Author: Multicare
Master Control Panel 5000
Master Control Panel 5000
Two way control allowed the status of the system to be ascertained easily and complex timer programming was possible using the controls under the flip down panel.
The MCP 5000 could only be used with the Beomaster 5000 and could be part of a multi-room system allowing full control in a link room. MCP5000 will not operate any of the other systems such as the Beosystem 5500, 6500 and 7000.
Master Control Panel 5000 Product Details
Type Numbers
2038 (1983 – May 1987)
Designer
Manufactured
1983 – 1987
Colour Options
Silver, Grey
Master Control Panel 5000 Product Specification
Dimensions: 32 x 8 x 18cm
Display: Total
Radio programmes: 9FM or AM
Other programmes: PH-TP1-TP2-CD
Beocord Controls: 10
Beogram Controls: 6
VHS91 Controls: 8
Compact Disc Controls: Total
Programming: Timer + CD50
Volume Control: Yes, memory
Bass, treble: Yes, memory
Balance: Yes, memory
Muting: Yes
Status: Yes
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Type | Language | Type | |
User Guide | EN | Master Control Panel 5000 User Guide |
Master Control Panel 5000 FAQs
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BeoPlay V1-40
BeoPlay V1-40
Customize your TV
Who says a black TV should always stay black. Give your BeoPlay V1 a twist of colour by changing the fabric sleeve behind the front grill. Grab your favourite among the four coloured sleeves and simply slide it in behind the grill. Now, all of a sudden, you have a completely new look. And don’t worry, you can always change to another colour later, if you want to make BeoPlay V1 fit a new room or a new style.
Adaptive contrast
The human eye has an amazing ability to adapt to different light conditions. We’ve been inspired by that ability and have built it into BeoPlay V1.
There’s a huge difference between watching the news in the middle of the day with bright light shining through the windows, and watching your favorite movie at night with the TV as the main source of light in the room. The BeoPlay V1 adaptive contrast uses a built-in light sensor and an advanced piece of software that will adjust not only the brightness, but the colours and image quality of your TV according to the surrounding light. In this way your eyes will not get tired of watching.
BeoPlay V1-40 Product Details
Type Numbers
Please let us know
Designer
Manufactured
2012 -
Colour Options
Black or white
BeoPlay V1-40 Product Specification
Dimensions: 95.3 x 70.9 x 5.2 cm
Weight: 26 kg
Cabinet: Black or white
Coloured fabric sleeve: Red, yellow, green and dark grey or silver
BASIC FEATURES
A 100/120 Hz edge-type LED-based
Connect to
>Set-top boxes, gaming consoles, Blu-ray players, Apple TV, NAS servers, hard disk.
Positioning
>Floor stand, upright table stand, wall bracket, ceiling bracket
YOU MIGHT WANNA KNOW
Customised picture and sound settings to different viewing and listening situations.
Possibility to connect extra speakers up to a full 5.1 surround sound setup.
Designer: Anders Hermansen
IN THE BOX
· BeoPlay V1
· Beo4 remote control
· Low floor stand
· Manual
Gold or Silver membership required to view documents
Available documents are listed, if none are listed then please reach out to see if we have them.
Type | Language | Type | |
Wall Bracket | EN | BeoPlay V1-40 Wall-Bracket Type 4726-4737 | |
Wall Bracket | EN | BeoPlay V1-40 Wall-Bracket Type 4752-4753 | |
Service Manual | EN | BeoPlay V1-40 MKII Service Manual | |
Software Update | Version 1.0.11.37484 | BeoPlay V1-40 Software Update | |
Software Update Instructions | Version 1.0.11.37484 | BeoPlay V1-40 Software Update Instructions |
BeoPlay V1-40 FAQs
Please let us know
BeoPlay V1-32
BeoPlay V1-32
Customize your TV
Who says a black TV should always stay black. Give your BeoPlay V1 a twist of colour by changing the fabric sleeve behind the front grill. Grab your favourite among the four coloured sleeves and simply slide it in behind the grill. Now, all of a sudden, you have a completely new look. And don’t worry, you can always change to another colour later, if you want to make BeoPlay V1 fit a new room or a new style.
Adaptive contrast
The human eye has an amazing ability to adapt to different light conditions. We’ve been inspired by that ability and have built it into BeoPlay V1.
There’s a huge difference between watching the news in the middle of the day with bright light shining through the windows, and watching your favorite movie at night with the TV as the main source of light in the room. The BeoPlay V1 adaptive contrast uses a built-in light sensor and an advanced piece of software that will adjust not only the brightness, but the colours and image quality of your TV according to the surrounding light. In this way your eyes will not get tired of watching.
