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ML / MCL Product Compatibility

ML / MCL Product Compatibility

ML Compatibility - Audio Products

BeoCenter 9000

– Has limitations. Not recommended

BeoSystem 3500

– Beolink Converter required

BeoVision LX2500/2800

– not compatible

BeoCenter AV9000

– Compatible

BeoCenter 8000

– no link connections

BeoSystem 4500

– Beolink Converter required

BeoVision LX2502/2802

Beolink Converter required (Limited use as main TV)

BeoVision Avant

– Compatible

BeoCenter 2300

– Beolink Converter required

BeoSystem 5500

– Beolink Converter required

BeoVision MX3500/5500

– Beolink Converter required

BeoVision AV5

– Compatible

BeoCenter 2500

– Beolink Converter required

BeoSystem 5500

– Beolink Converter required

BeoVision LX4500/5500

–  Beolink Converter required

BeoVision 3

– Compatible

BeoCenter 8500

Beolink Converter required

BeoSystem 7000

– Beolink Converter required

BeoVision MX 4000/6000/7000

–  Beolink Converter required

BeoVision 5

– Compatible

BeoCenter 9300

– Beolink Converter required

BeoSound 2300/2500

– Beolink Converter required

BeoVision MX8000

– Compatible

BeoVision 1L

– Compatible (Options 1 or 2)

BeoCenter 9500

– Beolink Converter required

BeoSound Ouverture/3000

– Compatible

BeoVision LX5000/6000

– Beolink Converter required

BeoVision 6

– Compatible

BeoSound 9000

– Compatible

BeoSound 3200

– Compatible

BeoVision AV9000

 – Compatible

 
BeoSound Century

– Not compatible

BeoCenter 2

– Compatible

BeoVision 1

– Not compatible

 
BeoSound 1

– Not compatible

 BeoCenter 1

– Compatible (only with BC1 updated model: Options 1 or 2)

 

ML Compatibility - Link-only Products

BeoVision MX4002 – Compatible
BeoLab 2000 – Compatible
BeoLab 3500 – Compatible

MCL Compatibility - Audio Products

BeoCenter 9000

– may need Beolink SW

BeoSystem 3500

– compatible

BeoVision LX 2500/2800

– not compatible

BeoVision AV9000

– ML/MCL Converter required

BeoCenter 8000

– no link connection

BeoSystem 4500

– compatible

BeoVision LX 2502/2802

– Compatible

BeoVision Avant

– ML/MCL Converter required

BeoCenter 2300

– needs ML/MCL Converter

BeoSystem 5500

-compatible

BeoVision MX3000/4500/5000

– Compatible with limitations

BeoVision AV5

ML/MCL Converter required

BeoCenter 2500

– needs ML/MCL Converter

BeoSystem 6500

– compatible

BeoVision MX3500/5500

– Compatible

 
BeoCenter 8500

– compatible

BeoSystem 7000

– compatible

BeoVision LX4500/5500

– Compatible

 
BeoCenter 9300

– compatible

BC Ouverture

– needs ML/MCL Converter

BeoVision MX4000/6000/7000

– Compatible

 
BeoCenter 9500

– compatible

BeoSound 9000

– needs ML/MCL Converter

BeoVision LX 5000/6000

– Compatible

 
BeoSound Century

– not compatible

BeoSound 1

– not compatible

  

MCL Compatibility - Link only products

BeoVision MX 4002 – Beolink Converter required (SW 1.3)
BeoLab 2000 – Beolink Converter required (SW 1.3)
BeoLab 3500 – Beolink Converter required (SW 1.3) – BeoLab 3500 works with both ML and MCL

NOTE: for Software updates (SW) always consult your B&O dealer

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BeoMaster 6000 (1974)

Bang & Olufsen BeoMaster 6000

BeoMaster 6000 (1974)

A thoroughgoing ‘black box’. Nothing in the shape of the device revealed how it worked or what it was. Only the inscription on the top of the unit told the user just how the black ‘magic mirror’ was brought to life so it could show which function has been activated. The unit was Bang & Olufsen’s first remote-controlled hi-fi system.

Beomaster 6000 History

Beomaster 6000 was the realisation of the Topline prototype on which work had progressed over the preceding years. The long flat cabinet of the Beomaster 1200 with its operation from the top and the depressed knobs was repeated. But the Beomaster 6000 is the first representative of a new phase in Jacob Jensen’s oeuvre. The slide rule motif symbolised mechanical precision, but now the entire idiom is adapted to the abstraction it was necessary to submit in communicating using electronics. The visually, symbolically and tactilely easily understood slide rule operation belonged to the age of mechanisation and must be understood in extension of the modernistic machine aesthetics of the 1920s. The design of the Beomaster 6000 emphasises that it belongs to the electronic age and that it is part of the virtual, digital epoch. The volume is regulated stepwise by pressing one button to increase volume and another to reduce it. The buttons are gathered together in one large steel sheet, in which ‘tongues’ have been cut. These each have a play of less than half a millimetre as they are electronic micro-switches. The depressed adjustment knob, which made its first appearance in the General Electric radiogram study model around 1960, is an electronic tuner. ” The great quality of the slide rule motif was that it showed both the user’s input (setting) and the device’s output at the same time. The logical consequence of micro-electricity is a division of input and output – the electronics differ from mechanical operation in that their function is invisible. Jensen does what he can, nevertheless, to make it easy to understand what is happening. Input is placed in a silver-coloured control panel, while output (displays) is gathered under a sheet of dark glass. This magical black sheet, ‘the magic mirror’ that lights up while in use, is to give an extra experience over and above the purely aesthetical. The Beomaster 6000 is a very easy advanced quadraphonic radio. In view of the development team, four sound channels required your being able to adapt the sound to your position in the room. In this way, the first remote-controlled hi-fi system became a reality. ” – taken from ‘Jacob Jensen’ by Christain Holmsted Olesen.

