Author: Multicare
Wiring Diagrams
Wiring Diagrams
All wiring diagrams to plugs and sockets are shown from the soldering side.
MasterLink cable
Note: For older-type ML cable, the colour coding is slightly different. This image refers to current ML cable.
Master Control Link cable
DataLink Cable 7/7 pin A/V Cable
21-pin A/V cable with RGB connection:
Receiver cable
Infra-red eye wiring
Headphones
B&O Motorised Stand
Note that the technical specifications for the motorised stand changed from Product ref. MX6/7 to MX8. Newer models also have a different stand connection
RGBHV Cable (15-Pin D-SUB)
15-Pin D-SUB
Power Link cable with wire for display, also for BeoLab 5
Power Link cable 8/8 pin
(Note: On BeoLab3 there is a blue wire (pin 7) in addition to the wires shown here on the PowerLink diagram. This appears to be a voltage reference for the speakers, and with a single three core wire + screen feeding both speakers, this needs to be connected to the screen.
Failure to connect this pin does not have too much of an effect on the system -UNLESS- you connect up something like a PC2 which ties the stereo to Earth potential through the MasterLink cable, and without the “blue reference” the speaker inputs can float to around 100V above Earth and cause interference between the speakers and the 3000, manifesting as a quiet buzzing noise in the Lab3s. (I rather suspect there was actually an impact on sound quality from no Blue connection but cannot measure it) – Stephen Lewis)
Power Link cable
Speaker Link cable
Audio Aux Link / Power Link connections
Aux Link cable
white | data |
blue | left channel input |
green | right channel input |
shield | ground |
red | right channel output |
yellow | left channel output |
black | data ground |
male to male, using unterminated cable number 6250265 and plug number 7220688 or 7220701. For connection between video system and audio system. Maximum length: 100m
Aux Link/Datalink cable
white | data |
blue | left channel input |
green | right channel input |
shield | ground |
red | right channel output |
yellow | left channel output |
black | data ground |
male plug to wall plate, using unterminated cable number 6250265. Use male plug number 7220688 or 7220701 and an 8-pin wall plate number 7210473. Used for connecting local sources when MCL 2AV is concealed
Aux Link Wall Plate
Audio System | Video System | |
white | data | data |
blue | left channel input | left channel output |
green | right channel input | right channel output |
shield | ground | ground |
red | right channel output | right channel input |
yellow | left channel output | left channel ground |
black | data ground | data ground |
wall plate to wall plate, using unterminated cable number 6250265 and two 8-pin wall plates number 7210473. Used for connection between audio and video systems within the wall wiring
Switch for deactivation of MCL
Audio Aux Link
MCL cable from audio systems to terminal
green | right channel hot |
brown | right channel ground |
pink | DC supply 7.5 – 8.5 VDC |
yellow | left channel hot |
grey | left channel ground |
white | data |
shield | data and ground DC ground |
MCL cable from audio systems to terminal strip in MCL2 relay box. NOTE: Use pre-made MCL cables for connection to the audio system whenever possible
MCL cable, 2 x 3-pin MCL to 8-pin DIN plug
green | right channel hot |
grey | left channel ground |
white | data |
shield | data and DC ground |
brown | right channel ground |
pink | DC supply 7.5 – 8.5 VDC |
yellow | left channel hot |
MCL cable, 2 x 3-pin MCL to 8-pin DIN plug. For connection between audio systems and link system via an 8-pin wall plate. Use pre-made MCL cable for connection to the audio system if at all possible
MCL cable between 8-pin DIN wall plate
green | right channel hot |
brown | right channel ground |
pink | DC supply 7.5 – 8.5 VDC |
yellow | left channel hot |
grey | left channel ground |
white | data |
shield | data and DC ground |
MCL cable between 8-pin DIN wall plate and MCL terminal strip. For connection between audio system and link system via an 8-pin wall plate
Speaker link cable from audio system or MCL to 4-pin wall plate
green or brown | signal hot |
shield | signal ground |
white | display data |
shield | data ground |
Speaker link cable from audio system or MCL to 4-pin wall plate using speaker plug number 7220040. Use unterminated link cable number 6250246 or 6250267
PowerLink cable, male to male
brown | left audio signal |
green | right audio signal |
shield: brown/green | left/right ground |
grey | on/off |
yellow | on/off |
pink | APHC |
white | data |
shield: white | data ground |
PowerLink cable, male to male, using unterminated cable number 6250277 and plug number 7220345. Maximum length 100m
PowerLink cable, male to female (extension)
brown | |
green | |
shield: brown/green | |
grey | |
yellow | |
pink | |
white | |
shield: white |
PowerLink cable, male to female (extension) using unterminated cable number 6250277, male 8-pin plug number 7220345 and female 8-pin plug number 7220235 or 8-pin DIN wall plate number 7210473. Maximum length component to component: 100m
PowerLink cable, female to female
brown | |
green | |
shield: brown/green | |
grey | |
yellow | |
pink | |
white | |
shield: white |
PowerLink cable, female to female, using unterminated cable number 6250277 and two female 8-pin DIN plugs number 7220235 or two 8-pin DIN wall plates number 7210473
PowerLink 1 & 2
Using a non-B&O sub-woofer
his circuit is designed to use a non-B&O sub-woofer or amplifier with PowerLink sockets.
It’s easy to built and at low cost. In fact that the 5 V DC from the PowerLink socket on pen 4 can’t activate a relay directly you will need a circuit like this.
Parts which I’ve used are easy to buy at electronic shops. You need in total:
1 AC/DC Adaptor 12 V DC
1 IC LM 7806
2 Caps 100Nf 63V
1 Diode 1N4148
1 Resistor 2K2
1 Transistor BC 338
1 Relay 6V DC
Connection of the circuit is as follows:
Connect the adaptor to the 12V and earth of the circuit, connect pin 4 from the PowerLink to the 5V DC PowerLink in of the circuit. When switching on the B&O the relays will switch and connect the 230V AC line into the amp you use. That’s it. For heavy amps you can let the relay switch on a second heavy-duty relay, which will switch on the power line.