BeoPlay V1-32 Product Details
Type Numbers
Please let us know
Designer
Manufactured
2012 -
Colour Options
Black or white
BeoPlay V1-32 Product Specification
Dimensions: 76.6 x 56.8 x 5.5 cm
Weight: 18kg
Cabinet: Black or white
Coloured fabric sleeve: Red, yellow, green and dark grey or silver
BASIC FEATURES
A 100/120 Hz edge-type LED-based
Connect to
>Set-top boxes, gaming consoles, Blu-ray players, Apple TV, NAS servers, hard disk.
Positioning
>Floor stand, upright table stand, wall bracket, ceiling bracket
YOU MIGHT WANNA KNOW
Customised picture and sound settings to different viewing and listening situations.
Possibility to connect extra speakers up to a full 5.1 surround sound setup.
Designer: Anders Hermansen
IN THE BOX
· BeoPlay V1
· Beo4 remote control
· Low floor stand
· Manual
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BeoPlay V1-32 FAQs
Please let us know
BeoCord 7000
BeoCord 7000
Beocord 7000 was a high-quality cassette recorder used specifically with Beosystem 7000. When playing cassettes, the order of the tracks could also be changed and the recorder could also find a specific track on a tape. Other functions included Auto Reverse, Auto Record levels, Dolby B and C as well as Bang & Olufsen’s recording system HX-Pro, which ensured that the sensitive treble range is captured in recording.
Beocord 7000’s features were supplemented by an abundance of special features. Space available precludes a more full description of elements such as the design of the peak programme meter, locally operated functions such as microphone recording, memo set/go, adjustment of the maximum record level and so on.
Main features:
* Auto record level
* Auto track search/auto reverse
* HX Pro
* Auto Dolby B-C
* Auto tape switch
* All operation available from Beolink 7000, with full display readout of track bar, counter, record level, Dolby NR, auto reverse functions, sequence programming etc.
Recording with Beosystem 7000 was a system feature, with benefits such as automatic signal routing, record lock, etc. Beocord 7000 contributed a lot to the convenience of the system and the unique auto record level was the feature that made remote controlled recording a real possibility – without compromising the quality of the recording. To further ensure a high and consistent sound quality level Beocord 7000 was equipped with HX Pro.
Auto record level
Auto record level is a unique Bang & Olufsen feature and ensures a uniform and optimal recording level from all sources, from tape to tape, without overload. Major benefits of auto record level are:
* all tapes recorded with auto record level have the same optimum level, without overload and therefore without distortion
* a recording can be started immediately and directly, without any pre-adjustments
* you do not have to supervise a recording to adjust record level and the system recording even stops the recording when the source runs out, or stops the source when the tape runs out
* if auto record level interferes and adjusts the recording it is done in such a way that it is not noticeable in playback. The dynamic range of the recording will not be impaired and the adjustments are carried out so early that overload is precluded.
The assets of auto record level are obvious when a comparison is made between those carried out on a standard recorder without auto record level and those with.
Recording on a standard recorder requires you to supervise the recording in order to step in if the manually set input level is too high. In this case you would have to adjust the record level down when a signal with a high dynamic content is to be recorded. If this is not carried out the tape will be overloaded and the music distorted. Without auto record level, copying is in real-time, which means that you will have to pay attention all the time you are recording (or risk a distorted recording). And when a very wide dynamic signal threatens to overload the tape being recorded, the record level must be lowered quickly, which will often be audible in subsequent playback, either as a suddenly lowered output volume or as a distorted signal because the record level was lowered too late.
Auto record level is an efficient remedy to this problem, without both disadvantages mentioned above. Primitive solutions reduce the record level when powerful signals are recorded and increase the record level when weak or no signals are recorded. The result can be a fluctuating dynamic range with, for example, pauses between tracks causing the recording level to rise dramatically and the noise level with it.
The Bang & Olufsen solution
The auto record level in Beocord 7000 was monitored by the microcomputer interacting with the peak programme meter indicator on the front of the cassette deck. Auto Record Level only reduces the record level and only if the signals exceed the set value for a certain period. In this way brief noise pulses, such as the ones resulting from scratches on a record, do not lower the record level. When a signal of more than +2 dB above the set value is encountered, the microcomputer lowers the record level with 2 dB. The recording continues at the lowered level unless even louder signals appear and trigger new reductions.
Other advantages of auto record level are:
* it is applied to all sources, even if you record sound from a video source
* the preset values can be changed, e.g. if you use special tape formulas
* auto record level can be overridden while you are recording, or you can make a recording with manual adjustment of the record level
You did not have to pre-adjust Beocord 7000 before you started a recording. Another feature was the auto tape switch, i.e. an automatic adjustment to the three tape types, metal, chrome and ferro, by means of three electronic sensors located in the cassette holder. Auto-reverse was the default mode both in recording and playback, i.e. Beocord 7000 automatically continued the recording (and playback) on side two, when side one ran out. The turning time from side one to two was very short, because an optic sensor registered the lead-in tape and executed the 180 degree turning of the tape head immediately. Auto reverse could be cut out manually to protect side two from being recorded. This had to be done prior to record start.
