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BeoLab 7-1

Bang & Olufsen BeoLab 7.1

BeoLab 7-1

Hi-fi television acoustics

Packed with advanced technology, BeoLab 7 is, quite simply, the most powerful stereo speaker ever developed for TV. With six individual driver units, all powered by their own digital ICEpower amplifier, BeoLab 7 delivers an unequalled sound performance for your TV viewing. The beam-shaped loudspeaker below the screen provides superb acoustic performance and signifies the presence of sound as an integral part of your viewing experience. Musically, the speaker rivals many hi-fi systems, and is quite capable of being used as a BeoLink speaker.

The natural fit

BeoLab 7 is specially developed for BeoVision 7 to contribute the ultimate stereo sound performance to the viewing experience. BeoLab 7-1 is the natural accompaniment for the BeoVision 7-32 LCD television, while the broader beam of BeoLab 7-2 is designed for BeoVision 7-40. In addition, BeoLab 7 stereo loudspeakers fit naturally under the BeoVision 4 plasma screen, or under a projection screen. In this application, the speaker can be either wall-mounted or placed on a special tabletop stand.

Colours to match

Long and lean, BeoLab 7-1 and BeoLab 7-2 look at home under a BeoVision 7 or BeoVision 4, or as part of a projection screen setup. The shorter BeoLab 7-1 is best suited for the BeoVision 7-32” screen. The loudspeaker cabinet is made from a single piece of aluminium and coated in a resilient black soft-touch lacquer. The perforated aluminium front grill now comes anodised in five different colours: Light and dark grey, blue, red and black.

A firm grip on powerful sound

A special three-way bass reflex construction incorporates six individual units – two each for treble, mid-range and bass. Each driver is powered by a unique built-in ICEpower amplifier, delivering a combined effect of 750 watt. In addition, BeoLab 7-1 and 7-2 are equipped with thermal protection circuits and Adaptive Bass Linearisation (ABL), which ensures maximum performance without distortion, even at very high volume. Bang & Olufsen has a quarter of a century of experience making loudspeaker cabinets from extruded aluminium. This technique allows for very rigid and compact enclosures with powerful sound performance.

Note that BeoLab 7-1 was designed to be used with the BV4-37 and BV4-42. The wider BeoLab 7-2 may be used with the larger-version BeoVision 4: BV4-50 and BV4-65.

Mounting Options

All four versions of BeoLab 7 were designed for incorporation with Bang & Olufsen’s motor stand options.

BeoLab 7-1 Product Details

Type Numbers

6210 (EU)
6212 (USA)

Designer

Manufactured

2004 -

Colour Options

Black, Silver, Dark Grey, Red, Blue

BeoLab 7-1 Product Specification

Cabinet finish
Aluminium cabinet coated with hardwearing black soft-touch lacquer. Speaker grille in natural coloured anodised aluminium

Power consumption IEC65: 36 watt
Typical: 20 W
Stand-by: 0.2 W
Power amplifiers (per channel) 3 x 125 watts, Class D, ICEpowerÒ
Long-term maximum output power
per amplifier Bass: 120 watts/8 ohm
Midrange: 120 watts/8 ohm
Treble: 120 watts/8ohm
Effective Frequency range 37 – 20.000 Hz
Crossover frequencies 250 Hz and 4.000 Hz
Cabinet principle Bass: Bass reflex
Midrange/Treble: Closed box
Net volume, bass 4.2 litres (per side)
Net volume, midrange 0.8 litres (per side)
Magnetically shielded No
Woofer 101,6 mm
Midrange 76,2 mm
Tweeter 19 mm

Input sensitivity (Power Link) 88dB @ 125 mV SPL
Indicator (for service use only) 1 tri-colour LED. Green for On, Red for Off, Orange for Protection mode
Operation Free or Wall position
Protection Thermal protection

Connections:
Power Link 1 (Semi-Balanced PL cable type MK III, or fully mounted PL cable required)
Mains 1 input, 1 output (not US version)

Market specifications:
Type Market Voltage
6210 Australia, Austria, Bahrain, Belgium, China
Croatia, Czech Repub., Denmark, Egypt, Finland, France, Germany, Greece, Holland, Hong Kong, Hungary, Indonesia, Israel, Italy, Kuwait, Lebanon, Malaysia, Morocco, Norway, Oman, Poland, Portugal, Qatar, Russia, Saudi Arabia, Singapore, Slovak Rep., Slovenia, South Africa, Spain, Sweden, Switzerland, Thailand, Turkey, United Arab Emirates, United Kingdom
220 – 240V
6212 USA, Canada, Mexico, Taiwan 100 – 120 V
Optional Accessories:
Bracket for BeoLab7-1 Included
Wall bracket (Black) Type 2172 (1217266)

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BeoLab 7-1 User Guide

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BeoLab 7-1 User Guide

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BeoLab 7-1 User Guide

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BeoLab 7-1 Service Manual

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BeoLab 7-1 Service Manual

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BeoLab 7-1 Wall Bracket

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BeoLab 5

Bang & Olufsen BeoLab 5

BeoLab 5

” If your ultimate passion is to get as close to the music of your favourite artists as possible, the new BeoLab 5 will take you there. Conceived, designed and built by Bang & Olufsen, BeoLab 5 is (their) latest loudspeaker concept developed for everyone with a passion for listening and living with the ultimate in audio and video entertainment.”