Beomaster 6000 features

At the centre of the Beosystem 6000 was Beomaster 6000, a 4-channel amplifier with an FM tuner. Beomaster 6000 had a built-in SQ decoder (4-channel matrix) and was a full remote controlled system. Five FM stations could be pre-selected and there was manual tuning on the large illuminated FM scale. The FM tuner covered 87,5 – 104MHz. Tuning was carried out via feather-touch controls. The amplifier section was designed to cope with all sound reproduction systems: one, two or four channels. It produced 4×40 watts RMS (4 ohms) or 300 watts total music. 4-channel sound reproduction from records was popularly represented by two systems: CD4 discrete and SQ matrix. CD4 (Compatible Discrete 4 channel) enabled high-quality sound reproduction with a high degree of separation between the four channels. CD4 was called at the time ‘TRUE 4 channel system’. However, many companies chose the SQ system because it was easily transmitted over FM and SQ records could be played on a high quality stereo record player. However, the price of convenience was less channel separation than the CD4 system afforded. An SQ matrix decoder was incorporated in Beomaster 6000. Basically, its job was to reconstruct sound information for the two rear speakers. For CD4 records this reconstruction took place in the record-player, Beogram 6000.

Operation

Operation of Beomaster 6000 was child’s play. The large flat operation panel had logically grouped controls for all essential functions. Primary functions (e.g. programme source selection, volume, balance, bass and treble controls) were large, prominent, yet unobtrusive easy-touch buttons, while secondary functions (e.g. loudness, hi and low filters, etc) were smaller push buttons. Volume, balance, bass and treble controls were executed by a feather-touch of the finger tip. A servo-motor did the real work. An illuminated scale indicated position and control levels. There were facilities for frequency correction on all 4 channels. Each channel had a frequency range of 20-30,000 Hz. Distortion was lower than 0.1% at full power output.

Remote Control

The cordless (ultrasonic) remote control for the receiver could be bought as an accessory. This unit put you in true control of the music system. All the following functions could be controlled: volume, balance: left and right speakers; balance: front and rear speakers; five pre-selected FM stations; selection of external programme sources: record-player, tape/cassette-recorder; switching on and off (stand-by).

Connections

All necessary connection facilities were incorporated in Beomaster 6000: 4-channel record player, 2 or 4-channel tape-recorder. 4-channel headphones or two sets stereo headphones. Beomaster 6000 was perfectly matched to partner the Beocord 5000 cassette recorder (introduced 1975). Beomaster 6000 was featured in an exhibition at New York’s MoMA (Museum of Modern Art) in 1975. At the time of its release it was the flagship of Bang & Olufsen’s hi-fi product range and was quite expensive to purchase. The UK price in 1978 was £581.50.

Accessories:

FM room aerial An FM aerial type 8902010, was designed for use with Beomaster 6000 to be used in the home, within a certain radius of the radio transmitter. It was easily positioned at the rear of Beomaster 6000 and its two telescopic elements could be extended.

BeoMaster 6000 (1974) Product Details

Type Numbers

2702

Designer

Manufactured

1974 – 1977

Colour Options

Rosewood, Teak, White

BeoMaster 6000 (1974) Product Specification

Power output 1000 Hz RMS: 4 x 40 watts / 4 ohms, 4 x 30 watts / 8 ohms
Music power: 4 x 75 watts / 4 ohms, 4 x 40 watts / 8 ohms
Speaker impedance: 4 ohms
Harmonic distortion: < 0.06 %
Frequency range: 20 – 30,000 Hz
Bass control: +/- 17 dB
Treble control: +/- 14 dB
FM range: 87.5 – 104 MHz
Power supply: 110 – 130 – 220 – 240 V
Power consumption: 10 – 350 watts
Dimensions W x H x D: 67 x 8 x 32 cm
Weight: 16 kg
Connections: AUX , Phono, tape (front)

Batteries for your BM6000 Commander Remote Control:

• Duracell: M504
• Eveready: 504, ER-504
• Gold Peak: GP220
• I.E.C.: 10F15
• NEDA: 504M, 220
• Panasonic: W10, W10E
• Polaroid: 202, 222
• RadioShack: 01386, 0400125, 22049, 22205, 23-509
• Varta: V74PX IEC 10 LR54
• Vinnic: 10LR54

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User Guide

Multi

BeoMaster 6000 User Guide

Technical Manual

EN

BeoMaster 6000 Technical Manual

BeoMaster 6000 (1974) FAQs

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BeoVox Penta

Bang & Olufsen Beovox Penta

BeoVox Penta

Smaller, but perfectly formed

For rooms where you didn’t need so much power, Beovox Penta was the little brother which suited you down to the ground. It didn’t have the built-in amplifier or the light display, but it was identical to BeoLab in all other respects.

BeoVox Penta Product Details

Type Numbers

6611 (1986 – Dec 1992)

Manufactured

1986 – 1992

Colour Options

Silver

BeoVox Penta Product Specification

RMS power handling capacity 150 watts
Music power handling capacity 200 watts
Impedance 8 ohms
Frequency range 4+ -8 dB 40 – 20,000 Hz
Power at 96 dB SPL 2.5 watts
Sensitivity 1 W 92 dB
Distortion 250 – 1000 Hz
<0.5%
Distortion > 1000 Hz <0.5%
Cabinet principle: Bass reflex
Woofer: 4 units 13 cm
Mid-range: 4 units 8 cm
Tweeter: 2.5 cm
Net volume: 32 litre

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EN

BeoVox Penta Service Manual

BeoVox Penta FAQs

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Wiring Diagrams

Wiring Diagrams

All wiring diagrams to plugs and sockets are shown from the soldering side.

MasterLink cable

Note: For older-type ML cable, the colour coding is slightly different. This image refers to current ML cable.