BeoLab Penta
BeoLab Penta
These tall and elegant speakers were developed according to a totally new acoustic principle. They sounded just as magnificent as they looked. Because there were no parallel surfaces in the pentagonal cabinet, the design reduced the internal standing waves and reflection; it was a simple and beautifully effective way of eliminating distortion. The cabinet provided the ideal conditions for the loudspeakers. It was an acoustically ‘dead’ construction, with a moulded inner cabinet surrounded by a stainless steel exterior. Whatever the dimensions of your room, and regardless of the furnishings, BeoLab Penta always sounded wonderful. It also needed very little floor space; head room was all that’s required!
BeoLab Penta was the top-of-the-line speaker from Bang & Olufsen. It was around from the late ‘eighties to the mid-1990s and was upgraded several times. The last version of the active Penta was the Penta 3. In the late 1980’s – when the Penta range was introduced – there was also a passive version, Beovox Penta. But since Bang & Olufsen decided in the 1990s just to concentrate on active speakers, these and some other models, such as the Beovox 4500 and most of the RedLine speakers, were discontinued.
Did you know that the display in Penta I and Penta II was orange and and on Penta III it turned green?
Why build amplifiers into the loudspeakers instead of keeping them separate?
Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity.
The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from.
BeoLab Penta had nine individual loudspeaker units that were accurately positioned in a vertical line to produce a sound dispersion which was so precise that reflections from the floor and ceiling were eliminated. Consequently, Penta speakers could be placed almost anywhere in a room, irrespective of its size or furnishings. The operating panel at the base of BeoLab Penta allowed for the fine tuning of the bass reproduction at three levels.
The speaker’s cross section was a pentagon. The benefit of this design was that it cannot house standing waves which normally are a problem in speakers. The choice of using polished stainless steel was made to help the speaker blend into its surroundings by reflecting them. This gave the speaker the same colour as the surroundings which helped to make the speaker more of a subtle fixture,
Sound with as many facets as a diamond
The location of the speakers within the column was carefully planned to control the sound waves so that they weren’t reflected by the floor and ceiling. The resulting sound quality simply beggared description.
BeoLab 150: Controlled overdrive
At the base of BeoLab Penta was the BeoLab 150 amplifier with a power output of 175 watts DIN/IEC. This could give your music a tremendous boost, both to the quality and the actual power output. It was ideal if you love partying but had a relatively small music system. Big power needs careful control – so the amplifier was equipped with Dynamic Soft Clipping system. When there was any overloading, the system softly rounded off the sound; distortion becoming a thing of the past.
Speakers that more than measure up
Top quality music systems need the best speakers available – or you’re missing out. BeoLab Penta was the natural partner for Bang & Olufsen’s Beosystem 5000 and Beocenter 9000, with their built in CD players. The laser-pure quality of compact disc makes heavy demands on speakers, and both these systems had extremely fine amplifiers. Using BeoLab Penta with these systems and you’d enjoy some of the best sounds in the world. You’d also appreciate handy features such as the light display at the base of the column, which indicated which music source was being used. Of course this was even more useful if you installed Beolink® to give you music all over the house.
BeoLab Penta Product Details
Type Numbers
Beolab Penta 1
6601 1986 05-89
6605 (AUS) 1986 10-89
6602 (GB) 1986 10-89
6604 (J) 1986 11-89
6603 (USA) 1986 11-89
Beolab Penta 2
6621 1989 05-92
6625 (AUS) 1989 09-91
6622 (GB) 1989 10-91
6624 (J) 1989 01-92
6623 (USA) 1989 12-91
Beolab Penta 3
6631 1991 05-2000
6635 (AUS) 1991 05-2000
6632 (GB) 1991 05-2000
6634 (J) 1991 05-2000
6633 (USA) 1991 05-2000
Designer
Manufactured
1986 – 2000
Colour Options
Aluminium/Grey
BeoLab Penta Product Specification
Beolab Penta 1
RMS power handling capacity 150 watts
Music power handling capacity 200 watts
Frequency range +4 -8 dB 40 – 20,000 Hz
Power at 96 dB SPL 2.5 watts
Sensitivity 92 dB
Distortion 250 – 1000 Hz <0.5%
Distortion >1000 Hz <0.5%
Cabinet principle: Bass reflex
Woofer
4 units 13 cm
Mid-range 4 units 8 cm
Tweeter 2.5
Net cabinet volume: 32 litres
Power amplifier:
Bass level switch Linear, +3 dB/40 Hz, +6 dB/40 Hz
Sensitivity 3 dB, -3 dB, -6 dB
Power supply
6601 : 220V
6602/6605 : 240V
6603 : 120V
6604 : 100V
Power frequency 50-60 Hz
Power consumption Max 300 W
Stand-by 2 W
Dimensions W x H x D
5-13.5 x 165 cm incl. stand
Weight 24 kg
Connections: Line Phono plugs
Power input 4-pin DIN spring loaded contacts
Beolab Penta 2
Long-term maximum power IEC 320 watts
Maximum noise power IEC 150 watts
Impedance
8 ohms
Frequency range +4/-8 dB
40 – 20,000 Hz
Power at 96 dB SPL (1m)
2.5 watts
Sensitivity 1 W (1m) 92 dB
Distortion 0.250 – 6 kHz <0.5%
Cabinet principle: Bass Reflex
Woofer: 4 units 13 cm
Mid-range: 4 units 8 cm
Tweeter: 2.5 cm
Net cabinet volume:32 litres
Power amplifier:
Long-term maximum power IEC 300 watts
RMS DIN 175 watts
IHF 150 watts
Total harmonic distortion IHF <0.015%
Intermodulation IHF <0.02%
Dynamic headroom >1.5 dB
BASS EXTENSION switch
0 dB, + 3 dB, + 6 dB
INPUT LEVEL switch 0 dB, -3 dB, – 6 dB
Dynamic Clipping Attenuator Automatic
Power consumption
Max. 300 W
Stand-by 2 W
Dimensions W x H x D
22 x 165 x 20.5cm
Dimensions, stand 35.5 x 4 x 34 cm
Weight 24 kg
Connections: Power Link
Speaker Link
Beolab Penta 3
Dimensions W x H x D/Weight: 22 x 165 x 34cm / 12kg
Cabinet finish: Stainless steel
Power consumption
Typical 24 watts/stand-by < 2.5 watts
Mains 6630 KOR 120V
6631 EU 230V
6632 GB 230V
6633 USA-CDN 120V
6634 J 100V
6635 AUS 240V
Maximum sound pressure level (stereo, pair)
103 dB
Power amplifier modules 1 unit
Long-term maximum output power per module* 281 watts
Effective frequency range* 39 – 20,000 Hz
Cabinet principle Bass Reflex
Magnetic shielded No
Woofer 4 x 13 cm
Midrange 4 x 8 cm
Tweeter 2.5 cm
Net volume 32 litres
Bass equalizer Switch 0 dB, -3 dB, +6 dB
*According to IEC 268-3 and 268-5
Connections: Power Link 2
Phono (line) 1
Speaker Link
Gold or Silver membership required to view documents
Available documents are listed, if none are listed then please reach out to see if we have them.