Power

The amplifiers are made up of 1000W each for the main and upper woofers, together with 250W each for the midrange and tweeter giving a total of 2500W output. “Such power permits B&O to address the issues of thermal power compression (by calculating it and adding back sufficient gain offset) and to run effortlessly at something approaching real concert hall levels (i.e. sustained real-world levels of 108 dB SPL with peaks of 120 dB SPL, should you care to entertain all of the folks on your block). A typical high — end audiophile speaker system with two gigantic mono — block amplifiers running at 500 W apiece will run out of steam at probably 10 dB below these levels, all other things being equal. Such power also means that at all sane levels, the BeoLab 5 is simply loafing along, never stressed in the slightest, and if you encounter any signs of distortion, you can know for sure it is occurring elsewhere in your signal path.

Finally, the speaker is fully digital, so you can plug in an S/PDIF feed if you wish. The A/D and D/A converters are of extremely high quality, so no problems will be encountered there either. But the real payoff is that extensive DSP is present, which permits each speaker to be quickly and precisely matched (+/- .25 dB) and documented during manufacture. This, to my mind, is a huge breakthrough. It means that for all intents and purposes, speakers will not be audibly different (a first for mass-produced speakers), and because of thedocumentation, they can be maintained to hold that tolerance! (Just so you know, there’s an RS 232 port included, so the speaker can “talk” to the factory and its DSP is recalibrated to accept a replacement driver).” (Source)

The new technology:

Acoustic Lens Technology (ATL) * – invented by Dave Moulton and Manny LaCarrubba of Sausalito Audio Works LLC – which delivers sound in a 180 degree horizontal plane unlike ‘normal’ speakers which aim their sound directly away from themselves and towards the listener. The ATL technology is a new and effective means to redistribute the acoustic power of a conventional dome radiator. The resultant dispersion pattern has a very uniform frequency response over an extremely wide horizontal coverage angle

Adaptive Bass Control (ABC) actually ‘listens’ to the ambient sound within the room in which BeoLab 5 is placed and adjusts its output to suit the listening position

ABL (Adaptive Bass Linearisation)

As well as the two brand new technologies, BeoLab 5 employs Bang & Olufsen’s Adaptive Bass Linearisation which is a process patented by B&O and incorporated in newer (digital) BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension – a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce.

The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation.

ABL gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels.

Note: for BeoSound 9000 owners wish to use BeoLab 5 fully, there is a direct digital feed from the optical output of BeoSound 9000 (S/PDIF = Sony/Philips Digital Interface)

 

Acoustic Lens Technology for Loudspeakers: an introduction

Acoustic Lens Technology is a new and extremely effective means to improve the dispersion of high frequencies in loudspeakers, so that dispersion is much more uniform across the audible spectrum without the deleterious side-effects encountered with other engineering solutions to this problem.

The problem is fundamental: in an ideal loudspeaker it is axiomatic that frequency response should be flat across the audio spectrum. Flat response is designed for and measured “on-axis,” which is to say, in one direction only from the loudspeaker. In fact, the theoretical ideal loudspeaker (i.e. a pulsating sphere) should exhibit the same flat frequency response in all directions. Such a performance quality is, at the present time, impossible to achieve. All loudspeakers are more or less directional in output. Worse, loudspeaker directionality varies wildly as a function of frequency, crossover design and driver size.

So, not only is it virtually impossible for a loudspeaker to have a flat frequency response in all directions, it is equally difficult for a loudspeaker to have constant frequency response in all directions. As a rule of thumb, loudspeakers are omni-directional at low frequencies and highly directional at high frequencies, with erratic variations in between, particularly near cross-over frequencies.

We all have to accept this universal deficiency of loudspeakers. The cost of this deficiency is significant in terms of the quality of musical illusion, imaging and timbral accuracy in stereophonic music playback. Acoustic Lens Technology represents a successful effort to reduce this deficiency.

Acoustic Lens Technology is the outgrowth of more than a decade of invention, research and development. The lenses gather the sound output of a given speaker driver, re-focus it and emit it in the desired directions. Specifically, we have worked to develop a speaker with essentially flat frequency response to 15 kHz that remains constant across a horizontal angle of at least 180° with no lobing, phase anomalies, interference patterns or other undesirable side effects, and a vertical angle of 30°. At the same time, we have made Acoustic Lens Technology compatible with conventional drivers, comparatively inexpensive to manufacture, and reasonably small in size.

