Beovox MC35 and MCX35 loudspeakers were two of the smallest (and most economical) speakers that were ever sold by Bang & Olufsen.
They were often sold as part of the cheaper ranges of Beocenters available at the time, and could be used for around-the-house extra speakers as part of Beolink®.
Beovox MC35 and MCX35 loudspeakers were two of the smallest (and most economical) speakers that were ever sold by Bang & Olufsen.
They were often sold as part of the cheaper ranges of Beocenters available at the time, and could be used for around-the-house extra speakers as part of Beolink®.
Living proof that big sound need not take up more space than a couple of ring binders, Beovox CX50 snuggled in anywhere, even as extras in a Beolink® system.
Beovox CX50 and Beovox CX100 loudspeakers were the smallest loudspeakers from Bang & Olufsen up to the time that the manufacture of passive speakers ceased in 2002. They were mostly used to place within a passive Beolink® system (MCL), although they could also be used as main speakers. Thanks to different colour combinations they blended well into most people’s décor.
Beovox CX100 finally ceased production in September 2003 – the last of a long and successful line of passive speakers.
Description:
Passive loudspeaker, aluminium cabinet, available in black, white and brushed aluminium.
Replacement drive units: Top drive unit for CX50/CX100 Part number: 411743
Mounting Options
BeoVox CX50/CX100 replaced C40 and was designed to be optionally mounted with the wall brackets supplied in the box.
Living proof that big sound need not take up more space than a couple of ring binders, Beovox CX50 snuggled in anywhere, even as extras in a Beolink® system.
Beovox CX50 and Beovox CX100 loudspeakers were the smallest loudspeakers from Bang & Olufsen up to the time that the manufacture of passive speakers ceased in 2002. They were mostly used to place within a passive Beolink® system (MCL), although they could also be used as main speakers. Thanks to different colour combinations they blended well into most people’s décor.
Beovox CX100 finally ceased production in September 2003 – the last of a long and successful line of passive speakers.
Description:
Passive loudspeaker, aluminium cabinet, available in black, white and brushed aluminium.
Replacement drive units: Top drive unit for CX50/CX100 Part number: 411743
Mounting Options
BeoVox CX50/CX100 replaced C40 and was designed to be optionally mounted with the wall brackets supplied in the box.
By using smaller loudspeakers in the Bang & Olufsen range – like the BeoVox CX50 or BeoVox C75 passive speakers, all it took to fill out the sound even more was the BeoVox Cona, a passive sub-woofer.
Beovox Cona functioned almost like a prompter who ensured that the sound didn’t forget its ‘lines’. It worked on the principle that the human ear cannot detect in which direction deep tones are coming from. Beovox Cona, like the newer BeoLab 2, could therefore be placed anywhere in a room with the rest of the music system to give it a deeper, much richer sound.
The BeoVox Cona Having waited very patiently for a Cona to come my way, I finally stumbled across not one, but two BeoVox Conas on the internet. I quickly arranged a demonstration the next day. It didn’t take very long to impress me. I loaded the pair into my car with a great sense of satisfaction. However, I had to wait for some din plugs I had ordered off the internet before I could start using them, so my excitement was slightly delayed.
My excitement soon resumed once I received my din connectors. I hastily fashioned them together with some surplus speaker wire of mine and proceeded to connect one of the Conas, as originally directed, to my BeoMaster 4500. Being a passive speaker, it is very handy when you have your Power link ports all filled up with your favorite BeoLab speakers.
Being able to channel both left and right signals to one diver through the Cona’s dual voice coil feature allows the Cona to produce BeoLab level sound at a BeoVox level price. However, I find that combining two signals in a single driver does make the sound much choppier than say if you were to connect two Conas, one signal assigned to each. Additionally, this fight over the driver can create some enclosure rattle, something that can become annoying in heavier listening. I find that a stereo configuration generates much more natural sound.
Since it is a passive speaker, the driver is much smaller than what you would find in an average standalone subwoofer, mostly due to the fact that it has to be able to perform on less power, keeping the Cona from being power hungry. This directly affects the range of the speaker. Being slightly smaller than most standalone subwoofers, the Cona is slightly heightened in the frequency range, making it more of a musical speaker while slightly lacking in movie listening. The heightened frequency range is not very noticeable at higher volumes due to the great amount of bass the Cona can deliver higher up on the volume scale.
In usual Bang & Olufsen style, things are much more aesthetically pleasing and interesting than the bland norm that comes with most other loudspeakers. The BeoVox Cona is no exception.
Visually, the BeoVox Cona generates several comments. First off, one notices the size, very large for a single driver, especially that of 8 inches. This quality quickly earned the title “ottoman” by my girlfriend. So far I have not found a corner the Cona could not squeeze into, so it is a very practical size. They are very subtle but can also retain a good focal point in a modernly appointed room. The roundness of the Cona is a nice departure from the cubic trend of standalone subwoofers we are all used to seeing. I like to maintain the idea that the form of the Cona also serves a function. Coming from the same time period that gave us the Penta and Red Line speakers, I believe that the Cona followed a common trend set by the Penta and Red Line speakers in utilizing a unique cabinet shape to reduce internal acoustic reflections and standing waves by removing parallel surfaces from the construction.
For the first attempt at an individual subwoofer, Bang & Olufsen hit a home run. The sound is very rich and full. The bass is very tight and responsive, even on as little as 55 watts. The bass is light in quantity down low on the volume scale, but can still annoy the neighbors when you crank up the volume. This is definitely a piece for collector interested in past Bang & Olufsen products.