Type | Language | Type | |
User Guide | EN | BeoLab Penta User Guide | |
User Guide | EN | BeoLab Penta User Guide | |
User Guide | EN | BeoLab Penta User Guide | |
Service Manual | EN | BeoLab Penta Service Manual | |
Service Manual | EN | BeoLab Penta Service Manual | |
Service Manual | EN | BeoLab Penta Service Manual |
BeoLab Penta FAQs
Please let us know
BeoLab 8002
BeoLab 8002
An update of the long running Beolab 8000, the Beolab 8002 introduced new drive units powered by a pair of ICE amplifiers rated at 125W each.B&O themselves commented that sound quality was unchanged and so this can be seen as a rationalising of the range rather than a radical overhaul of a much loved icon.
The mode LED was repositioned, but otherwise it seemed business as usual. A three way switch for room positioning was now included at the expense of the phono socket previously fitted. As before, only one Powerlink socket was provided.
BeoLab 8002 Product Details
Type Numbers
Please let us know
Designer
Manufactured
2010 -
Colour Options
Polished Aluminium
BeoLab 8002 Product Specification
Cabinet/Cover:
Black/black, dark grey/dark grey, red/black, blue/black,
silver/black, silver/white, golden/black
POWER CONSUMPTION
Typical: 19 W; Networked standby: 0.4 W
LONG-TERM MAXIMUM OUTPUT
POWER AMPLIFIER, BASS
125 W, Class D, ICEpower
POWER AMPLIFIER, TWEETER
125 W, Class D, ICEpower
EFFECTIVE FREQUENCY RANGE*
48-28,000 Hz
SENSITIVITY**
88 dB SPL re 125 mVrms re 1m
CABINET PRINCIPLE
Bass reflex
CABINET VOLUME
5.3 litres
BASS DRIVER
2 x 4″ cone
TWEETER
¾” dome
Adaptive Bass Linearisation (ABL)
Room adaptation
Thermal protection
CONNECTIONS
1 x PowerLink
Line in via PowerLink
ACCESSORIES
Wall bracket, black
Stand, black
Cover
ROOM ADAPTATION
Free, Wall or Corner position
MAGNETICALLY SHIELDED
No. Must be placed > 50 cm from picture tube
INPUT SENSITIVITY (POWER LINK)
125 mV (88dB SPL)
INPUT SENSITIVITY (LINE)
125 mV (88dB SPL) – Auto switch on
SWITCH-OFF TIME (LINE)
3 min.
INDICATOR
On/Off LED
OPERATION
Switch for Free, Wall, Corner
Switch for Left – Right – Line (via PL plug)
PROTECTION
Thermal protection of all drivers.
ABL system protects the bass unit against mechanical damage.
POWER SUPPLY
Automatic voltage adaptation 100-120 Vac or 190-240 Vac
MEASUREMENT CONDITIONS:
*EFFECTIVE FREQUENCY RANGE is measured at -10 dB re. Ref level (200-2000 Hz)
**SENSITIVITY is measured at dB SPL 1m re 125 mV
Gold or Silver membership required to view documents
Available documents are listed, if none are listed then please reach out to see if we have them.
BeoLab 8002 FAQs
Please let us know
BeoLab 8000
BeoLab 8000
There’s not much point in thinking about BeoLab 8000 in terms of watts, woofers or tweeters. There has never been loudspeakers that look like this – or so clear and rich a sound produced from such slender cabinets. BeoLab 8000 represents both the engineering skills as well as the design capabilities from Bang & Olufsen. Nobody has ever built a speaker with such little net volume, only 5,3 litres, with such an impressive sound.
As with all modern B&O speakers, the 8000s are active, meaning that each element has its own amplifier. In fact, each speaker holds two amplifier units. The biggest advantage in separating the amplifiers is that it enables the loudspeakers the ability to obtain maximum sound pressure from each element without distortion. The 8000s use the same reflective finish as the BeoLab Penta allowing them to blend well into their surroundings. By 2001 BeoLab 8000 became the most popular active speaker to date.
” When it comes to sound reproduction we believe there’s only one relevant parameter: How close can we come to the originally recorded sound. We feel an obligation not to disturb the intentions of the artist by adding unnatural elements to the acoustic image. Therefore all Bang & Olufsen loudspeakers share the same goal. They differ in size and shape and in terms of sound pressure level. But they are all developed to reproduce the natural, unaltered sound as closely as possible “ – Bang & Olufsen catalogue 2001 – 2002
There’s no great secret to creating good speakers – but they do (normally) have to be big. When it comes to speakers, one of the driving forces behind Bang & Olufsen’s product development is combining the most modern of technology with good aesthetics. The result is that the company avoids filling people’s houses with speakers the size of phone boxes; instead replacing them with elegant pillars or beautifully-designed wall-mounted units. Formed from a single piece of aluminium that eliminates the distortion problems of traditional speakers, BeoLab 8000 is mounted on a solid, cast iron base and will create the perfect effect wherever you choose to place it.
Placing the amplifiers directly into BeoLab 8000 not only improves its overall sound performance, it also makes it possible to reduce its size by up to a third. This active loudspeaker technology gives B&O the freedom to combine the purest of sounds with the simplest of shapes. A slim 132cm tall and just 10cm in diameter the graceful column of BeoLab 8000 will never dictate any furniture arrangements.