Master Control Link cable

DataLink Cable 7/7 pin A/V Cable

21-pin A/V cable with RGB connection:

Receiver cable

Infra-red eye wiring

Headphones

B&O Motorised Stand

Note that the technical specifications for the motorised stand changed from Product ref. MX6/7 to MX8. Newer models also have a different stand connection

RGBHV Cable (15-Pin D-SUB)

15-Pin D-SUB

Power Link cable with wire for display, also for BeoLab 5

Power Link cable 8/8 pin

(Note: On BeoLab3 there is a blue wire (pin 7) in addition to the wires shown here on the PowerLink diagram.  This appears to be a voltage reference for the speakers, and with a single three core wire + screen feeding both speakers, this needs to be connected to the screen.

Failure to connect this pin does not have too much of an effect on the system -UNLESS- you connect up something like a PC2 which ties the stereo to Earth potential through the MasterLink cable, and without the “blue reference” the speaker inputs can float to around 100V above Earth and cause interference between the speakers and the 3000, manifesting as a quiet buzzing noise in the Lab3s. (I rather suspect there was actually an impact on sound quality from no Blue connection but cannot measure it) – Stephen Lewis)

Power Link cable

Speaker Link cable

Audio Aux Link / Power Link connections

Aux Link cable

white data
blue left channel input
green right channel input
shield ground
red right channel output
yellow left channel output
black data ground

male to male, using unterminated cable number 6250265 and plug number 7220688 or 7220701.  For connection between video system and audio system. Maximum length: 100m

Aux Link/Datalink cable

white data
blue left channel input
green right channel input
shield ground
red right channel output
yellow left channel output
black data ground

 

male plug to wall plate, using unterminated cable number 6250265.  Use male plug number 7220688 or 7220701 and an 8-pin wall plate number 7210473.  Used for connecting local sources when MCL 2AV is concealed

Aux Link Wall Plate

  Audio System Video System
white data data
blue left channel input left channel output
green right channel input right channel output
shield ground ground
red right channel output right channel input
yellow left channel output left channel ground
black data ground data ground

wall plate to wall plate, using unterminated cable number 6250265 and two 8-pin wall plates number 7210473.  Used for connection between audio and video systems within the wall wiring

Switch for deactivation of MCL

Audio Aux Link

MCL cable from audio systems to terminal

green right channel hot
brown right channel ground
pink DC supply 7.5 – 8.5 VDC
yellow left channel hot
grey left channel ground
white data
shield data and ground DC ground

 

MCL cable from audio systems to terminal strip in MCL2 relay box. NOTE: Use pre-made MCL cables for connection to the audio system whenever possible

MCL cable, 2 x 3-pin MCL to 8-pin DIN plug

green right channel hot
grey left channel ground
white data
shield data and DC ground
brown right channel ground
pink DC supply 7.5 – 8.5 VDC
yellow left channel hot

 

MCL cable, 2 x 3-pin MCL to 8-pin DIN plug. For connection between audio systems and link system via an 8-pin wall plate.  Use pre-made MCL cable for connection to the audio system if at all possible

MCL cable between 8-pin DIN wall plate

green right channel hot
brown right channel ground
pink DC supply 7.5 – 8.5 VDC
yellow left channel hot
grey left channel ground
white data
shield data and DC ground

 

MCL cable between 8-pin DIN wall plate and MCL terminal strip.  For connection between audio system and link system via an 8-pin wall plate

Speaker link cable from audio system or MCL to 4-pin wall plate

green or brown signal hot
shield signal ground
white display data
shield data ground

Speaker link cable from audio system or MCL to 4-pin wall plate using speaker plug number 7220040. Use unterminated link cable number 6250246 or 6250267

PowerLink cable, male to male

brown left audio signal
green right audio signal
shield: brown/green left/right ground
grey on/off
yellow on/off
pink APHC
white data
shield: white data ground

PowerLink cable, male to male, using unterminated cable number 6250277 and plug number 7220345.  Maximum length 100m

PowerLink cable, male to female (extension)

brown  
green  
shield: brown/green  
grey  
yellow  
pink  
white  
shield: white

PowerLink cable, male to female (extension) using unterminated cable number 6250277, male 8-pin plug number 7220345 and female 8-pin plug number 7220235 or 8-pin DIN wall plate number 7210473.  Maximum length component to component: 100m

PowerLink cable, female to female

brown  
green  
shield: brown/green  
grey  
yellow  
pink  
white  
shield: white  

PowerLink cable, female to female, using unterminated cable number 6250277 and two female 8-pin DIN plugs number 7220235 or two 8-pin DIN wall plates number 7210473

PowerLink 1 & 2

Using a non-B&O sub-woofer

his circuit is designed to use a non-B&O sub-woofer or amplifier with PowerLink sockets.

It’s easy to built and at low cost. In fact that the 5 V DC from the PowerLink socket on pen 4 can’t activate a relay directly you will need a circuit like this.

Parts which I’ve used are easy to buy at electronic shops. You need in total:

1 AC/DC Adaptor 12 V DC
1 IC LM 7806
2 Caps 100Nf 63V
1 Diode 1N4148
1 Resistor 2K2
1 Transistor BC 338
1 Relay 6V DC

Connection of the circuit is as follows:

Connect the adaptor to the 12V and earth of the circuit, connect pin 4 from the PowerLink to the 5V DC PowerLink in of the circuit. When switching on the B&O the relays will switch and connect the 230V AC line into the amp you use. That’s it. For heavy amps you can let the relay switch on a second heavy-duty relay, which will switch on the power line.

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BeoLab Penta

Bang & Olufsen BeoLab Penta

BeoLab Penta

These tall and elegant speakers were developed according to a totally new acoustic principle. They sounded just as magnificent as they looked. Because there were no parallel surfaces in the pentagonal cabinet, the design reduced the internal standing waves and reflection; it was a simple and beautifully effective way of eliminating distortion. The cabinet provided the ideal conditions for the loudspeakers. It was an acoustically ‘dead’ construction, with a moulded inner cabinet surrounded by a stainless steel exterior. Whatever the dimensions of your room, and regardless of the furnishings, BeoLab Penta always sounded wonderful. It also needed very little floor space; head room was all that’s required!