Bang & Olufsen’s BeoLab and Beovox 5000 speakers had both the voice and the looks for a leading, acoustic role. And because of their looks, they were known as Bang & Olufsen’s range of panel loudspeakers. Panel loudspeakers were one of the most exciting and interesting examples of how Bang & Olufsen united advanced technology and stunning design to achieve totally new effects.
They may not have looked like high-specification loudspeakers – more like works of art – but their sound immediately gave them away. Even at full volume, they kept the total sound picture in perfect balance.
Design as a work of art
The elegant, flat panel loudspeakers were created to hang on the wall. And with their calm surfaces of blue or grey fabric coupled with polished steel, they could be taken for works of art. But the design was only partly for visual effect. The form of the panel speakers was founded on an advanced, acoustic principle that uses the wall as an active part of the sound reproduction process – without causing the wall itself to vibrate.
Optional display and amplifier
The panel loudspeakers were available in two sizes – each with or without amplifier and a display showing which source was playing and at what volume. Also it told you which track number on a CD or tape you were listening to.
With display and amplifier the loudspeakers were called BeoLab. Without, they were called Beovox. The option depended upon which Bang & Olufsen sound system was connected. BeoLab speakers were designed to match Beosystem 6500, 4500, 3500 and Beocenter 9500 and 8500.
Mounting Options
Wall mounting brackets were supplied with this model. No other mounting solution wall offered.
They may not have looked like high-specification loudspeakers – more like works of art – but their sound immediately gave them away. Even at full volume, they kept the total sound picture in perfect balance.
Bang & Olufsen’s BeoLab 5000, Beovox 5000 & Beovox 3000 speakers had both the voice and the looks for a leading, acoustic role. And because of their looks, they were known as Bang & Olufsen’s range of panel loudspeakers. Panel loudspeakers were one of the most exciting and interesting examples of how Bang & Olufsen united advanced technology and stunning design to achieve totally new effects.
Design as a work of art
The elegant, flat panel loudspeakers were created to hang on the wall. And with their calm surfaces of blue or grey fabric coupled with polished steel, they could be taken for works of art. But the design was only partly for visual effect. The form of the panel speakers was founded on an advanced, acoustic principle that uses the wall as an active part of the sound reproduction process – without causing the wall itself to vibrate.
Optional display and amplifier
The panel loudspeakers were available in two sizes – each with or without amplifier and a display showing which source was playing and at what volume. Also it told you which track number on a CD or tape you were listening to.
With display and amplifier the loudspeakers were called BeoLab. Without, they were called Beovox. The option depended upon which Bang & Olufsen sound system was connected. BeoLab speakers were designed to match Beosystem 6500, 4500, 3500 and Beocenter 9500 and 8500.
Mounting Options
Wall mounting brackets were supplied with this model. No other mounting solution wall offered.
The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor.
You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that ‘curved’ round the sound thereby eliminating irritating resonance because there were no parallel surfaces.
Music that never stands still
Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you weren’t plagued by cables that wrapped themselves around your feet like spaghetti either; Red Line’s flexible spiral cables provided the decorative and practical answer.
The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever.
Beocom 2000, the classic telephone from Bang & Olufsen… what else is there to say?
Beocom 2000 was unlike anything which had been introduced by Bang & Olufsen before.
All the parts of the phone were made by the company itself and not imported from other manufacturers. A well-equipped telephone with extraordinary sound quality, a tradition carried on with all of the Beocom range of telephones.
The design is truly timeless. The display gave information on which number your were calling and the time connected. All standard functions were of course, also available, like volume control and numeric memories, and for the more advanced user there was a special headset available!
This phone was also available in a more simple version, Beocom 600, which didn’t have the display but had the same sound quality.
The memory bank of the Beocom 2000 enabled you to store your personal top twenty, and at the touch of just a few buttons you were connected. With display, bass reflex speaker in handset, 20 numbers of memory, quick call key for an often-use or ’emergency’ number, redial of last 3 numbers called, pause function, adjustable volume control, microphone mute (for secrecy), built-in speaker for listening, adjustable tone ringer with 8 settings plus off. There was even a hidden note pad which could be used by raising the lid on the right-hand side of the unit!
Up to 1993 Beocom 2000 was produced with different coloured keys. However, from this time a more mellow design was offered with all the keys complementing each other. On its bright display with large characters the Beocom 2000 could offer you the last three numbers for redialling
Beocord 4500 cassette recorder housed exciting details and distinguished technology. Like Auto Reverse, so you did not need to turn over the tape. Automatic registration of the type of tape, and Bang & Olufsen’s patented HX-PRO recording system that provided optimal sound reproduction. Both in design and technology, Beocord 4500 was a direct extension of Beomaster 4500.
The cassette recorder featured Bang & Olufsen’s own HX-PRO recording system which ensures that recordings are made as perfectly as possible. With the Beolink 1000 terminal or by lightly touching the panel itself, you could select a particular piece of music you wanted to hear. The search system found it automatically whether it was on Side 1 or Side 2 of the cassette. For Beocord 4500 had Auto Reverse so you did not have to turn the tape over.
The recorder was also equipped with Dolby B and knew exactly what type of tape you were using. Beocord 4500 could be used as part of the Beosystem 4500 hi-fi system.