Why build amplifiers into the loudspeakers instead of keeping them separate?
Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity. The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units.
Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from (See active speakers).
Deep bass: how to make deep bass with a shallow cabinet
All loudspeakers, regardless of brand, size or construction, make sound by converting electric energy into acoustic energy. They push air in waves, which is what our ears pick up. To get high sound pressure, you need to move a lot of air.
You can use a very large diameter loudspeaker membrane, which moves a very short distance. Or (as Bang & Olufsen prefer), you can make the membrane “deeper”, in other words, make it move a greater distance with a smaller diameter. Imagine two balloons, one round and shaped like a ball, the other long and tubular. Both contain the same amount of air; it’s simply their shapes that are different. A side benefit to the deeper membrane is that it allows a smaller cabinet, with greater freedom as far as form and function are concerned. Since no two loudspeaker units have exactly the same physical characteristics, Bang & Olufsen calibrate them individually to make certain that the sound of each and every loudspeaker leaving our factory is identical.
By employing an active electronic crossover network with equalization, we’re able to adjust frequencies before they’re amplified. The signal from the sound source is shaped before distribution to the separate power amplifiers for bass and treble. In this way, the performance of the various components is “fine-tuned”, until they produce an ideal, harmonised output, which will be the same, no matter which BeoLab loudspeaker you feast your eyes upon.
The custom made driver units of a BeoLab loudspeaker feature extra-heavy membranes with longer movement, which help produce a deeper bass.
Adaptive Bass Linearisation
Adaptive Bass Linearisation (ABL) is a process patented by B&O and is incorporated in BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension – a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce.
The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation.
ABL gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels.
BeoLab 8000: active loudspeaker, 2 power amplifier modules, adaptive bass linearisation, aluminium cabinet and solid iron (11kg) base.
News: From January 2003, BeoLab 8000 was obtainable with new driver units giving extra bass at low levels. While not delivering as much as a BeoLab 2 (dedicated sub-woofer) the bass drivers with the newer BeoLab 8000 have a marked improvement over their predecessors. The upgrade involved new frequency equalization and improved ABL system. These improvements are mostly apparent at high volume levels. The changes are implemented form serial 16992475 onwards.
BeoLab 8000 Product Details
Type Numbers
6801 (EU) 1992
6802 (GB) 1992
6803 (USA-CDN) 1992
6804 (J) 1992
6805 (AUS) 1992
6806 (KOR)1998
Designer
Manufactured
1992 -
Colour Options
Aluminium, Black, Dark Grey, Red, Blue
BeoLab 8000 Product Specification
Specifications (from Aug 2005):
Dimensions W x H x D/Weight: 17 x 132 x 17 cm/20 kg
Cabinet/cloth finish Aluminium/black, black/black, dark grey/dark grey, red/black, blue/black
Mains 6801 EU 230V
6802 GB 230V
6803 USA-CDN 120V
6804 J 100V
6805 AUS 240V
6806 KOR 220V Maximum sound pressure level (stereo, pair) 99 dB
Power amplifier modules 2 units, Class AB
Long-term maximum output power per module* 143 watts
Effective frequency range* 52 – 20,000 Hz
Cabinet principle Bass Reflex
Magnetic shielded Yes
Woofer 2 x 10 cm
Tweeter 1.8 cm
Net volume 5.3 litres
Bass equalizer Adaptive (ABL)
*According to IEC 268-3 and 268-5
Connections:
Connections: Power Link 1
Phono (line) 1
Power consumption: typical 12 W/stand-by < 2.5 W
Gold or Silver membership required to view documents
Available documents are listed, if none are listed then please reach out to see if we have them.
Type | Language | Type | |
Setup Guide | NL | BeoLab 8000 Setup Guide | |
User Guide | BRZ | BeoLab 8000 User Guide | |
User Guide | DK | BeoLab 8000 User Guide | |
User Guide | EN | BeoLab 8000 User Guide | |
User Guide | ESP | BeoLab 8000 User Guide | |
User Guide | FIN | BeoLab 8000 User Guide | |
User Guide | FR | BeoLab 8000 User Guide | |
User Guide | GER | BeoLab 8000 User Guide | |
User Guide | IT | BeoLab 8000 User Guide | |
User Guide | NL | BeoLab 8000 User Guide | |
User Guide | SWE | BeoLab 8000 User Guide | |
Service Profile | EN | BeoLab 8000 Service Profile | |
Service Manual | EN | BeoLab 8000 Service Manual | |
Wall Bracket | EN | BeoLab 8000 Wall Bracket |
BeoLab 8000 FAQs
Please let us know
BeoLab 6002
BeoLab 6002
An update to the cheapest of the column speakers, this saw the Class AB amplification discarded along with the large heat sinks. Instead 2 cool running ICE amplifiers were fitted, both rated at 125W.
The LED was repositioned and the finish of the foot changed to match the TV range. A three position switch for wall, corner and free position settings was now fitted and the previous model’s phono plug was deleted. 2 Powerlink sockets were still present though.
BeoLab 6002 Product Details
Type Numbers
Please let us know
Designer
Manufactured
2010 -
Colour Options
Aluminium/Black, Black, Blue, Dark grey, Red, Silver, Golden, White
BeoLab 6002 Product Specification
POWER CONSUMPTION
Typical: 19 W; Networked standby: 0.4 W
LONG-TERM MAXIMUM OUTPUT
POWER AMPLIFIER, BASS
125 W, Class D, ICEpower
POWER AMPLIFIER, TWEETER
125 W, Class D, ICEpower
EFFECTIVE FREQUENCY RANGE*
46-27,000 Hz
SENSITIVITY**
88 dB SPL re 125 mVrms re 1m
CABINET PRINCIPLE
Bass reflex
CABINET VOLUME
3 litres
BASS DRIVER
2 x 3½” cone
HIGH FREQUENCY DRIVER
¾” dome
FEATURES
Adaptive Bass Linearisation (ABL)
Room adaptation
Thermal protection
CONNECTIONS
2 x Power Link
Line in via Power Link
ACCESSORIES
Wall bracket, silver
Stand, black
Cover
ROOM ADAPTATION
Free, Wall or Corner position
MAGNETICALLY SHIELDED
No. Must be placed > 50 cm from picture tube
INPUT SENSITIVITY (POWER LINK)
125 mV (88dB SPL)
INPUT SENSITIVITY (LINE)
125 mV (88dB SPL) – Auto switch on
SWITCH-OFF TIME (LINE)
3 min.