BeoLab Penta was the top-of-the-line speaker from Bang & Olufsen. It was around from the late ‘eighties to the mid-1990s and was upgraded several times. The last version of the active Penta was the Penta 3. In the late 1980’s – when the Penta range was introduced – there was also a passive version, Beovox Penta. But since Bang & Olufsen decided in the 1990s just to concentrate on active speakers, these and some other models, such as the Beovox 4500 and most of the RedLine speakers, were discontinued.

Did you know that the display in Penta I and Penta II was orange and and on Penta III it turned green?

Why build amplifiers into the loudspeakers instead of keeping them separate?

Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity.

The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from.

BeoLab Penta had nine individual loudspeaker units that were accurately positioned in a vertical line to produce a sound dispersion which was so precise that reflections from the floor and ceiling were eliminated. Consequently, Penta speakers could be placed almost anywhere in a room, irrespective of its size or furnishings. The operating panel at the base of BeoLab Penta allowed for the fine tuning of the bass reproduction at three levels.

The speaker’s cross section was a pentagon. The benefit of this design was that it cannot house standing waves which normally are a problem in speakers. The choice of using polished stainless steel was made to help the speaker blend into its surroundings by reflecting them. This gave the speaker the same colour as the surroundings which helped to make the speaker more of a subtle fixture,

Sound with as many facets as a diamond

The location of the speakers within the column was carefully planned to control the sound waves so that they weren’t reflected by the floor and ceiling. The resulting sound quality simply beggared description.

BeoLab 150: Controlled overdrive

At the base of BeoLab Penta was the BeoLab 150 amplifier with a power output of 175 watts DIN/IEC. This could give your music a tremendous boost, both to the quality and the actual power output. It was ideal if you love partying but had a relatively small music system. Big power needs careful control – so the amplifier was equipped with Dynamic Soft Clipping system. When there was any overloading, the system softly rounded off the sound; distortion becoming a thing of the past.

Speakers that more than measure up

Top quality music systems need the best speakers available – or you’re missing out. BeoLab Penta was the natural partner for Bang & Olufsen’s Beosystem 5000 and Beocenter 9000, with their built in CD players. The laser-pure quality of compact disc makes heavy demands on speakers, and both these systems had extremely fine amplifiers. Using BeoLab Penta with these systems and you’d enjoy some of the best sounds in the world. You’d also appreciate handy features such as the light display at the base of the column, which indicated which music source was being used. Of course this was even more useful if you installed Beolink® to give you music all over the house.

BeoLab Penta Product Details

Type Numbers

Beolab Penta 1
6601 1986 05-89
6605 (AUS) 1986 10-89
6602 (GB) 1986 10-89
6604 (J) 1986 11-89
6603 (USA) 1986 11-89

Beolab Penta 2
6621 1989 05-92
6625 (AUS) 1989 09-91
6622 (GB) 1989 10-91
6624 (J) 1989 01-92
6623 (USA) 1989 12-91

Beolab Penta 3
6631 1991 05-2000
6635 (AUS) 1991 05-2000
6632 (GB) 1991 05-2000
6634 (J) 1991 05-2000
6633 (USA) 1991 05-2000

Manufactured

1986 – 2000

Colour Options

Aluminium/Grey

BeoLab Penta Product Specification

Beolab Penta 1

RMS power handling capacity 150 watts
Music power handling capacity 200 watts
Frequency range +4 -8 dB 40 – 20,000 Hz
Power at 96 dB SPL 2.5 watts
Sensitivity 92 dB

Distortion 250 – 1000 Hz <0.5%
Distortion >1000 Hz <0.5%

Cabinet principle: Bass reflex
Woofer
4 units 13 cm
Mid-range 4 units 8 cm
Tweeter 2.5
Net cabinet volume: 32 litres

Power amplifier:
Bass level switch Linear, +3 dB/40 Hz, +6 dB/40 Hz
Sensitivity 3 dB, -3 dB, -6 dB

Power supply
6601 : 220V
6602/6605 : 240V
6603 : 120V
6604 : 100V
Power frequency 50-60 Hz
Power consumption Max 300 W
Stand-by 2 W

Dimensions W x H x D
5-13.5 x 165 cm incl. stand
Weight 24 kg

Connections: Line Phono plugs
Power input 4-pin DIN spring loaded contacts

Beolab Penta 2

Long-term maximum power IEC 320 watts
Maximum noise power IEC 150 watts

Impedance
8 ohms

Frequency range +4/-8 dB
40 – 20,000 Hz

Power at 96 dB SPL (1m)
2.5 watts
Sensitivity 1 W (1m) 92 dB
Distortion 0.250 – 6 kHz <0.5%
Cabinet principle: Bass Reflex
Woofer: 4 units 13 cm
Mid-range: 4 units 8 cm
Tweeter: 2.5 cm

Net cabinet volume:32 litres

Power amplifier:
Long-term maximum power IEC 300 watts
RMS DIN 175 watts
IHF 150 watts

Total harmonic distortion IHF <0.015%
Intermodulation IHF <0.02%
Dynamic headroom >1.5 dB

BASS EXTENSION switch
0 dB, + 3 dB, + 6 dB
INPUT LEVEL switch 0 dB, -3 dB, – 6 dB
Dynamic Clipping Attenuator Automatic

Power consumption
Max. 300 W
Stand-by 2 W

Dimensions W x H x D
22 x 165 x 20.5cm
Dimensions, stand 35.5 x 4 x 34 cm
Weight 24 kg

Connections: Power Link
Speaker Link

Beolab Penta 3

Dimensions W x H x D/Weight: 22 x 165 x 34cm / 12kg
Cabinet finish: Stainless steel

Power consumption
Typical 24 watts/stand-by < 2.5 watts
Mains 6630 KOR 120V
6631 EU 230V
6632 GB 230V
6633 USA-CDN 120V
6634 J 100V
6635 AUS 240V

Maximum sound pressure level (stereo, pair)
103 dB
Power amplifier modules 1 unit
Long-term maximum output power per module* 281 watts
Effective frequency range* 39 – 20,000 Hz
Cabinet principle Bass Reflex
Magnetic shielded No
Woofer 4 x 13 cm
Midrange 4 x 8 cm
Tweeter 2.5 cm
Net volume 32 litres
Bass equalizer Switch 0 dB, -3 dB, +6 dB

