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BeoGram 2202

Bang & Olufsen BeoGram 2202

Beogram 2202 and Beogram 2402 replaced models 2200 and 2400 and were eventually replaced by Beogram 2404 (looking the same externally as the former units) in 1983.

To play records on the fully-automatic Beogram 2202/2402 decks, it was necessary to simply press “start” and let the integrated systems do the rest. As an additional safeguard, all functions could be operated with the protective dust lid closed.

Thanks to the fine polish of their elliptical diamonds, and the low mass of the arm, these Beograms got the very best from your records without inflicting any significant wear. Careful arm geometry ensured that tracking error was kept well below the level where it could affect sound quality. Skating effect was compensated automatically. Beogram 2202 was fitted with an MMC 20E pickup, while Beogram 2402 has an MMC 20EN. When coupled to the Beomaster 2400-2 FM stereo receiver, Beogram 2402 could be operated by remote control.

Beogram 2202 / 2402 could be made up as part of the Beosystem 1900 or Beosystem 2400, when linked together with other compatible Bang & Olufsen products.

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BeoGram 2402

Bang & Olufsen BeoGram 2402

Beogram 2202 and Beogram 2402 replaced models 2200 and 2400 and were eventually replaced by Beogram 2404 (looking the same externally as the former units) in 1983.

To play records on the fully-automatic Beogram 2202/2402 decks, it was necessary to simply press “start” and let the integrated systems do the rest. As an additional safeguard, all functions could be operated with the protective dust lid closed.

Thanks to the fine polish of their elliptical diamonds, and the low mass of the arm, these Beograms got the very best from your records without inflicting any significant wear. Careful arm geometry ensured that tracking error was kept well below the level where it could affect sound quality. Skating effect was compensated automatically. Beogram 2202 was fitted with an MMC 20E pickup, while Beogram 2402 has an MMC 20EN. When coupled to the Beomaster 2400-2 FM stereo receiver, Beogram 2402 could be operated by remote control.

Beogram 2202 / 2402 could be made up as part of the Beosystem 1900 or Beosystem 2400, when linked together with other compatible Bang & Olufsen products.

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BeoGram 2404

Bang & Olufsen BeoGram 2404

An updated 2402 but with the revised lightweight arm designed to take the MMC5 cartridge.

Rather an afterthought, the 2404 was designed to work with the Beomaster 2400-2 and was fitted with the 7 pin DIN plug to allow control by remote. This was not compatible with Datalink. The last UK model of this design and interesting simply because it had the new cartridge but the old remote control software unlike the Beogram 6000 which boasted the new software and old cartridge.

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BeoGram 2000 (1974)

Beogram 2000 was an integrated two-speed (33rpm and 45 rpm) high-fidelity stereo record player with high specifications. But it was the simple, easy operation which was the most unique feature in Beogram 2000. A single master control executed all the essential functions.

All you need to do was to select the size of a record, 7″, 10″ or 12″ and press the button marked LIFT. Immediately, the turntable began to rotate at the correct speed (33 or 45 rpm) and the pick-up lowered into the first groove. At the end of the record, the pick-up arm returned to its resting position and the turntable switched off. Beogram 2000 was fitted with its own pick-up cartridge, SP 10A. This had a spherical naked diamond stylus.

Recommended- stylus pressure was 2 g. Its frequency range was 20-25.000 Hz ±3 dB. Distortion was lower than 1%, wow and flutter lower than 0.12% and rumble better than 60dB. Thanks to the pendulum suspension of the turntable and its pick-up am Beogram 2000 was insensitive to vibrations. A transparent dust lid was fitted to Beogram 2000. It could be opened at any angle up to 60 degrees or you could slide it off with ease.

This deck finally gave the ‘peg platter’ decks a proper lid. Not quite as advanced as the 1202, it was in all ways apart from the lid, a Beogram 1203.

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BeoGram 1203

Bang & Olufsen BeoGram 1203

Beogram 1203 was an automatic, high-fidelity stereo record-player with high specifications. It was beautifully-styled and extremely easy to operate. All you need to do was select the record size: 7″, 10″ or 12″ and press a button. The turntable automatically selected the correct speed: 33% or 45, and the pickup was lowered into the first groove.

At the end of the record, the arm automatically returned to its resting position and the turntable switched off. Beogram 1203 was fitted with its own pick-up cartridge, the SP 14A which had a spherical diamond stylus and a stylus pressure of 2g. Its frequency range was 20,000 Hz. ±3 dB. Distortion was lower than 1%, wow and flutter lower than ±0.15 % and rumble better than 58dB. The turntable and pick-up arm had a pendulum suspension which made the record-player insensitive to vibrations. A transparent dust lid and a spindle adaptor for playing centreless records were supplied with Beogram 1203.

It was in fact rather simpler than its immediate predecessor, the 1202 , and was based on the Beogram 2000 rather than the top of the range 3000.