Track Search
Beocord 7000 featured track search, based on pauses between individual tracks. You could also make a sequence programming, operated just like CD. Track search was available no matter if the track was on side one or two of the tape. Even if you executed a manual TURN function (i.e. change playback direction) the microcomputer registered the turning point and if you selected a track after the turning point the search for this track would be initiated at the turning point. Track numbers could be displayed on Beolink 7000.
Auto Dolby
Another convenience was the Auto Dolby function. All tapes recorded on a Beocord 7000 contained inaudible information as to whether the tape was recorded with Dolby B, Dolby C or no Dolby noise reduction. The registration of noise reduction type was dynamic and in case the circuit registered a change during playback the reduction was automatically changed. If no signal was registered, e.g. on a pre-recorded tape, the noise reduction last selected would remain active, until altered manually (see more below).
HX-Pro
Beocord 7000 was equipped with HX Pro, like all other ‘stackable’ Bang & Olufsen audio tape recorders. HX Pro is an acronym for Headroom Extension Professional and tapes recorded with HX Pro give a better reproduction quality on playback, no matter which tape deck they are played on. Both the dynamics and the the signal capability in the treble range is improved. The improvements are most noticeable in the reproduction of treble signals, but also the midrange will be influenced in a positive way. At 10KHz the signal loading capability is improved by approximately 8dB for chrome tape, 5dB for ferro tape and 3dB for metal tape formulas.
Beocord 7000 could ideally be used as part of Beosystem 7000.
BeoCord 7000 Product Details
Type Numbers
4941 (1992 – Dec 1995)
4945 (AUS) (1992 – July 1995)
4942 (GB) (1992 – Dec 1995)
4944 (J) (1992 – Dec 1995)
4943 (USA) (1992 – Aug 1996)
Designer
Manufactured
1992 – 1995
Colour Options
Aluminium, Black, White
BeoCord 7000 Product Specification
Recording system HX PRO
Tape transport Auto reverse
Noise reduction Auto Dolby B-C NR
Frequency range chrome 30 – 18,000 Hz
Signal-to-nose ratio chrome Dolby B > 65 dB
Power supply:
4941 220V
4942 240V
4943 110V
4944 100V
4945 240V
Power consumption/minimum max. 19 W / 6 W
Dimensions W x H x D/Weight 42 x 7.5 x 32.5 cm / 8.35 kg
Cabinet finish: aluminium, white, black
Connections: Microphone DIN
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BeoCord 7000 FAQs
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BeoCord 6500
BeoCord 6500
A light touch to the front of the Beocord 6500 cassette recorder released the loader which glided out slowly and silently in order to allow you to insert a cassette. You could use whichever type of cassette you prefer; or choose between Dolby B or C Noise Reduction systems… and rejoice in Bang & Olufsen’s patented HX-PRO recording system which ensured optimal sound reproduction, particularly in the difficult, high-frequency range. And, naturally, Beocord 6500 had auto-reverse so that both sides of the tape played as one.
Beocord 6500 could be used as part of the Beosystem 6500 hi-fi system.
Auto Record level
One of the less-pleasant chores in making a recording is setting level control to its optimum position. Setting it too low raises the level of background noise on the recording. Setting it too high makes the recording distorted at high music levels. With this in mind, Bang and Olufsen introduced an automatic record mode which was called ‘Auto Record’.
Auto Record worked in two steps: when the record button was pressed for the first time, the cassette recorder went into a record pause mode, where the incoming signal was monitored. Under microprocessor control, the highest level was monitored and the record level was set at the optimum level for that music. On pressing the record button the second time, the tape was set in motion and the recording started, but continuing to make minor adjustments. If at any time during the recording, the level of music rose above the monitored level, the level control was lowered by exactly the amount required for the new optimum recording level.
This method of setting the level control closely imitated the action of a highly skilled recording engineer, if asked to set the level for a recording. It was the best that could be done when the full recording could not be monitored before recording started.
This feature incorporated a new method of monitoring the signal, which proved to be a more effective method over conventional methods. It was patented by the company with the patent number 158702.