*According to IEC 268-3 and 268-5

Connections: Power Link 2
Phono (line) 1
Speaker Link

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User Guide


EN

BeoLab Penta User Guide

User Guide

EN

BeoLab Penta User Guide

User Guide

EN

BeoLab Penta User Guide

Service Manual

EN

BeoLab Penta

Service Manual

Service Manual

EN

BeoLab Penta 

Service Manual

Service Manual

EN

BeoLab Penta

Service Manual

BeoLab Penta FAQs

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BeoLab 8002

Bang & Olufsen Beolab 8002

BeoLab 8002

An update of the long running Beolab 8000, the Beolab 8002 introduced new drive units powered by a pair of ICE amplifiers rated at 125W each.B&O themselves commented that sound quality was unchanged and so this can be seen as a rationalising of the range rather than a radical overhaul of a much loved icon.

The mode LED was repositioned, but otherwise it seemed business as usual. A three way switch for room positioning was now included at the expense of the phono socket previously fitted. As before, only one Powerlink socket was provided.

 
 

BeoLab 8002 Product Details

Type Numbers

Please let us know​

Designer

Manufactured

2010 -

Colour Options

Polished Aluminium

BeoLab 8002 Product Specification

Cabinet/Cover:
Black/black, dark grey/dark grey, red/black, blue/black,
silver/black, silver/white, golden/black

POWER CONSUMPTION
Typical: 19 W; Networked standby: 0.4 W


LONG-TERM MAXIMUM OUTPUT

POWER AMPLIFIER, BASS
125 W, Class D, ICEpower

POWER AMPLIFIER, TWEETER
125 W, Class D, ICEpower

EFFECTIVE FREQUENCY RANGE*
48-28,000 Hz

SENSITIVITY**
88 dB SPL re 125 mVrms re 1m

CABINET PRINCIPLE
Bass reflex

CABINET VOLUME
5.3 litres

BASS DRIVER
2 x 4″ cone

TWEETER
¾” dome


Adaptive Bass Linearisation (ABL)
Room adaptation
Thermal protection

CONNECTIONS
1 x PowerLink
Line in via PowerLink

ACCESSORIES
Wall bracket, black
Stand, black
Cover


ROOM ADAPTATION
Free, Wall or Corner position


MAGNETICALLY SHIELDED
No. Must be placed > 50 cm from picture tube

INPUT SENSITIVITY (POWER LINK)
125 mV (88dB SPL)

INPUT SENSITIVITY (LINE)
125 mV (88dB SPL) – Auto switch on

SWITCH-OFF TIME (LINE)
3 min.

INDICATOR
On/Off LED

OPERATION
Switch for Free, Wall, Corner
Switch for Left – Right – Line (via PL plug)

PROTECTION
Thermal protection of all drivers.
ABL system protects the bass unit against mechanical damage.

POWER SUPPLY
Automatic voltage adaptation 100-120 Vac or 190-240 Vac



MEASUREMENT CONDITIONS:
*EFFECTIVE FREQUENCY RANGE is measured at -10 dB re. Ref level (200-2000 Hz)
**SENSITIVITY is measured at dB SPL 1m re 125 mV

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BeoLab 8002 User Guide

Service Manual

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BeoLab 8002 Service Manual

BeoLab 8002 FAQs

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BeoLab 8000

Bang & Olufsen BeoLab 8000

BeoLab 8000

As easy on the eye as they are on the ear, BeoLab 8000 loudspeakers defy conventional thinking in delivering the maximum sound from the minimum of space.

There’s not much point in thinking about BeoLab 8000 in terms of watts, woofers or tweeters. There has never been loudspeakers that look like this – or so clear and rich a sound produced from such slender cabinets. BeoLab 8000 represents both the engineering skills as well as the design capabilities from Bang & Olufsen. Nobody has ever built a speaker with such little net volume, only 5,3 litres, with such an impressive sound.

As with all modern B&O speakers, the 8000s are active, meaning that each element has its own amplifier. In fact, each speaker holds two amplifier units. The biggest advantage in separating the amplifiers is that it enables the loudspeakers the ability to obtain maximum sound pressure from each element without distortion. The 8000s use the same reflective finish as the BeoLab Penta allowing them to blend well into their surroundings. By 2001 BeoLab 8000 became the most popular active speaker to date.

” When it comes to sound reproduction we believe there’s only one relevant parameter: How close can we come to the originally recorded sound. We feel an obligation not to disturb the intentions of the artist by adding unnatural elements to the acoustic image. Therefore all Bang & Olufsen loudspeakers share the same goal. They differ in size and shape and in terms of sound pressure level. But they are all developed to reproduce the natural, unaltered sound as closely as possible “ – Bang & Olufsen catalogue 2001 – 2002

There’s no great secret to creating good speakers – but they do (normally) have to be big. When it comes to speakers, one of the driving forces behind Bang & Olufsen’s product development is combining the most modern of technology with good aesthetics. The result is that the company avoids filling people’s houses with speakers the size of phone boxes; instead replacing them with elegant pillars or beautifully-designed wall-mounted units. Formed from a single piece of aluminium that eliminates the distortion problems of traditional speakers, BeoLab 8000 is mounted on a solid, cast iron base and will create the perfect effect wherever you choose to place it.

Placing the amplifiers directly into BeoLab 8000 not only improves its overall sound performance, it also makes it possible to reduce its size by up to a third. This active loudspeaker technology gives B&O the freedom to combine the purest of sounds with the simplest of shapes. A slim 132cm tall and just 10cm in diameter the graceful column of BeoLab 8000 will never dictate any furniture arrangements.

Why build amplifiers into the loudspeakers instead of keeping them separate?

Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity. The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units.

Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from (See active speakers).

