and contrast screen have been given a special anti-reflection coating that reduces reflections by up to 99%.

Home Cinema
There was a time when watching a movie on TV was a poor imitation of the real thing. But not anymore! BeoVision Avant brings the movies directly into your living room with a smooth, true-to-life picture and totally convincing sound.

BeoLab 2 completes this ultimate surround setup and – together with the other four active loudspeakers – allows you to make the most out of the advanced sound opportunities offered by the Avant’s built-in Dolby® Digital* module.

Colours
BeoVision Avant comes as one integrated unit. All you have to do is to plug in the mains and the antenna and you’re ready to watch. There are no other visible cords, allowing the Avant to be viewed from all sides – so it does not have to be set up in a corner or next to a wall. It fits nicely into any kind on home, thanks to the range of many available cabinet colours: pearly blue, pearly black, pearly red, pearly green and silver.

When the system is turned off, it turns back to its original position, the sound fades away and the curtains glide in front of the screen. Just like being in your own private small-screen cinema!

Wax & fix
The weight of the Avant’s widescreen picture tube called for new thinking in terms of construction. High density fibre board turned out to be as solid a solution as it is environmentally healthy. To disguise its low tech appearance, it is treated to a high quality two-component lacquer of the same type as is used at the upper end of the car industry. It will not scratch easily, but should this happen, a minor scratch can be polished away using liquid silicone car wax.

*Dolby Digital is a trademark of Dolby Laboratories Licensing Corporation

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BeoVision Avant 85

Bang & Olufsen BeoVision Avant 55

Unfolding sound

BeoVison Avant is a celebration of movement.

An unforgettable fusion of Ultra High-Definition (4K) picture and iconic Bang & Olufsen sound, that unfolds before your very eyes.

Redefining TV sound

Precision tuned to Bang & Olufsen’s most exacting standard, BeoVision Avant redefines the audio impact a TV can deliver. The 3-channel speaker system harnesses three dedicated tweeters, three midrange units and

two powerful bass drivers. The result is a fusion of clarity and power that truly embodies Bang & Olufsen’s commitment to ultimate sound.

Contrasted imagery

BeoVision Avant combines local dimming across more than 8 million pixels, bringing out the tiniest details in the action. Experience the most extreme sports or action footage with crystal sharp, dynamic precision.

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BeoVision Avant 75

Bang & Olufsen BeoVision Avant 55

Unfolding sound

BeoVison Avant is a celebration of movement.

An unforgettable fusion of Ultra High-Definition (4K) picture and iconic Bang & Olufsen sound, that unfolds before your very eyes.

Redefining TV sound

Precision tuned to Bang & Olufsen’s most exacting standard, BeoVision Avant redefines the audio impact a TV can deliver. The 3-channel speaker system harnesses three dedicated tweeters, three midrange units and

two powerful bass drivers. The result is a fusion of clarity and power that truly embodies Bang & Olufsen’s commitment to ultimate sound.

Contrasted imagery

BeoVision Avant combines local dimming across more than 8 million pixels, bringing out the tiniest details in the action. Experience the most extreme sports or action footage with crystal sharp, dynamic precision.

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Beovox RL 1000

Bang & Olufsen Beovox RL 1000

Beovox RL was available in four sizes, each with its own sound experience generated by size and strength. The large RL 7000 model was equipped with two bass speakers, a mid-frequency unit with separate inner cabinet and a powerful dome treble unit. The cabinet was slightly concave in the treble area to eliminate reflection.

Beovox RL series included three smaller loudspeakers equipped with a selection of units varying in size and number.

The speakers accentuated different sound facets when positioned in different ways. Special fittings allowed you to position the three largest RL speakers as you wished. Suspended from the ceiling or on the wall. Standing in a corner or on a shelf. Or placed discreetly on the floor – either on a stand or in direct contact with the floor if you really wanted heavy bass sound – for dancing for example. The hard moulded plastic shell had no parallel surfaces, and the space between the bracing ribs was covered with asphalt. This special construction ensured a pure and authentic sound experience – with minimal cabinet resonance.