INDICATOR
On/Off LED
OPERATION
Switch for Free, Wall, Corner
Switch for Left – Right – Line (via PL plug)
PROTECTION
Thermal protection of all drivers.
ABL system protects the bass unit against mechanical damage.
POWER SUPPLY
Automatic voltage adaptation 100-120Vac or 190-240Vac
MEASUREMENT CONDITIONS:
*EFFECTIVE FREQUENCY RANGE is measured at -10 dB re. Ref level (200-2000 Hz)
**SENSITIVITY is measured at dB SPL 1m re 125 mV
Gold or Silver membership required to view documents
Available documents are listed, if none are listed then please reach out to see if we have them.
BeoLab 6002 FAQs
Please let us know
BeoLab 6000
BeoLab 6000
There’s not much point in thinking about BeoLab 6000 in terms of watts, woofers or tweeters. There has never been loudspeakers that look like this – or so clear and rich a sound produced from such slender cabinets. BeoLab 6000 represents both the engineering skills as well as the design capabilities from Bang & Olufsen.
BeoLab 6000 is probably one of the most famous speakers around today being a part of the standard exhibition at the Museum of Modern Art in New York along with some other Bang & Olufsen equipment, namely the Beovox Cona (a subwoofer) and the Beocord VX5000, which by the way looks almost exactly as the VX7000 does. BeoLab 6000 is a smaller version of the BeoLab 8000 with the same active construction but with even smaller net volume: 3 litres.
A great advantage with the BeoLab 6000 is the fact that it has two PowerLink connections giving the possibility to loop-through the signal to the second speaker directly. This speaker is used very often as the second pair in a Dolby Pro-Logic setup for example in the AV9000 system.
” When it comes to sound reproduction we believe there’s only one relevant parameter: How close can we come to the originally recorded sound. We feel an obligation not to disturb the intentions of the artist by adding unnatural elements to the acoustic image. Therefore all Bang & Olufsen loudspeakers share the same goal. They differ in size and shape and in terms of sound pressure level. But they are all developed to reproduce the natural, unaltered sound as closely as possible “ – Bang & Olufsen catalogue 2001 – 2002
Features:
BeoLab 6000 fills the room with sound
The choice is simple – you can fill your home with big black boxes, or you can make a stand with BeoLab 6000 and fill it with beautiful sound and beautiful looks.
Aluminium
Formed from a single piece of aluminium, BeoLab 6000 is shaped to stand out from its surroundings, but coloured to match any Bang & Olufsen audio or video setup.
Active loudspeaker benefits
How does B&O reduce the overall size of a loudspeaker, but improve its sound performance? It can only be done by placing the amplifiers directly into the loudspeaker cabinet. It’s called ‘Active Loudspeaker Technology’ and is used to combine the purest of sounds with the smallest and simplest of shapes.
Fits any room
With a height of just 110cm and a depth of 10cm, finding space for a pair of BeoLab 6000 speakers is never going to be a problem. Its superior sound capabilities ensure that its performance will never dictate your placement options. The polished aluminium cabinet is available in a range of colours – black, blue, green, red and natural – that will match any Bang & Olufsen audio or video setup.
Materials and finish
The deliberate choice of material, and the final surface treatment of the products’ finish, are characteristic of Bang & Olufsen and one of their true core competences. B&O’s designers know that people use several of their senses in experiencing a product. They therefore derive great pleasure from tactile experiences, whether they are touching a cold or a warm surface, or one that is smooth or textured. The span of materials used for Bang & Olufsen products is wider than that of any other company within the trade, and they are carefully selected for their high quality and their ability to fit naturally into a home environment. The finish is then refined to perfection and created to provide a tangible experience that supports the visual impression.
Why build amplifiers into the loudspeakers instead of keeping them separate?
Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity. The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units.
Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from (See active speakers)
Deep bass: how to make deep bass with a shallow cabinet
All loudspeakers, regardless of brand, size or construction, make sound by converting electric energy into acoustic energy. They push air in waves, which is what our ears pick up. To get high sound pressure, you need to move a lot of air.
You can use a very large diameter loudspeaker membrane, which moves a very short distance. Or (as Bang & Olufsen prefer), you can make the membrane “deeper”, in other words, make it move a greater distance with a smaller diameter. Imagine two balloons, one round and shaped like a ball, the other long and tubular. Both contain the same amount of air; it’s simply their shapes that are different.
A side benefit to the deeper membrane is that it allows a smaller cabinet, with greater freedom as far as form and function are concerned.
Since no two loudspeaker units have exactly the same physical characteristics, Bang & Olufsen calibrate them individually to make certain that the sound of each and every loudspeaker leaving our factory is identical. By employing an active electronic crossover network with equalization, we’re able to adjust frequencies before they’re amplified. The signal from the sound source is shaped before distribution to the separate power amplifiers for bass and treble.
In this way, the performance of the various components is “fine-tuned”, until they produce an ideal, harmonised output, which will be the same, no matter which BeoLab loudspeaker you feast your eyes upon. The custom made driver units of a BeoLab loudspeaker feature extra-heavy membranes with longer movement, which help produce a deeper bass.
Adaptive Bass Linearisation
Adaptive Bass Linearisation (ABL) is a process patented by B&O and is incorporated in BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension – a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce.
The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation.
ABL gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels.
BeoLab 6000: active loudspeaker, 2 power amplifier modules, adaptive bass linearisation and aluminium cabinet.