Deep bass: how to make deep bass with a shallow cabinet

All loudspeakers, regardless of brand, size or construction, make sound by converting electric energy into acoustic energy. They push air in waves, which is what our ears pick up. To get high sound pressure, you need to move a lot of air.

You can use a very large diameter loudspeaker membrane, which moves a very short distance. Or (as Bang & Olufsen prefer), you can make the membrane “deeper”, in other words, make it move a greater distance with a smaller diameter. Imagine two balloons, one round and shaped like a ball, the other long and tubular. Both contain the same amount of air; it’s simply their shapes that are different. A side benefit to the deeper membrane is that it allows a smaller cabinet, with greater freedom as far as form and function are concerned. Since no two loudspeaker units have exactly the same physical characteristics, Bang & Olufsen calibrate them individually to make certain that the sound of each and every loudspeaker leaving our factory is identical.

By employing an active electronic crossover network with equalization, we’re able to adjust frequencies before they’re amplified. The signal from the sound source is shaped before distribution to the separate power amplifiers for bass and treble. In this way, the performance of the various components is “fine-tuned”, until they produce an ideal, harmonised output, which will be the same, no matter which BeoLab loudspeaker you feast your eyes upon.

The custom made driver units of a BeoLab loudspeaker feature extra-heavy membranes with longer movement, which help produce a deeper bass.

Adaptive Bass Linearisation

Adaptive Bass Linearisation (ABL) is a process patented by B&O and is incorporated in BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension – a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce.

The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation.

ABL gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels.

BeoLab 8000: active loudspeaker, 2 power amplifier modules, adaptive bass linearisation, aluminium cabinet and solid iron (11kg) base.

News: From January 2003, BeoLab 8000 was obtainable with new driver units giving extra bass at low levels. While not delivering as much as a BeoLab 2 (dedicated sub-woofer) the bass drivers with the newer BeoLab 8000 have a marked improvement over their predecessors. The upgrade involved new frequency equalization and improved ABL system. These improvements are mostly apparent at high volume levels. The changes are implemented form serial 16992475 onwards.

BeoLab 8000 Product Details

Type Numbers

6801 (EU) 1992
6802 (GB) 1992
6803 (USA-CDN) 1992
6804 (J) 1992
6805 (AUS) 1992
6806 (KOR)1998

Designer

Manufactured

1992 -

Colour Options

Aluminium, Black, Dark Grey, Red, Blue

BeoLab 8000 Product Specification

Specifications (from Aug 2005):
Dimensions W x H x D/Weight: 17 x 132 x 17 cm/20 kg
Cabinet/cloth finish Aluminium/black, black/black, dark grey/dark grey, red/black, blue/black

Mains 6801 EU 230V
6802 GB 230V
6803 USA-CDN 120V
6804 J 100V
6805 AUS 240V
6806 KOR 220V Maximum sound pressure level (stereo, pair) 99 dB
Power amplifier modules 2 units, Class AB
Long-term maximum output power per module* 143 watts
Effective frequency range* 52 – 20,000 Hz
Cabinet principle Bass Reflex
Magnetic shielded Yes
Woofer 2 x 10 cm
Tweeter 1.8 cm
Net volume 5.3 litres
Bass equalizer Adaptive (ABL)

*According to IEC 268-3 and 268-5

Connections:
Connections: Power Link 1
Phono (line) 1
Power consumption: typical 12 W/stand-by < 2.5 W

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BeoLab 8000 User Guide

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BeoLab 8000 User Guide

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BeoLab 8000 Service Manual


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BeoLab 8000 Wall Bracket

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BeoLab 6002

Bang & Olufsen Beolab 6002

BeoLab 6002

An update to the cheapest of the column speakers, this saw the Class AB amplification discarded along with the large heat sinks. Instead 2 cool running ICE amplifiers were fitted, both rated at 125W.

The LED was repositioned and the finish of the foot changed to match the TV range. A three position switch for wall, corner and free position settings was now fitted and the previous model’s phono plug was deleted. 2 Powerlink sockets were still present though.

 
 

BeoLab 6002 Product Details

Type Numbers

Please let us know​

Designer

Manufactured

2010 -

Colour Options

Aluminium/Black, Black, Blue, Dark grey, Red, Silver, Golden, White

BeoLab 6002 Product Specification

POWER CONSUMPTION
Typical: 19 W; Networked standby: 0.4 W

LONG-TERM MAXIMUM OUTPUT

POWER AMPLIFIER, BASS
125 W, Class D, ICEpower

POWER AMPLIFIER, TWEETER
125 W, Class D, ICEpower

EFFECTIVE FREQUENCY RANGE*
46-27,000 Hz

SENSITIVITY**
88 dB SPL re 125 mVrms re 1m

CABINET PRINCIPLE
Bass reflex

CABINET VOLUME
3 litres

BASS DRIVER
2 x 3½” cone

HIGH FREQUENCY DRIVER
¾” dome

FEATURES

Adaptive Bass Linearisation (ABL)
Room adaptation
Thermal protection

CONNECTIONS
2 x Power Link
Line in via Power Link

ACCESSORIES
Wall bracket, silver
Stand, black
Cover

ROOM ADAPTATION
Free, Wall or Corner position


MAGNETICALLY SHIELDED
No. Must be placed > 50 cm from picture tube

INPUT SENSITIVITY (POWER LINK)
125 mV (88dB SPL)

INPUT SENSITIVITY (LINE)
125 mV (88dB SPL) – Auto switch on

SWITCH-OFF TIME (LINE)
3 min.

INDICATOR
On/Off LED

OPERATION
Switch for Free, Wall, Corner
Switch for Left – Right – Line (via PL plug)

PROTECTION
Thermal protection of all drivers.
ABL system protects the bass unit against mechanical damage.

POWER SUPPLY
Automatic voltage adaptation 100-120Vac or 190-240Vac



MEASUREMENT CONDITIONS:
*EFFECTIVE FREQUENCY RANGE is measured at -10 dB re. Ref level (200-2000 Hz)
**SENSITIVITY is measured at dB SPL 1m re 125 mV

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BeoLab 6000

Bang & Olufsen BeoLab 6000

BeoLab 6000

As easy on the eye as they are on the ear, BeoLab 6000 loudspeakers – designed by David Lewis – defy conventional thinking in delivering the maximum sound from the minimum of space.