The special fittings, available as accessories, made it possible to tilt and turn Beovox RL speakers, in order to focus the sound towards your listening position, giving you the perfect stereo perspective.

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Beovox RL 2000

Bang & Olufsen Beovox RL 2000

Beovox RL was available in four sizes, each with its own sound experience generated by size and strength.

The speakers accentuated different sound facets when positioned in different ways. Special fittings allowed you to position the three largest RL speakers as you wished. Suspended from the ceiling or on the wall. Standing in a corner or on a shelf. Or placed discreetly on the floor – either on a stand or in direct contact with the floor if you really wanted heavy bass sound – for dancing for example. The hard moulded plastic shell had no parallel surfaces, and the space between the bracing ribs was covered with asphalt. This special construction ensured a pure and authentic sound experience – with minimal cabinet resonance.

The special fittings, available as accessories, made it possible to tilt and turn Beovox RL speakers, in order to focus the sound towards your listening position, giving you the perfect stereo perspective.

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Beovox RL 35

Bang & Olufsen Beovox RL 35

The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor.

You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that ‘curved’ round the sound thereby eliminating irritating resonance because there were no parallel surfaces.

Music that never stands still
Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you weren’t plagued by cables that wrapped themselves around your feet like spaghetti either; Red Line’s flexible spiral cables provided the decorative and practical answer.

The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever.

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Beovox RL 6000

Bang & Olufsen Beovox RL 6000

Beovox RL was available in four sizes, each with its own sound experience generated by size and strength.

The speakers accentuated different sound facets when positioned in different ways. Special fittings allowed you to position the three largest RL speakers as you wished. Suspended from the ceiling or on the wall. Standing in a corner or on a shelf. Or placed discreetly on the floor – either on a stand or in direct contact with the floor if you really wanted heavy bass sound – for dancing for example. The hard moulded plastic shell had no parallel surfaces, and the space between the bracing ribs was covered with asphalt. This special construction ensured a pure and authentic sound experience – with minimal cabinet resonance.

The special fittings, available as accessories, made it possible to tilt and turn Beovox RL speakers, in order to focus the sound towards your listening position, giving you the perfect stereo perspective.

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Beovox RL 7000

Bang & Olufsen Beovox RL 7000

Beovox RL was available in four sizes, each with its own sound experience generated by size and strength.

The large RL 7000 model was equipped with two bass speakers, a mid-frequency unit with separate inner cabinet and a powerful dome treble unit. The cabinet was slightly concave in the treble area to eliminate reflection. Beovox RL series included three smaller loudspeakers equipped with a selection of units varying in size and number.

The speakers accentuated different sound facets when positioned in different ways. Special fittings allowed you to position the three largest RL speakers as you wished. Suspended from the ceiling or on the wall. Standing in a corner or on a shelf. Or placed discreetly on the floor – either on a stand or in direct contact with the floor if you really wanted heavy bass sound – for dancing for example. The hard moulded plastic shell had no parallel surfaces, and the space between the bracing ribs was covered with asphalt. This special construction ensured a pure and authentic sound experience – with minimal cabinet resonance.

The special fittings, available as accessories, made it possible to tilt and turn Beovox RL speakers, in order to focus the sound towards your listening position, giving you the perfect stereo perspective.

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BeoCom 2

Bang & Olufsen BeoCom 2

BeoCom 2 is a visually provocative response to everything looking alike in today’s telephone market. Its curved shape is very reminiscent of telephones used in the 1960’s, particularly in ‘The Prisoner’ TV series on the UK’s ITV network.

The release of BeoCom 2 in March 2002 was undertaken in its basic form. It was not a ‘system’ telephone in the first instance in that only one BeoCom 2 base could support one BeoCom 2 handset. This means there was no data exchange with other BeoCom2 handsets or BeoCom 6000 handsets or bases.