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BeoGram 3000 (1972)

Bang & Olufsen BeoGram 3000

Beogram 3000 was an automatic high-fidelity stereo record-player with specifications which easily complemented those of Beomaster 3000-2.

It was fitted with an SP 12A pick-up cartridge which had an elliptical naked diamond stylus, with a stylus pressure of 1,2g. Frequency range was 20 – 25000 Hz ±3 dB and distortion was lower than 1%. Wow and flutter was less than ±0.09% and rumble was better than 62dB. Beogram 3000 was easy to operate: you simply selected the size of record you intend to play – 7″, 10″ or 12″ – and press a button. The record-player automatically selected the record speed, 33 or 45 rpm, and lowered the pick-up into the first groove.

When the record ended, the pick-up arm lifted up, returned to its resting position and the turntable switched off. The turntable and pickup arm had a pendulum suspension which made the record-player insensitive to vibrations. The deep furrows in the turntable made it easy to pick up records. A hinged dust lid was fitted; it could be set at any angle up to around 60 degrees or completely removed by a simple sliding action.

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BeoCenter 1800

Bang & Olufsen BeoCenter 1800

Beocenter 1800 fulfilled hi-fi standards by a wide margin. The product was also way above the average in terms of ease and operation. Experience from Beomaster 1100 and Bang & Olufsen’s integrated gramophones were combined in the special space-saving unit, which on a specification level was on a par with many separates.

The FM section had automatic frequency control (AFC), four pre-set stations and light indicators. The amplifier’s power output was 2 x 22 watts RMS with less than 0,3% distortion at full power output.

The integrated gramophone was fully automatic. The user simply chose the size of the record and pressed a button – the machine did the rest. The pickup arm was of magnesium which was extremely light. This, together with the MMC 3000, a low-mass cartridge, made this one of the very few turntables on the marker that was capable of tracking warped records. The anti-skating device also worked automatically.

The pickup arm and the turntable mechanism had a special spring suspension which made the turntable shock and vibration resistant.

Records could be played with the dust lid closed, thus protecting both the turntable and the record collection from damaging dust particles. Beocenter 1800 had connections for tape recorder, two sets of stereo speakers and a pair of headphones.

When connected to a pair of Beovox Uni-Phase passive loudspeakers, it was known as Beosystem 1800.

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BeoCenter 1400

Bang & Olufsen BeoCenter 1400

The amplifier section of Beocenter 1400 offered qualities which were unusual for a combination product in this price-range. Frequency range was 20-30.000 Hz, with harmonic distortion of less than 0.5 % at maximum output. Power output was 2 x 20 watts RMS or 80 watts total music. The technical data of the FM section, like those of the amplifier fulfilled the DIN 45500 high-fidelity norms by a wide margin. A wide frequency range was obtained both on mono and stereo reception. The balanced light indicator was a simple but effective aid to accurate tuning. The automatic frequency control (AFC) facility allowed precision tuning.

Beocenter 1400 – “Each unto his own taste” – especially with music.

Receiving distant stations was no problem on Beocenter 1400 owing to the receiver’s high sensitivity (better than 1.8 uV IEC). The compact cassette section had its own operating facilities: ON/OFF switch and piano key push buttons for recording and play-back functions. You could switch between chromium dioxide and normal tapes. Recording level was controlled by a handy slider on a numerical scale and light indicators: Red or green light showed overloading or satisfactory recording level. Tape-heads were of super permalloy, an extremely durable material which ensures a long useful lifetime. Wow and flutter was less than ±0.28% (JIS norm).

Signal-to-noise ratio was better than 50 dB with chromium dioxide tapes. Bang & Olufsen placed emphasis on good station separation in the AM section (long and medium waves) without sacrificing sound quality. A slider control aided radio tuning. Beocenter 1400 had sockets for a record player, headphones and loudspeakers. An extra tape or cassette-recorder could also be connected. Beocenter 1400 utilised the (then) latest electronic components: Darlington transistors, field effect transistors, integrated circuits and ceramic filters.

When combined with Beovox 1702 loudspeakers and/or Beogram 1203, the system was known as Beosystem 1400.

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BeoGram 1902

Bang & Olufsen BeoGram 1902

Beogram 1902 was a newly developed (1979/80) fully automatic, hi-fi stereo record player with Electronic Servo Drive (ESD) which meant that you never had to adjust speed. The Beogram 1902 did that automatically. It was resistant to variations in the mains current.

All functions were chosen via the single rectangular operating panel; Beogram 1902 did the rest. It was resistant to vibrations and shock because it rotatory mechanism and pickup arm had an efficient spring suspension. The pickup was so light that even warped records could be tracked. In fact, the arm was so light and the pickup’s diamond stylus so highly polished that it would not audibly damage your record even if the arm was thrown against the grooves.

The cartridge was the MMC 4000 which had a naked elliptical stylus. Recommended stylus pressure was 1,0g and frequency range was 20 – 25000 Hz.