There’s not much point in thinking about BeoLab 6000 in terms of watts, woofers or tweeters. There has never been loudspeakers that look like this – or so clear and rich a sound produced from such slender cabinets. BeoLab 6000 represents both the engineering skills as well as the design capabilities from Bang & Olufsen.

BeoLab 6000 is probably one of the most famous speakers around today being a part of the standard exhibition at the Museum of Modern Art in New York along with some other Bang & Olufsen equipment, namely the Beovox Cona (a subwoofer) and the Beocord VX5000, which by the way looks almost exactly as the VX7000 does. BeoLab 6000 is a smaller version of the BeoLab 8000 with the same active construction but with even smaller net volume: 3 litres.

A great advantage with the BeoLab 6000 is the fact that it has two PowerLink connections giving the possibility to loop-through the signal to the second speaker directly. This speaker is used very often as the second pair in a Dolby Pro-Logic setup for example in the AV9000 system.

” When it comes to sound reproduction we believe there’s only one relevant parameter: How close can we come to the originally recorded sound. We feel an obligation not to disturb the intentions of the artist by adding unnatural elements to the acoustic image. Therefore all Bang & Olufsen loudspeakers share the same goal. They differ in size and shape and in terms of sound pressure level. But they are all developed to reproduce the natural, unaltered sound as closely as possible “ – Bang & Olufsen catalogue 2001 – 2002

Features:

BeoLab 6000 fills the room with sound

The choice is simple – you can fill your home with big black boxes, or you can make a stand with BeoLab 6000 and fill it with beautiful sound and beautiful looks.

Aluminium

Formed from a single piece of aluminium, BeoLab 6000 is shaped to stand out from its surroundings, but coloured to match any Bang & Olufsen audio or video setup.

Active loudspeaker benefits

How does B&O reduce the overall size of a loudspeaker, but improve its sound performance? It can only be done by placing the amplifiers directly into the loudspeaker cabinet. It’s called ‘Active Loudspeaker Technology’ and is used to combine the purest of sounds with the smallest and simplest of shapes.

Fits any room

With a height of just 110cm and a depth of 10cm, finding space for a pair of BeoLab 6000 speakers is never going to be a problem. Its superior sound capabilities ensure that its performance will never dictate your placement options. The polished aluminium cabinet is available in a range of colours – black, blue, green, red and natural – that will match any Bang & Olufsen audio or video setup.

Materials and finish

The deliberate choice of material, and the final surface treatment of the products’ finish, are characteristic of Bang & Olufsen and one of their true core competences. B&O’s designers know that people use several of their senses in experiencing a product. They therefore derive great pleasure from tactile experiences, whether they are touching a cold or a warm surface, or one that is smooth or textured. The span of materials used for Bang & Olufsen products is wider than that of any other company within the trade, and they are carefully selected for their high quality and their ability to fit naturally into a home environment. The finish is then refined to perfection and created to provide a tangible experience that supports the visual impression.

Why build amplifiers into the loudspeakers instead of keeping them separate?

Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity. The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units.

Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from (See active speakers)

Deep bass: how to make deep bass with a shallow cabinet

All loudspeakers, regardless of brand, size or construction, make sound by converting electric energy into acoustic energy. They push air in waves, which is what our ears pick up. To get high sound pressure, you need to move a lot of air.

You can use a very large diameter loudspeaker membrane, which moves a very short distance. Or (as Bang & Olufsen prefer), you can make the membrane “deeper”, in other words, make it move a greater distance with a smaller diameter. Imagine two balloons, one round and shaped like a ball, the other long and tubular. Both contain the same amount of air; it’s simply their shapes that are different.

A side benefit to the deeper membrane is that it allows a smaller cabinet, with greater freedom as far as form and function are concerned.

Since no two loudspeaker units have exactly the same physical characteristics, Bang & Olufsen calibrate them individually to make certain that the sound of each and every loudspeaker leaving our factory is identical. By employing an active electronic crossover network with equalization, we’re able to adjust frequencies before they’re amplified. The signal from the sound source is shaped before distribution to the separate power amplifiers for bass and treble.

In this way, the performance of the various components is “fine-tuned”, until they produce an ideal, harmonised output, which will be the same, no matter which BeoLab loudspeaker you feast your eyes upon. The custom made driver units of a BeoLab loudspeaker feature extra-heavy membranes with longer movement, which help produce a deeper bass.

Adaptive Bass Linearisation

Adaptive Bass Linearisation (ABL) is a process patented by B&O and is incorporated in BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension – a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce.

The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation.

ABL gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels.

BeoLab 6000: active loudspeaker, 2 power amplifier modules, adaptive bass linearisation and aluminium cabinet.

BeoLab 6000 Product Details

Type Numbers

6825 (AUS) 1992
6821 (EUR) 1992
6822 (GB) 1992
6824 (J) 1992
6823 (USA) 1992

Designer

Manufactured

1992

Colour Options

Silver, Black, Grey, Blue, Red, Green, Sky Blue

BeoLab 6000 Product Specification

Dimensions: W x H x D/’Weight: 20 x 110 x 22 cm/6.2 kg
Cabinet/cloth finish (from Aug 2005): Aluminium/black, black/black, silver/silver, dark grey/dark grey, blue/black, red/black

Power consumption: Typical 8 W/stand-by < 1,8 W
Mains 6821 EU 230V
6822 GB 230V
6823 USA-CDN 120V
6824 J 100V
6825 AUS 240V
6826 KOR 220V

Specifications (from Aug 2005):

Maximum Sound Pressure Level (stereo, pair) 96 dB
Power amplifier modules 2 units, Class AB
Long-term maximum output power per module* 59 watts
Effective frequency range* 55 – 20,000 Hz
Cabinet principle Bass Reflex
Magntic shielded Yes
Woofer 2 x 9 cm
Tweeter 1.8 cm
Net volume 3 litres
Bass equalizer Adaptive (ABL)

*According to IEC 268-3 and 268-5

Connections:
Connections: Power Link 2
Phono (line) 1

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BeoLab 6000 Reference Guide

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Wall Bracket

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BeoLab 5000 (1969)

Bang & Olufsen BeoLab 5000

BeoLab 5000 (1969)

Design is a language which is understood by everyone…” as designer Jacob Jensen expressed it and demonstrated it in practice.”