However, October 2002 saw BeoCom 2 become a full system DECT telephone, becoming part of the same 3-component solution that BeoCom 6000 uses. With this software update, customers can now ‘mix and match’ up to six BeoCom 6000 or BeoCom 2 handsets and chargers, using either the PSTN or ISDN base. This free software upgrade – to be carried out in dealers’ showrooms – will be necessary on existing BeoCom 2 phones in order to make them fully functional as a system phone.

Ringing the changes

The unique ringing tone of BeoCom 2 was created by musical composer, Kenneth Knudsen. Born in 1946, Knudsen is a self-taught musician and since graduating from the School of Architecture at the Royal Danish Academy of Fine Arts in 1974, he has chosen music as his profession. Over the years he has appeared on more than one hundred records with groups and soloists including Svend Asmussen, Miles Davis, Shubidua and the Indian violinist L. Subramaniam. He has been a member of, and recorded with groups like Secret Oyster, Coronaria Dans, ANIMA, Entrance, Bombay Hotel and Heart To Heart Trio. His list of compositions includes music for ballet, film, TV productions and jingles, as well as works for string quartet, solo guitar, solo cello, cello and piano, and choir.

In recent years Kenneth Knudsen has composed and recorded music for sound installations in various architectural and artistic contexts. As a soloist Kenneth Knudsen has released a number of CDs in his own name, most recently Sounds and Silence (dacapo DCCD 9419) and Music for Eyes (dacapo DCCD 9433).

Ringing the tune
The old-fashioned bell is nowadays rarely used in modern telephones. Like other bells, the sound from it contains a lot of overtones.

This is why you can both hear it at the bottom of the garden as well as close-by, and still experience the ringing of the bell as a pleasant sound. However the bell takes up too much room and it is too expensive for modern telephones. The technology that replaces it is both cheaper and more compact, but quite different to listen to. The design group found that this development was not exactly a positive one for the user. Therefore Bang & Olufsen turned to the Danish composer Kenneth Knudsen and asked him to compose a different ringing tune.

The Beocom 2 ring sounding like like cow bells is apocryphal! As visitors to Bang & Olufsen’s Struer headquarters know, there are no cows outside the Farm… only sheep! The ring of the BeoCom 2 was based on the sound of a piece of tubing falling on the floor. David Lewis was carrying a piece of metal tubing which he accidentally dropped to the ground. He thought the sound so interesting that a composer was called in to sample the sound and make a ring tone!

Knudsen chose to compose his tune as part of the design for a special telephone – the BeoCom 2 – rather than choosing an isolated, general tone, applied to all telephones. He therefore asked David Lewis, the chief designer of BeoCom 2 to make the final choice to ensure that the ringing tune was in harmony with the rest of the telephone. In this way the qualities of the ring became a harmonic part of the entire aesthetical experience of the new telephone.

To give the new ringing tune full justice the company’s acoustic department developed a small loudspeaker system in its own sealed enclosure within the handset of BeoCom 2 playing through a well defined slim opening within the phone’s aluminium tube.

Calling for attention
During the development of ideas for BeoCom 2, the design group expressed a wish that the ringing tune should call for attention in a polite way: a polite offer to make contact with the user, rather than a dominating, insisting demand.

But what is polite and what is not? How is this determined?
Bang & Olufsen asked the composer Kenneth Knudsen to solve this problem. Kenneth Knudsen came up with a number of solutions, from which designer David Lewis could choose.

Nearly each week of every year David Lewis drives in his car from Copenhagen to the B&O factory in Struer – a trip of 750km. During these long hours he would listen to Kenneth Knudsen’s pre-recorded tunes and discovered that in heavy traffic situations, where he was under pressure, he could clearly distinguish the pleasant call for attention, from other more annoying, ‘insisting’ tunes. He had therefore found the right tune for his new phone!