BeoLab 6000 Product Details
Type Numbers
6825 (AUS) 1992
6821 (EUR) 1992
6822 (GB) 1992
6824 (J) 1992
6823 (USA) 1992
Designer
Manufactured
1992
Colour Options
Silver, Black, Grey, Blue, Red, Green, Sky Blue
BeoLab 6000 Product Specification
Dimensions: W x H x D/’Weight: 20 x 110 x 22 cm/6.2 kg
Cabinet/cloth finish (from Aug 2005): Aluminium/black, black/black, silver/silver, dark grey/dark grey, blue/black, red/black
Power consumption: Typical 8 W/stand-by < 1,8 W
Mains 6821 EU 230V
6822 GB 230V
6823 USA-CDN 120V
6824 J 100V
6825 AUS 240V
6826 KOR 220V
Specifications (from Aug 2005):
Maximum Sound Pressure Level (stereo, pair) 96 dB
Power amplifier modules 2 units, Class AB
Long-term maximum output power per module* 59 watts
Effective frequency range* 55 – 20,000 Hz
Cabinet principle Bass Reflex
Magntic shielded Yes
Woofer 2 x 9 cm
Tweeter 1.8 cm
Net volume 3 litres
Bass equalizer Adaptive (ABL)
*According to IEC 268-3 and 268-5
Connections:
Connections: Power Link 2
Phono (line) 1
Gold or Silver membership required to view documents
Available documents are listed, if none are listed then please reach out to see if we have them.
Type | Language | Type | |
Reference Guide | NL | BeoLab 6000 Reference Guide | |
User Guide | DK | BeoLab 6000 User Guide | |
User Guide | EN | BeoLab 6000 User Guide | |
User Guide | ESP | BeoLab 6000 User Guide | |
User Guide | FIN | BeoLab 6000 User Guide | |
User Guide | FR | BeoLab 6000 User Guide | |
User Guide | GER | BeoLab 6000 User Guide | |
User Guide | NL | BeoLab 6000 User Guide | |
User Guide | POL | BeoLab 6000 User Guide | |
User Guide | RUS | BeoLab 6000 User Guide | |
User Guide | SWE | BeoLab 6000 User Guide | |
Service Manaul | EN | BeoLab 6000 User Manual | |
Wall Bracket | EN | BeoLab 6000 Wall Bracket |
BeoLab 6000 FAQs
Please let us know
BeoLab 5000 (1969)
BeoLab 5000 (1969)
Design is a language which is understood by everyone…” as designer Jacob Jensen expressed it and demonstrated it in practice.”
A silicon-transistor high-fidelity amplifier with less than 0.6% distortion at all frequencies and at all volume levels up to 2 x 60 watts of power output. Its signal-to-noise ratio is better than 90dB (linear measurement). It has calibrated graphic controls and is extremely versatile, due to an unusual number of input and output facilities.
The Beolab 5000 is an amplifier that introduces no hiss or hum and reproduces all frequencies of the tonal range exactly as received. It has enormous power, permitting reproduction of even the loudest passages without distortion. Moreover, operation is logical and straightforward; varying or poor record quality can be compensated by means of efficient filters which remove the particular tonal range in which flaws are present; there is provision for connecting several speakers, including centre speaker, as well as provision for channelwise control of programme material. A special feature is a test control to facilitate adjustment of balance between channels. The use of silicon transistors ensures very low noise level, high temperature stability, and a very wide tonal range.” – taken from the 1967
Bang & Olufsen’s Beomaster 5000 FM tuner, BeoLab 5000 amplifier and Beovox 2500 Cube loudspeakers were the first product series designed by Jacob Jensen in 1967.
The traditional style for tuning knobs was replaced by an exact measuring instrument akin to the slide rule which was considered an innovation in changing the future of radios and amplifiers. The interface, in its precision and simplicity, proved to give the user optimal functionality. This solution had never been seen before and laid the foundation for the future form language of B&O. On this basis, Jacob Jensen was asked to design B&O´s audio programme. Beomaster 5000 was an FM tuner, with elimination of static between stations and a built in ‘data base’ which automatically tuned in on stereo broadcasts.
Partner to BeoLab 5000 was Beomaster 5000, an amplifier with the same slide rule interface.
The TV boom of the 1950’s hit the cinemas badly, which meant that the pressure on Bang & Olufsen’s sound engineers became less. The engineers’ love of high class sound reproduction, however, remained undiminished.
As early as the 1950s, they had developed stereo systems for the installation of Cinema-Scope systems in cinemas. In 1958, they were also responsible for the development of equipment for the first stereophonic radio transmissions from Denmark’s very first commercial radio station, Radio Mercur. When stereo started gaining ground, the engineers found new opportunities for a comeback.
The development of High Fidelity had already begun in the US and a number of small companies, headed by Scott and Fischer, had gained a dedicated following. By 1964, Bang & Olufsen was planning to conquer the new upcoming European Hi-fi market, a niche which ideally matched Bang & Olufsen’s survival strategy. Now engineers with more than 30 years’ experience behind them, under the leadership of chief engineer Nikolaj Krebs Sørensen, embarked on the development of the world’s most perfect hi-fi system, the BeoLab 5000 series.
With its ultra selective tuner and a powerful, distortion-free amplifier of no less than 2 x 60 watts, it offered qualities never seen before. The design was equally sensational. In the US, where the production of Hi-fi components had already started, they had found their form in the 19” rack format which was used by the first customers, the radio stations. When Hi-fi enthusiasts wanted quality tuners and amplifiers, they had to accept a design which belonged in the professional world.
Bang & Olufsen’s brief for the designers was: “Create a European Hi-fi format, which communicates power, precision and identity.”
This became designer Jacob Jensen and his assistant, David Lewis’ first assignment together for Bang & Olufsen. They solved it by designing the new linear controls like a slide rule bar in order to communicate the greatest possible precision. Thus began the era of the slide rule bar, a motif which was used and varied in the years to come.
The Hi-fi modules’ handles became countersunk Allen screws and the faceted and framed gold panels, which were the industry’s standard, were, in Bang & Olufsen’s design, transformed into extruded natural anodised aluminium.
BeoLab 5000 became a success, not only as Bang & Olufsen’s flagship, but also in more affordable versions, e.g.. Beomaster 1200 and 3000 and competitors were forced to follow suit. Elsewhere too, knobs were replaced by the linear slides – a development which continued until the mechanical grips were replaced by the electronic ‘easy touch’ controls of the Beomaster 1900.
