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BeoMaster 901

Bang & Olufsen BeoMaster 901

Beomaster 901, by 1977/78 was Bang & Olufsen’s simplest receiver. However, no compromises were made on quality. The tuner section covered Long, Medium and FM wavebands with a very high standard of reception quality.

Tuning was by ways of a slider which moved smoothly along a clearly marked scale. An illuminated indicator and AFC (Automatic Frequency Control) circuit helped to make tuning easy and accurate. The MONO control button disconnected the built-in stereo decoder when correct stereo reception was impaired by bad weather conditions or other interference.

Beomaster 901’s large tuning scale had tuning facilities for FM, Long and Medium wave stations. The tuning slider had small thumbwheels to aid fine tuning. AFC locked the receiver to the desired station

The stereo amplifier had a powerful output of 2 x 20 watts RMS and special Darlington-coupled transistors in the output stages kept distortion to a minimum – less than 0,3% at full power. There were connections for two pairs of loudspeakers and a pair of headphones. Sockets were also provided for the connection of a tape recorder, a record-player and AM and FM aerials. Easy-to-use sliders controlled volume, balance, bass and treble and there were slim push-buttons for selecting waveband or tape or record input.

FM room aerial
In order to receive FM programmes, an FM aerial must be connected to the Beomaster 1001. Within a certain radius of the transmitter you could use the Bang & Olufsen FM room aerial, type 8902010. This aerial was easily fitted and the telescopic elements could be pulled out and positioned favourably.

Beomaster 901 could be made up as part of the Beosystem 901 including the the Beogram 1102 record player, Beocord 1101 cassette deck and 2 Beovox Uni-Phase S25 or P30 loudspeakers.

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BeoCenter 1500

Bang & Olufsen BeoCenter 1500

Beocenter 1500 was a combined FM/AM tuner, hi-fi stereo amplifier and cassette recorder with a specification level that was unique for combination units in that price bracket. In the AM section, which covered long and medium waves, Bang & Olufsen placed an emphasis on the set’s ability to separate stations from each other. The FM section had outstanding channel separation and stereo reception. The amplifier’s technical specifications were way above the average and fulfilled accepted hi-fi norms by a wide margin.

The built-in cassette recorder had its own operation panel but was otherwise fully integrated with the rest of Beocenter 1500. There was a switch for normal and chrome tapes; recording level was monitored on an illuminated indicator: red signified overload and green meant that all was well. The tape heads were of a super Permalloy and had a higher performance level and longer useful lifetime than ordinary heads.

Beocenter 1500 had connections for record player, two sets of stereo speakers, headphones and an extra tape deck.

Beocenter 1500 and Beocenter 1600 were, at the time of their production, two of the market’s most compact audio systems, but despite their small external dimensions they could fill a large room with sound. All the push buttons of Beocenter 1500 were of solid aluminium, and the solid aluminium front panel on the Beocenter 1600 was anodised – a process which was more expensive and more demanding but which also made the set more robust and resistant to marks and scratches.

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Beovox M70

Bang & Olufsen Beovox M70

Top of the range monitor speaker, these were much more like the Beovox S60 than the Beovox M75 that replaced them.

They were 4 way speakers with the tweeter and midrange level with each other and the Phase link and woofer below. They could be fitted with the dramatic trumpet stand and were the speakers specified for the Beosystem 6000.

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BeoVox M75

Bang & Olufsen BeoVox M75

Beovox Uni-Phase M100 and M75 were the top models in the 1979 – 1980 range of Bang & Olufsen speakers.

They reproduced sound with studio monitor quality, which, in practice meant that even at very high sound pressure levels (volume) they reproduced sound with constantly neutral, linear phase quality. They could also withstand hard-working conditions similar to those met in sound studios, because they were effectively protected against damage from overloading. Their power-handling capacities were specified at 100 and 75 watts RMS respectively; however, their unique overload protection circuits permitted them to handle music passages above these rated capacities.

Special emphasis was placed on Beovox M100’s ability to reproduce clean, powerful bass. That it why it was given a ported bass-reflex cabinet with a 30,5cm woofer. The cabinet’s volume was 89 litres. Bass response went down to 27Hz (measured at +/- 4 – 8 dB).

Beovox M75 had outstanding overall performance too, and was equally suitable for medium-sized or larger rooms. Both models had specially-designed pedestals which could be adjusted to the correct listening height and angle.

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BeoVox M100

Bang & Olufsen BeoVox M100

Beovox Uni-Phase M100 and M75 were the top models in the 1979 – 1980 range of Bang & Olufsen speakers.

They reproduced sound with studio monitor quality, which, in practice meant that even at very high sound pressure levels (volume) they reproduced sound with constantly neutral, linear phase quality. They could also withstand hard-working conditions similar to those met in sound studios, because they were effectively protected against damage from overloading. Their power-handling capacities were specified at 100 and 75 watts RMS respectively; however, their unique overload protection circuits permitted them to handle music passages above these rated capacities.

Special emphasis was placed on Beovox M100’s ability to reproduce clean, powerful bass. That it why it was given a ported bass-reflex cabinet with a 30,5cm woofer. The cabinet’s volume was 89 litres. Bass response went down to 27Hz (measured at +/- 4 – 8 dB).

Beovox M75 had outstanding overall performance too, and was equally suitable for medium-sized or larger rooms. Both models had specially-designed pedestals which could be adjusted to the correct listening height and angle.

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Beovox P30

Bang & Olufsen Beovox P30

Beovox Uni-Phase P30 loudspeaker handled up to 30 watts RMS power and reproduced sound with neutral, linear phase quality.

They were panel speakers designed to be hung on the wall and are therefore ideal for rooms where space was limited. Only 9cm deep, its volume was 12,9 litres. Fitted with a 16cm woofer and a 2,5cm tweeter. Frequency range 49 – 20000Hz.

The Beovox P30 were effectively a wall mounted S30. They appeared very thin though were in fact slightly deeper than one thought as the resin back protruded a fair bit at the back. Sound quality mirrored that of the S30 with generally good quality sound though they are bass light and must be wall mounted to achieve their best.

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Beovox P45

Bang & Olufsen Beovox P45

Beovox Uni-Phase P45 loudspeaker was a revised version of the Beovox P50 and was a high fidelity panel speaker for wall-mounting.

Weighing only 8kg the P45 had a net volume of 25 litres. Frequency range was 40 – 20 000 Hz with less than 1% harmonic distortion. There were two 12,5cm woofers, a special 8cm Phase Link unit and a 2,5cm dome tweeter.

Beovox Uni-Phase P45 loudspeaker was a revised version of the Beovox P50 and was a high fidelity panel speaker for wall-mounting.

Weighing only 8kg the P45 had a net volume of 25 litres. Frequency range was 40 – 20 000 Hz with less than 1% harmonic distortion. There were two 12,5cm woofers, a special 8cm Phase Link unit and a 2,5cm dome tweeter.

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Beovox S30

Bang & Olufsen Beovox S30

Beovox S30 and S40 both used a two-unit configuration and pressure chamber design to reproduce music faithfully and clearly.

They handled up to 30 watts and 40 watts respectively and were ideal for mounting within a shelving system. Beovox S40 worked in conjunction with Beosystem 2300 if that is how you wished to use them. They featured a 20cm bass driver (woofer) and a 2,5cm dome treble unit (tweeter) offering wide frequency response and clean, clear sound reproduction.