BeoCord 6500 Product Details
Type Numbers
4936 (1989 – Jan 1992)
4940 (AUS) (1989 – Sept 1991)
4937 (GB) (1989 – Oct 1991)
4939 (J) (1989 – Sept 1991)
4938 (USA) (1989 – Dec 1991)
Designer
Manufactured
1989 – 1991
Colour Options
Aluminium, White
BeoCord 6500 Product Specification
Compact cassette C46-C60-C90-C120
Recording system: HX PRO
Tape transport system: Auto reverse
Search system Track numbers
Record level Auto Recording level
Noise reduction Auto Dolby B and C
Tape switch Auto. ferro/chrom/metal
Tape head Sendust
Wow and flutter DIN :<+/- 0.15%
Fast forward and rewind C60 75 sec.
Frequency range chrome
30 – 18,000 Hz +/- 3 dB
Signal-to-noise ratio metal Dolby NR
B: >66 dB, C: >73 dB
Signal-to-noise ratio chrome Dolby NR B: >64 dB, C: >74 dB
Signal-to-noise ratio ferro Dolby NR B: >62 dB, C: >72 dB
Power supply 100V – 240V
Power consumption Max. 25 watts
Dimensions W x H x D 42 x 7.5 x 32.5
Weight 8 kg
Connections: AUX IN 7 pin
Microphone DIN 0,3mV /3kohms
Audio Link
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BeoCord 6500 FAQs
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BeoCord 5500
BeoCord 5500
As part of Beosystem 5500, this advanced tape recorder was as close to professional standard as could be made at the time, bristling with features you just loved to use!
There was Auto Reverse, letting you play or record both sides of a cassette as one continuous tape. And automatic adjustment of sound levels avoided annoying volume changes from one recording to the next. Then there was Bang & Olufsen’s famous HX-Pro recording system which gave vastly superior sound quality on the higher frequencies, creating a richer, more detailed sound image.
Beocord 5500 automatically adjusted itself to match standard, chrome or metal tapes. You had the option of Dolby B or C during recording. During playback, the recorder automatically switched itself to the noise reduction system you recorded with. Automatic track search was also included – just key in the track number and the recorder did the rest.
The cassette recorder could be controlled via the two-way Master Control Panel 5500 as part of the Beosystem 5500.
Auto Record level
One of the less-pleasant chores in making a recording is setting level control to its optimum position. Setting it too low raises the level of background noise on the recording. Setting it too high makes the recording distorted at high music levels. With this in mind, Bang and Olufsen introduced an automatic record mode which was called ‘Auto Record’.
Auto Record worked in two steps: when the record button was pressed for the first time, the cassette recorder went into a record pause mode, where the incoming signal was monitored. Under microprocessor control, the highest level was monitored and the record level was set at the optimum level for that music. On pressing the record button the second time, the tape was set in motion and the recording started, but continuing to make minor adjustments. If at any time during the recording, the level of music rose above the monitored level, the level control was lowered by exactly the amount required for the new optimum recording level.
This method of setting the level control closely imitated the action of a highly skilled recording engineer, if asked to set the level for a recording. It was the best that could be done when the full recording could not be monitored before recording started.
This feature incorporated a new method of monitoring the signal, which proved to be a more effective method over conventional methods. It was patented by the company with the patent number 158702.
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BeoCord 5500 Product Details
Type Numbers
4931 (1986 – Sept 1990)
4935 (AUS) (1986 – Aug 1989)
4932 (GB) (1986 – Jan 1990)
4934 (J) (1986 – Jan 1990)
4933 (USA) (1986 – Jan 1990)
Designer
Manufactured
1986 – 1990
Colour Options
Metal grey, aluminium
BeoCord 5500 Product Specification
Compact cassette: C46-C60-C90-C120
Recording system: HX PRO
Tape transport system: Auto reverse
Search system: Track numbers
Record level: Auto Recording level
Noise reduction: Auto Dolby B and C
Tape switch: Auto. ferro/chrom/metal
Tape head: Sendust
Wow and flutter DIN: <+/- 0.15%
Fast forward and rewind: C60 75 sec
Frequency range chrome: 30 – 18,000 Hz +/- 3 dB
Signal-to-noise ratio metal Dolby NR: B: >66 dB, C: >73 dB
Signal-to-noise ratio chrome Dolby NR B: >64 dB, C: >74 dB
Signal-to-noise ratio ferro Dolby NR B: >62 dB, C: >72 dB
Power supply 4931 220V
4932 240V
4933 120V
4934 100V
4935 240V
Power consumption: max. 25 W
Dimensions W x H x D 42 x 7.5 x 32.5cm
Weight 8 kg
Connections: AUX IN 7 pin
Microphone DIN 0,3mV /3kohms
Audio Link
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Available documents are listed, if none are listed then please reach out to see if we have them.