At the 1967 spring fair in Hanover, B&O received the IF award for BeoLab 5000, Beomaster 5000 and Beovox 2500 Cube for outstanding and user friendly design.
BeoLab 5000 (1969) Product Details
Type Numbers
5303 (1969 – Dec 1972)
Designer
Manufactured
1967 – 1972
Colour Options
Rosewood, Teak
BeoLab 5000 (1969) Product Specification
Power output: 2 x 60 W
Speaker impedance: 4 ohms
Frequency range: 20 – 20,000 Hz +/- 1.5 dB
Distortion: 0.2 %
Intermodulation: 1 %
Signal-to-noise ratio: -90 dB < 60 W
– 58 < 50 mW
Bass control: +/- 17 dB 50 Hz
Treble control: +/- 14 dB 10 kHz
Outputs:
Tape DIN
Line out DIN
Line out RCA
Power supply: 110 – 130 – 220 – 240 V
Power consumption: 45 – 325 W
Dimensions W x H x D: 47 x 10 x 25cm
Weight: 10.4 kg
Connections: Inputs: DIN; MIC DIN
Phono high DIN – RCA
Phono low DIN – RCA
Tuner high DIN – RCA
Tuner low DIN – RCA
AUX DIN – RCA
Tape DIN – RCA
Gold or Silver membership required to view documents
Available documents are listed, if none are listed then please reach out to see if we have them.
Type | Language | Type | |
Brochure | EN | BeoLab 5000 User Guide | |
User Guide | EN | BeoLab 5000 User Guide | |
User Guide | EN | BeoLab 5000 User Guide | |
User Guide | EN | BeoLab 5000 User Guide | |
Setup Guide | EN | BeoLab 5000 Setup Guide | |
Service Manual | EN | BeoLab 5000 Service Manual | |
Service Manual Amplifier | EN | BeoLab 5000 Service Manual Amplifier |
BeoLab 5000 (1969) FAQs
Please let us know
BeoLab 4500
BeoLab 4500
There were two versions of this panel loudspeaker. The pure Beovox 4500 loudspeaker (shown here) and BeoLab 4500 with built-in amplifier and Dynamic Bass Equaliser (shown in main picture above), which automatically compensated for the inability of the human ear to perceive deep bass tones at low volume
The design of BeoLab 4500 and Beovox 4500 was based an acoustic principle that allowed the loudspeaker to use the wall to enhance the bass level. The cabinet let the sound waves reflect off the wall and out into the room without delay. This made it possible to reduce the depth of the cabinet to just 8cm, so the loudspeaker becomes a natural part of the wall décor.
BeoLab 4500 had a display which indicated sound source, volume and which track on CD or tape that you were listening to. In looks, it was similar to the BeoLab 5000 active speaker, but smaller. The display too was in a green-coloured LED as opposed to BeoLab 5000’s orange. Both loudspeakers were available with blue or grey fabric.
Mounting Options
Bang & Olufsen’s preferred supplier for brackets and stands, STBbrackets, have made a range of solutions specifically for this model. Distributed throughout the World by the Bang & Olufsen store network, the STB options add to the diversity of mounting options and positions available.
BeoLab 4500 Product Details
Type Numbers
6721
6725 (AUS) 1991
6722 (GB) 1991
6724 (J) 1992
6723 (USA) 1991
Designer
Manufactured
1991 – 1995
Colour Options
Aluminium/Blue or Aluminium/Grey
BeoLab 4500 Product Specification
Dimensions WxHxD/Weight: 45 x 54 x 8cm / 9 kg
Cabinet finish: Aluminium
Power amplifier modules
1 unit
Mains 6721 EU 230V
6722 GB 230V
6723 USA-CDN 120V
6724 J 100V
6725 AUS 240V
Long-term maximum output power per module*
116 watts
Effective frequency range* 54 – 20,000 Hz
Maximum Sound Pressure Level (stereo, pair) 99 dB
Cabinet Principle Bass Reflex
Woofer 13 cm
Tweeter 2.5 cm
Net volume 5.4 litres
Bass equalizer Dynamic
Typical power consumption 10 watts
Stand-by consumption <4 watts
* According to IEC 268-3 and 268-5
Connections: Power Link
Phono (line)
Speaker Link
Gold or Silver membership required to view documents
Available documents are listed, if none are listed then please reach out to see if we have them.
BeoLab 4500 FAQs
Please let us know
BeoLab 4000
BeoLab 4000
” When it comes to sound reproduction we believe there’s only one relevant parameter: How close can we come to the originally recorded sound. We feel an obligation not to disturb the intentions of the artist by adding unnatural elements to the acoustic image. Therefore all Bang & Olufsen loudspeakers share the same goal. They differ in size and shape and in terms of sound pressure level. But they are all developed to reproduce the natural, unaltered sound as closely as possible ” – Bang & Olufsen catalogue 2001 – 2002
Squeeze a pair of BeoLab 4000s into the bookcase in your study and link them to the music system in the living room, via a Beolink® ‘eye’, which responds to your remote control. Whether it’s a matter of placement or simple colour co-ordination, BeoLab 4000 turns flexibility into an art form. Placing amplifiers directly in the loudspeakers themselves not only improves sound quality but allows the manufacturer to reduce the cabinet’s overall size. The result is a compact loudspeaker that can sit on a shelf, bookcase or hang, at almost any angle, from the wall or ceiling. Available in six vivid colours, BeoLab 4000 is equally at home in a stereo setup, a surround sound system or as superior multimedia speakers for your computer.
Features:
BeoLab 4000 fills the room with sound
You can’t see sound, but that doesn’t mean that it has to be totally invisible. BeoLab 4000 is formed from aluminium that’s polished until it shines like a mirror. It also comes in an array of colours – not only to suit your interior decoration, but because life itself is full of colour
Aluminium
Aluminium is the perfect material for BeoLab 4000. It’s light, but offers an impressive stiffness despite a thickness of only a few millimetres. It also makes it easier to obtain the loudspeaker’s unique curved form, which is important for avoiding problems with audible artefacts due to internal standing waves in the cabinet
Active loudspeaker
The equation used to be a simple one; the louder the sound, the bigger the loudspeaker – but not anymore. Placing the amplifier directly into the loudspeaker allows us to reduce the overall size of the BeoLab 4000 to one third of a conventional loudspeaker with the same sound capacity.