 

A silicon-transistor high-fidelity amplifier with less than 0.6% distortion at all frequencies and at all volume levels up to 2 x 60 watts of power output. Its signal-to-noise ratio is better than 90dB (linear measurement). It has calibrated graphic controls and is extremely versatile, due to an unusual number of input and output facilities.

The Beolab 5000 is an amplifier that introduces no hiss or hum and reproduces all frequencies of the tonal range exactly as received. It has enormous power, permitting reproduction of even the loudest passages without distortion. Moreover, operation is logical and straightforward; varying or poor record quality can be compensated by means of efficient filters which remove the particular tonal range in which flaws are present; there is provision for connecting several speakers, including centre speaker, as well as provision for channelwise control of programme material. A special feature is a test control to facilitate adjustment of balance between channels. The use of silicon transistors ensures very low noise level, high temperature stability, and a very wide tonal range.” – taken from the 1967

Bang & Olufsen’s Beomaster 5000 FM tuner, BeoLab 5000 amplifier and Beovox 2500 Cube loudspeakers were the first product series designed by Jacob Jensen in 1967.

 

The traditional style for tuning knobs was replaced by an exact measuring instrument akin to the slide rule which was considered an innovation in changing the future of radios and amplifiers. The interface, in its precision and simplicity, proved to give the user optimal functionality. This solution had never been seen before and laid the foundation for the future form language of B&O. On this basis, Jacob Jensen was asked to design B&O´s audio programme. Beomaster 5000 was an FM tuner, with elimination of static between stations and a built in ‘data base’ which automatically tuned in on stereo broadcasts.

Partner to BeoLab 5000 was Beomaster 5000, an amplifier with the same slide rule interface.

The TV boom of the 1950’s hit the cinemas badly, which meant that the pressure on Bang & Olufsen’s sound engineers became less. The engineers’ love of high class sound reproduction, however, remained undiminished.

As early as the 1950s, they had developed stereo systems for the installation of Cinema-Scope systems in cinemas. In 1958, they were also responsible for the development of equipment for the first stereophonic radio transmissions from Denmark’s very first commercial radio station, Radio Mercur. When stereo started gaining ground, the engineers found new opportunities for a comeback.

The development of High Fidelity had already begun in the US and a number of small companies, headed by Scott and Fischer, had gained a dedicated following. By 1964, Bang & Olufsen was planning to conquer the new upcoming European Hi-fi market, a niche which ideally matched Bang & Olufsen’s survival strategy. Now engineers with more than 30 years’ experience behind them, under the leadership of chief engineer Nikolaj Krebs Sørensen, embarked on the development of the world’s most perfect hi-fi system, the BeoLab 5000 series.

With its ultra selective tuner and a powerful, distortion-free amplifier of no less than 2 x 60 watts, it offered qualities never seen before. The design was equally sensational. In the US, where the production of Hi-fi components had already started, they had found their form in the 19” rack format which was used by the first customers, the radio stations. When Hi-fi enthusiasts wanted quality tuners and amplifiers, they had to accept a design which belonged in the professional world.

Bang & Olufsen’s brief for the designers was: “Create a European Hi-fi format, which communicates power, precision and identity.”

 

This became designer Jacob Jensen and his assistant, David Lewis’ first assignment together for Bang & Olufsen. They solved it by designing the new linear controls like a slide rule bar in order to communicate the greatest possible precision. Thus began the era of the slide rule bar, a motif which was used and varied in the years to come.

The Hi-fi modules’ handles became countersunk Allen screws and the faceted and framed gold panels, which were the industry’s standard, were, in Bang & Olufsen’s design, transformed into extruded natural anodised aluminium.

BeoLab 5000 became a success, not only as Bang & Olufsen’s flagship, but also in more affordable versions, e.g.. Beomaster 1200 and 3000 and competitors were forced to follow suit. Elsewhere too, knobs were replaced by the linear slides – a development which continued until the mechanical grips were replaced by the electronic ‘easy touch’ controls of the Beomaster 1900.

 

At the 1967 spring fair in Hanover, B&O received the IF award for BeoLab 5000, Beomaster 5000 and Beovox 2500 Cube for outstanding and user friendly design.

BeoLab 5000 (1969) Product Details

Type Numbers

5303 (1969 – Dec 1972)

Designer

Manufactured

1967 – 1972

Colour Options

Rosewood, Teak

BeoLab 5000 (1969) Product Specification

Power output: 2 x 60 W
Speaker impedance: 4 ohms
Frequency range: 20 – 20,000 Hz +/- 1.5 dB
Distortion: 0.2 %
Intermodulation: 1 %
Signal-to-noise ratio: -90 dB < 60 W
– 58 < 50 mW
Bass control: +/- 17 dB 50 Hz
Treble control: +/- 14 dB 10 kHz

Outputs:
Tape DIN
Line out DIN
Line out RCA
Power supply: 110 – 130 – 220 – 240 V
Power consumption: 45 – 325 W

Dimensions W x H x D: 47 x 10 x 25cm
Weight: 10.4 kg

Connections: Inputs: DIN; MIC DIN
Phono high DIN – RCA
Phono low DIN – RCA
Tuner high DIN – RCA
Tuner low DIN – RCA
AUX DIN – RCA
Tape DIN – RCA

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BeoLab 5000 User Guide

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BeoLab 5000 User Guide

User Guide

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BeoLab 5000 User Guide

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BeoLab 5000 Setup Guide

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BeoLab 5000 Service Manual

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