Type | Language | Type | |
User Guide | DK | BeoCord 5500 User Guide | |
User Guide | EN | BeoCord 5500 User Guide | |
User Guide | FR | BeoCord 5500 User Guide | |
User Guide | GER | BeoCord 5500 User Guide | |
Service Manual | EN | BeoCord 5500 Service Manual | |
Service Manual Update | EN | BeoCord 5500 Service Manual Update |
BeoCord 5500 FAQs
Please let us know
Beo4
Beo4
Three variations on a theme… Beo4 over the years. From the Mark I version introduced in 1994 with its central ‘AV’ button, the Mark II version introduced in 1999 to accommodate the then recently introduced DVD format, and the November 2004 Mark III inception with its noticeable DTV, VMEM and AMEM buttons.
Beo4 is the key to all current Bang & Olufsen television and music systems. A remote control must be able to be operated in the dark, without glasses and without moving your eyes from the screen. That’s why the most often-used controls on the Beo4 are gathered together on one multi-functional button which you can control with just your thumb: programme shift, video play and wind. Choose a function and your command is registered on the Beo4’s LCD display. Simple and logical, so the manual can be put away after a few days. The design is ergonomical and so tough that Beo4 can be left in the hands of the youngest user.
Beo4 Mark III Update – November 2004
Released in order to ensure that the remote control keeps up to date with products currently sold, as well as new products on the horizon, Beo4 Mark III was produced for sale at the end of 2004.
Visual changes were made to the V.TAPE, A.TAPE and SAT buttons and are now renamed V.MEM, A.MEM and DTV. A number of changes have also been made to the ‘LIST’ functions. The part number of the new remote is: 1162700
Beo4 remote control is provided with all new Bang & Olufsen TV receivers. It may be purchased as a separate accessory (around £155 – 2004 prices) to control audio equipment and lights. It works with all recent (post-1994) Bang & Olufsen products and also Beolink® around-the-house systems. It is one of the most powerful remote controls on the market; so much so, that the user needs not point it directly at the appliance being controlled.
The star-shaped control can be operated by your thumb alone – you don’t need to move your eyes to look to see what you’re doing. Extra ‘buttons’ can be programmed into the unit to control other not so much needed functions of Bang & Olufsen products.
Plastic-free surface on remote control units
“Surface treatment is very important to Bang & Olufsen. It affects not only the appearance but also the feel of a piece of equipment” states Technology Director Peter Petersen. “A product is created to be used, and you can’t do that without touching it.”
“A Bang & Olufsen terminal – or remote control – must sit nicely and comfortably in the hand. So we don’t coat it with plastic. A plastic terminal somehow doesn’t feel as genuine as ours. And gets hot and sweaty, too. After a great deal of work on the choice of materials we have selected zinc for all our terminals. It sits well in the hand and is pleasant to touch. The heat from the hand is conducted away, so the terminal never feels clammy. In design terms, this choice represents an extra form of quality.”
Bang & Olufsen terminals, of course, are not just attractive to the eye and pleasing to the hand. User interface is in fact one of Bang & Olufsen’s main concerns, where technology is really put in the service of humankind. Through logic operations, in fact, B&O’s remote control units make life with the product a pleasant experience.
Did you know? To determine which version of Beo4 you have, try pressing GO and MENU at the same time and then LIST to ‘scroll’ through the information. It will show you, for a 2003 version:
EE: 6.0
SW: 5.0
Handing it intuitively to Bang & Olufsen: a history of remote controls
Bang & Olufsen’s first remote control came on the market in 1974. That year, Bang & Olufsen launched two products, each with a remote control of the same design. It was the size of a small cigar case and had a steel top plate. These two remote controls, which were not integrated, were the Beovision 6000 Commander and the Beomaster 6000 Commander. The TV remote control allowed the user to select programmes and picture quality from the comfort of an armchair. The remote control for the stereo enabled the user to control a four-channel sound system.
Before too long remote controls became smaller, in the form of Beovision 6002’s Beovision Control Module. The buttons on its surface were designed so that you could use the remote control without looking at it. Those for turning down a setting were shaped to curve downwards, while the buttons for turning up a setting curved upwards.
The following Video Terminal was cast in zinc so that heat was conducted away from the palm of the hand. This remote control, which used an infrared beam, was launched in 1980. It was quite narrow, with a keypad that both resembled and functioned the same way as the buttons on a telephone. This was another way of helping the user to operate the remote control without looking at it. This version introduced additional buttons for operating Teletext TV.
The following year, Bang & Olufsen added functions for operating video recorders and a new version of the Beovision Control Module. System integration had advanced to the point of sharing a remote control between the Beovision 8800 and Beocord 8800 Video.
The next generation of remote controls arrived when it became necessary to transfer more operating information that, for purely technical reasons, could not be incorporated into a single remote control. Now sound could be transferred between the television and the stereo system. This became possible with the combination of a video terminal and an audio terminal into an AV Terminal – the forerunner of Beolink 1000 – in 1985.