Adaptive Bass Linearisation
Adaptive Bass Linearisation (ABL) is a process patented by B&O and is incorporated in BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension – a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce.
The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation.
ABL gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels.
Why build amplifiers into the loudspeakers instead of keeping them separate?
Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity. The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from.
The cube
During the development phase, all BeoLab loudspeakers are put through their paces in ‘The Cube’, Bang & Olufsen’s own acoustic measurement facility. In the 12 x 12 x 13 metre room, the entire audible spectrum is played through the loudspeaker to give a perfect picture of it’s sound ‘fingerprint’.
Performance
To ensure an optimal performance every time you listen to it, a BeoLab loudspeaker constantly fine-tunes the signal received from the sound source before distributing it out to the separate bass and treble power amplifiers.
The listening panel
Since it’s humans that will listen to BeoLab 4000, it’s important that a human ear should also measure its quality. That’s why Bang & Olufsen employs its own Listening Panel to scrutinise every step in a loudspeaker’s development. If any sonic shortcomings are discovered, the whole project is returned to the drawing board.
Individual Calibration
Since no two loudspeaker units have exactly the same physical characteristics, we calibrate them individually to make certain that the sound of each and every BeoLab 4000 loudspeaker leaving the factory is identical.
Appearance
Using aluminium for the cabinets is not just about looking good. Despite a thickness of only a few millimetres, it’s a remarkably strong metal that’s easily shaped to eliminate the problems with audible artefacts due to internal standing waves in the cabinet.
Rule of thumb
Substitute cabinet volume (the amount of space a loudspeaker takes up) for amplifier power (which doesn’t take up much) and cabinets like that of the BeoLab 4000 can be reduced to one-third the size of a conventional, passive loudspeaker with the same sound capacity.
Flexibility in placement
You can use BeoLab 4000 as your main loudspeakers or as extras in a Bang & Olufsen surround-sound set-up. Their ability to fit into the smallest of spaces, or to be hung on the wall at almost any angle, also makes them the perfect loudspeaker for the Beolink® system. BeoLab 4000 owes its shape to the fact that active loudspeakers produce heat if they have to play for a long time without a pause. Squeeze it into a bookcase and it will still have sufficient cooling air around it, no matter how many books it shares its space with. Raised on the optional stand, BeoLab 4000 presents itself at the same angle as BeoSound Ouverture.
Even Cooler?
2007 saw the introduction of the Beolab 4000 Mk2 . Almost unheralded, the main change was the use of ICE amplifiers to replace the AB type. At first glance it would appear that the amplifiers from the Beolab 4 were being used. These offered a power output of 35W each with 2 being used. This was remarkably similar to the real output of the older amplifiers and not surprisingly the maximum sound levels achievable were not changed. Indeed it was unlikely that any customers would have noticed the change if not told.
Part numbers: BeoLab 4000 front covers
Green 1603894
Grey 1603895
Black 1603896
Yellow 1603897
Blue 1603898
Red 1603899
Mounting Options
Wall mounting brackets were supplied with this model. Pole mounted Floor Stands were the only other option.
BeoLab 4000 Product Details
Type Numbers
6636 1997
6637 (GB) 1997
6638 (USA) 1997
6639 (J) 1997
6640 (AUS) 1997
6641 (KOR) 1998
6649 (CHK) 2004-06
Designer
Manufactured
1997
Colour Options
Silver, Black, Blue, Red, Green, Gold
BeoLab 4000 Product Specification
Dimensions W x H x D/Weight: 28 x 32 x 13 cm / 6 kg
Cabinet/cloth finish Silver/silver, black/ black, blue/black, dark grey/dark grey, red/black, yellow/yellow
Stopped June 2005: green/green, red/red, blue/blue
Power consumption Typical 10 watts/stand-by 0,5 watts
Mains 6636 EU 230V
6637 GB 230V
6638 USA-CDN-TWN 120V
6639 J 100V
6640 AUS 240V
6641 KOR 120V
Maximum Sound Pressure Level (stereo, pair) 97 dB
Power amplifier modules 2 units, Class AB
Long-term maximum output power per module* 59 watts
Effective frequency range* 55 – 20,000 Hz
Cabinet principle Bass Reflex
Magnetic shielded Yes
Woofer 11 cm
Tweeter 1.8 cm
Net volume 4 litres
Bass equalizer Adaptive (ABL)
According to IEC 268-3 and 268-5
Connections:
Connections: Power Link 2
Phono (line) 1
Link compatibility:
Link compatibility: BeoLink Active
BeoLink PC Office
Accessories:
Accessories Floor speaker stand 2069 Aluminium
Stand 2064 Black
Base 2037 Black
Front cover 6038 Black, Blue, Green, Grey, Red, Yellow
Gold or Silver membership required to view documents
Available documents are listed, if none are listed then please reach out to see if we have them.
Type | Language | Type | |
Setup Guide | NL | BeoLab 4000 Setup Guide | |
User Manual | BRZ | BeoLab 4000 User Manual | |
User Manual | DK | BeoLab 4000 User Manual | |
User Manual | EN | BeoLab 4000 User Manual | |
User Manual | ESP | BeoLab 4000 User Manual | |
User Manual | FIN | BeoLab 4000 User Manual | |
User Manual | FR | BeoLab 4000 User Manual | |
User Manual | GER | BeoLab 4000 User Manual | |
User Manual | IT | BeoLab 4000 User Manual | |
User Manual | JP | BeoLab 4000 User Manual | |
User Manual | NL | BeoLab 4000 User Manual | |
User Manual | SWE | BeoLab 4000 User Manual | |
Service Manual | EN | BeoLab 4000 Service Manual | |
Service Manual MKII | EN | BeoLab 4000 MKII Service Manual | |
Floor Stand | Multi | BeoLab 4000 Floor Stand |
BeoLab 4000 FAQs
Please let us know