In 1987, all audio, video and audio/video remote controls were integrated into one unit with the Beolink 1000. Since then, Bang & Olufsen has pursued a strategy of only having one remote control for all products – most recently with Beo4, which is capable of operating all products. Beo1 is a minor exception to the strategy. It only operated Beocenter 1 and Beovision 1 and was intended for a new customer segment, which it did not completely succeed in capturing. For this reason, it was replaced by the Beo4 from autumn 2002.
Beo4 Specifications
In general, Bang & Olufsen’s development of remote controls can be summed up in a simple concept: Intuitive use. It is important to be able to adjust sound and picture from wherever you may be in the home. Accordingly, Bang & Olufsen has chosen simple functions – and that, of course, also has implications for the design of the remote control. It’s easy enough to pack a lot of buttons and functions into a remote control, but Bang & Olufsen has chosen a simple operational philosophy for the customer.
Beo4 has relatively few buttons, but it can retrieve a lot of information if required. That is what you call quality. Since the development of the first remote control cast in zinc, the company’s remote controls have had a certain intrinsic weight. This helps to give a sense of quality. Last but not least, the remote control is renowned for having a long range. You don’t have to get into a special position to communicate with the system. Once you have the remote control in your hand, you are ‘in total command’.
(Taken from Beolink Magazine: ‘The First 50 Years of Television’ © Bang & Olufsen a/s 2002)
Beo4 Product Details
Type Numbers
1624
1625
2067
6014
Designer
Manufactured
1994 -
Colour Options
Grey
Beo4 Product Specification
Batteries: 3 x AA
Dimensions: 25,4 x 3,8 x 2,0cm
Weight with batteries: 290g
Beo4 part number: 1162411 (EU)
Beo4 Wall bracket (Type 2067) part number: 1206766
Source Change
Old names, hard sources New names, hard sources
V.TAPE V.MEM
A.TAPE A.MEM
SAT DTV
Old name, soft sources New names, soft sources
V.TAPE2 DVD2
P-V.TP2 P-DVD2
L-V.TP2 L.DVD2
A-V.TP2 A-DVD2
CAMCORD CAMERA
DOORCAM V.AUX2
A.TAPE2 A.MEM2
New soft sources
P-V.AU2
Deleted soft sources
PHONE
CD2
New Features
New features Description
P.MUTE Picture mute, toggle function that blanks picture
LOCK Manual record lock
UNLOCK Manual record unlock
VIDEO4 configuration Enables P-AND-P as default for the B-chassis
Old Feature Name: New feature name
P-I-P P-AND-P
Most recent S/W 4.2
Beo4 configuration
to set the Beo4 to work with specific products,
i.e. Avant, BS9000.
The Beo4 with SAT, V.TAPE and A.TAPE buttons displays
MX, AV9000, AVANT, AV5 and NONE as video options.
BASIC and BS9000 as audio options.
There are also Beo4 versions with the same buttons that have numeric options.
For example a 2003 version with software EE: 6.0 SW: 5.0
has Video 1 to 3 and Audio 1 and 2.
The Beo4 with DTV, V.MEM and A.MEM buttons has numeric options.
Video 1 to 4 and Audio 1 and 2.
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Available documents are listed, if none are listed then please reach out to see if we have them.
Type | Language | Type | |
Button Guide | EN | Beo4 Button Guide | |
User Guide | Arabic | Beo4 User Guide | |
User Guide | Brazil | Beo4 User Guide | |
User Guide | Chinese | Beo4 User Guide | |
User Guide | DK | Beo4 User Guide | |
User Guide | ENG | Beo4 User Guide | |
User Guide | ESP | Beo4 User Guide | |
User Guide | FIN | Beo4 User Guide | |
User Guide | FR | Beo4 User Guide | |
User Guide | GER | Beo4 User Guide | |
User Guide | GR | Beo4 User Guide | |
User Guide | Hebrew | Beo4 User Guide | |
User Guide | IT | Beo4 User Guide | |
User Guide | JP | Beo4 User Guide | |
User Guide | Korean | Beo4 User Guide | |
User Guide | NL | Beo4 User Guide | |
User Guide | Polish | Beo4 User Guide | |
User Guide | PORT | Beo4 User Guide | |
User Guide | RUS | Beo4 User Guide | |
User Guide | SWE | Beo4 User Guide | |
User Guide | Taiwan | Beo4 User Guide | |
User Guide | Hungarian | Beo4 User Guide | |
User Guide | Turkish | Beo4 User Guide | |
Lexicon | EN | Beo4 Lexicon | |
Touchpad Switches | EN | Beo4 Touchpad Switches | |
Service Manual | EN | Beo4 Service Manual |
Beo4 FAQs
Please let us know
Designer – Henning Dahl-Mikkelsen
Designer – Henning Dahl-Mikkelsen
Henning Dahl-Mikkelsen – ‘Mik’ – designed Bang & Olufsen’s well-known logo in 1931. But Dahl-Mikkelsen created also other well-known figures than Bang & Olufsen’s logo. He is also the man behind the comic strip Ferd’nand, a world-wide success and published in 15-16 different countries. In 1999 it was 60 years since Dahl-Mikkelsen began developing Ferd’nand. Since 1939 Ferd’nand has been published in 100 to 120 papers all over the world. Until his death in 1982 Dahl-Mikkelsen made more than 15,832 Ferd’nand strips.
Fact - The very first product to bear the 'new' Bang & Olufsen logo was the tone-arm and magnetic cartridge of 1933.
Henning Dahl-Mikkelsen was born in 1915. After grammar school he spent two years as a painter’s apprentice with a part-time job as an advertising artist. In 1931 he contacted Bang & Olufsen and showed them a logo he wanted to sell. The logo was very typical of the period and in the style known as Bauhaus. Dahl-Mikkelsen wanted five Danish kroner for the drawing, but Svend Olufsen, who was otherwise known for being careful with his money, offered Dahl-Mikkelsen ten kroner – twice Mik’s asking price! Bang & Olufsen has being using the logo since 1931, when it was registered.
Dahl-Mikkelsen then moved to Copenhagen and found employment in an animation studio. That led to a job in London in 1935, where he was senior artist for an English film company. His great example was Walt Disney’s Mickey Mouse cartoon and for a number of years he worked with cartoon films until on 3 May 1937 he began the comic strip Ferd’nand. That same year he created the pantomime comic strip Ferd’nand for the Danish Press Agency PIB Copenhagen Copenhagen. It had its debut in two English newspapers and in May also began appearing in Danish provincial newspapers. Only after the New York Herald Tribune and the Chicago Tribune had bought publication rights to the series did the major Danish daily newspapers show interest. After the Second World War the strip achieved international success, especially with the Americans. Mik, as Dahl-Mikkelsen now called himself, emigrated to the USA to be closer to his most enthusiastic readers.
Success
Ferd’nand was a success in Denmark even under the German occupation of the country from 1940-45. The success set Mik to work on still another series, the double strip Familien Hansen (The Hansen Family). The comic book version of Jens Locher’s popular radio show about a typical Danish family’s humorous everyday experiences was published in the magazine Landet (The Country) from 1942-48, with Mik as the artist until 1946. He was succeeded by Chris, Helge Hau and then Holger Philipsen.
Mik had created his first comic for The Country as early as 1941, with De gamle guder (The Old Gods) first appearing in issue no. 35. This full colour page with charming caricatures took as its starting point the Nordic mythology and life of the gods in Valhalla in a story by Harald H. Lund. The series was published as a comic book in 1943 by Illustrationsforlaget (Carlsen) under the title Thor og hans hammer (Thor and his Hammer).
Mik’s third comic in Landet was the children’s series Lise og Lasse. It started as a double strip in colour in 1944 and was written by Harald H. Lund. It was an imaginative epic series from fairy tale- and toyland in a style reminiscent of Harry Nielsen’s Bamse og Dukke Lise (Teddy Bear and Lise the Doll), transformed into detailed drawings rich in perspective. When Mik left Denmark in 1946 to try his luck in the USA, Lise and Lasse was continued by Ib Steinaa until 1950, however with little success.
Later years
Mikkelsen moved to California and continued to draw the strip until his death in 1982. Today, Ferd’nand continues to be drawn in “Mik’s” style by Henrik Rehr. Rehr says he was honoured when asked to draw Mikkelsen’s character. “I grew up with Ferd’nand and have always admired the strip. It’s one of the classic silent strips and I liked the international appeal of working without words.”
Ferd’nand is the classic “silent” comic strip, starring a wide-eyed cherubic mime, his wife, son and dog. Every day is a new adventure for the title character as he confronts life and fate with wonderful expressiveness. From circus performer to bank cashier to orchestra conductor, Ferd’nand has spent almost six decades as the pantomiming protagonist of middle class life. A timeless classic with universal appeal, Ferd’nand is one of the 10 longest-running comic strips still being drawn.
Designer – Bang & Olufsen
Designer – Bang & Olufsen
For over 75 years, Bang & Olufsen has been setting standards in the application of technology through innovative design – beginning in 1925 with Peter Bang and Svend Olufsen’s invention of the world’s first radio with a mains plug, to today’s integrated audio and television entertainment systems.
The company seeks to unite form and function through design by developing products that combine sophisticated technology with ingenuity and aesthetic appeal. Meticulous attention is paid to looks, sound clarity, vision delivery and technological proficiency for intuitive ease of operation. The unique Beolink® system enables seamless, integrated access to B&O products – in the home, workplace, hotel or studio. In essence, the design of any B&O product makes choice and operation rewarding for the senses.
Appreciated as art forms, B&O’s ‘original classics’ have received many design awards and appear in design collections of museums around the world, including the permanent design collection of New York’s Museum of Modern Art (MoMA). This recognition symbolises the company’s ability to integrate both design and technology, together with their commitment to innovation and the delivery of excellence in the entertainment experience. However, before any product reaches the market, a designer has to come up with the way a product has to look, to feel and to perform…
Designer – Bang & Olufsen
iF provides a broad range of design-related services. It is internationally known thanks to its iF Design Award which has been staged since 1954. Today the Award is regarded as one of the most important design competitions worldwide, attracting over 1800 entries from 30 different countries every year. The jury, composed of top international designers, not only critically examines and selects the award-winning entries, but also guarantees iF’s special status and the high-quality reputation of the iF label. The company also markets its core expertise – its know-how in the area of organising competitions, tenders or pitches – to companies, institution and political parties. For example, its expertise is often sought on design questions, architectural competitions, advertising pitches and other services involving a strong creative component.
I.D. Magazine is the USA’s leading critical magazine covering the art, business and culture of design. Winner of five National Magazine Awards — four for General Excellence (1995, 1997 and 1999, 2000) and one for Design (1997), the publication appears eight times a year. Issues include the Annual Design Review, America’s largest and most prestigious juried design-recognition programme and which has been published since 1954. The Design Review showcases the best American and international design in the areas of Consumer Products, Furniture, Equipment, Environments, Packaging, Graphics, Concepts and Student Projects.
I.D. past winners include: Video System 5000(1990)
Award bestowed on Bang & Olufsen – Press Release 22.02.02
Prestigious Technical Achievement Award bestowed on Bang & Olufsen
The Sonic Foundry Outstanding Technical Achievement Award 2002 is to be presented at the Banff Television Festival 2002 in Canada in June. This award represents the pinnacle of technical and creative achievement over time in the international television and new media industry.
In making the announcement today at a special reception at the Danish Design Centre, Pat Ferns, president and CEO of the Banff Television Foundation said, “Watching television is at the heart of what we do and Bang & Olufsen has added another dimension of pleasure to this experience in the brilliant systems it has created. Watching and listening on equipment designed to be works of art in themselves – without sacrificing any visual or aural element – has endeared audiences to this company and its products. As the Board of Governors explored the full range of Bang & Olufsen’s creations, they came to a happy conclusion that this innovative Danish company represented true excellence, deserving of Banff’s top technology award.”
Bang & Olufsen’s Chief Technology Officer Peter Petersen expressed the gratitude of the company when thanking Pat Ferns for the honour, and stated “Bang & Olufsen has always prided itself with the refinement and application of technology in order to benefit the user. We constantly strive to ensure that the technologies applied inside our products are never outshone by the design elements found on the outside. A few years ago, we asked people what they liked most about Bang & Olufsen products. Those who did not own any said ‘The way it looks’. Those who owned our products said ‘The way it works’. Thank you Banff, for also acknowledging our technological endeavours.”
W. Paterson Ferns continued by stating “Although Bang & Olufsen’s products have been justly celebrated for ‘the way they look,’ it is important to keep in mind that the Sonic Foundry Outstanding Technical Achievement Award is not a design award. It recognizes outstanding technological contributions to excellence in television. It is one thing for something to look stunning, but if it doesn’t work, what’s the point? In the final analysis, it’s what’s inside that counts. The genius of Bang & Olufsen, throughout its distinguished history has been, and continues to be, the company’s commitment to expert, innovative, and imaginative applications of technology. The company makes the most sophisticated technology consumer-friendly, because the technology works brilliantly. What’s inside – the essence of the product – is what matters most; making it look so good is a bonus.”
The Sonic Foundry Outstanding Technical Achievement Award will be presented to Bang & Olufsen at a special Tribute ceremony on Tuesday, June 11 during BANFF 2002. A complete list of past recipients is attached.
About the Banff Television Festival
The Banff Television Festival is a special gathering place for television broadcasters, program producers, and online content creators. Over 60 hours of seminars, plenary sessions, keynote speakers, Master Classes, and pitching opportunities are featured along with the international Banff Rockie Awards program competition. The Banff Television Festival 2002 will be held on June 9 – 14, 2002
The Festival is the premier activity of the Banff Television Foundation, a management organization for some of the world’s leading television and new media industry events including the World Congress of History Producers, the World Congress of Science Producers, and the Alliance Atlantis Banff Television Executive Program.