Speakers using Acoustic Lens Technology exhibit excellent imaging, depth of illusion and compelling timbral quality. Further, they exhibit an excellent “invisibility,” or sense of not being the source of sound. In surround sound production applications, Acoustic Lens Technology is extraordinarily effective for all speakers in the system.

* ATL Technology is licensed from Sausalito Audio Works LLC

For further information on Acoustic Lens Technology and Dave Moulton – developer of ALT – visit his site by clicking here.

“In BeoLab 5 design and acoustic engineering converge in the world’s most complete and powerful all-digital loudspeaker ever designed for use in domestic surroundings. The result is an intelligent loudspeaker with a pure and transparent sound uncoloured by the placement of the loudspeakers, the room itself or by your own listening position”

BeoLab 5 & Acoustic Lens Technology

ALT is short for Acoustic Lens Technology and is a patented geometric shape that when properly mated to a conventional dome radiator yields an extremely wide, uniform horizontal dispersion characteristic. Acoustic Lenses redistribute the sound power of a driver (a tweeter, for instance) such that the resulting dispersion is very uniform over at least 180° horizontally. The vertical radiation pattern is asymmetrical. It is limited such that very little sound is directed towards the floor. Somewhat more energy is directed upwards than towards the floor but, in general, the radiation pattern may be described as a ‘hemidisc’.

ALT’s unique dispersion characteristics help in several ways. The most obvious is that listeners seated off-axis hear virtually the same timbre as those on the reference axis. An ALT loudspeaker has a flatter power response curve than a conventional loudspeaker. This means that the total sound energy radiated by the speaker is more closely related to the axial frequency response or direct sound. This type of behaviour correlates positively with listener preference in controlled listening tests. This is why some manufacturers have rear firing tweeters. ALT does this while minimising reflections from the floor and the wall behind the speaker. The Archimedes Project, a 5-year multimillion dollar research project that delved into the relationships between acoustic reflections and the perception of timbre, revealed that such behaviour is desirable. Finally, ALT loads the driver to which it is mated so that less electrical energy needs to be applied to achieve the same SPL as a baffle-mounted driver. This increases power handling and lowers distortion. ALT does all of this while maintaining excellent axial frequency response.

Room placement of ALT speakers

As with most speakers, Sausalito Audio Works LLC – as inventors of the system – recommend placements of at least 1m and preferably 1.5m – 2m from any wall. Normally you would not aim an ALT speaker directly at the primary listening position – the reference axis for these speakers is 30° so it is advisable to keep them pointed straight ahead.

The only exception to this is if you must put the speaker less than 1m from a sidewall. In such an instance, aiming the speaker directly at the listening position usually yields better results.Sausalito also recommends that the primary listening position be located at the apex of the equilateral triangle formed by the speakers and the listener. Many audiophiles prefer to sit farther away from the speakers than this.

* ATL Technology is licensed from Sausalito Audio Works LLC

Member Review by Mr 10%

I purchased my Beolab 5s mid-June (2004) on spec via a telephone call without ever listening or seeing them “live” in a showroom. Slightly prejudiced by reading the information in the hi-fi press, I though they must be good if the normal hi-fi bores think they are. My first actual contact with the Beolab 5 was in the Manchester King Street Store, just as my units were being delivered to my overseas home. To say I was a little disappointed and began to questioned why I’d parted with so much cash on these things so easily. The listening room – annexed from the showroom was only sufficient to hold a Beovision 4, a Beosound 9000, the Beolab 5’s themselves and a 2-seater sofa. Too late.

 

A few weeks later I was presented with two boxes strapped on a couple of wooden pallets. The shipper trollied them into the living room and departed. The Beolabs arrived very well packed. One thing you cannot gauge from any of the sales literature is their size – much smaller than I had imagined before going to the store. Also the weight is incredible. Each weighs in at around 61kg! Moving them carefully on your own is a struggle even with the handy ring lifting point under the lower lens disk.

 

The Beolab 5’s are typically constructed from the same materials as the rest of the B&O range. The top of the lenses are roughly polished aluminium – almost identical to the trumpet foot stands of the Beovision 1 TV’s. The frets are standard fabric but give the impression of being thick, dense and softly cushioned. The remainder of the loudspeaker is metal (quite distinct from plastic) with the new-style rubberised coating found on the backs of the Beovision 1 and the Beocentre 2. The foot appears to be cast metal –a solid disk with the microphone mounting in the middle.

 

When closely examining the form of the Beolab 5, you actually have to appreciate the design rather than slate it. The complex and intricate ellipse shapes states everything on how the sound is dispersed over the lens. The neck – often an element of intrigue is quite clear:- nothing else would work design-wise giving each a distinction or separation between the lens structure and the bass section. This gives the loudspeaker an unexpected visual lightness in the flesh.

 

Setting them up was straightforward. You connect power, Powerlink and the Dig. Coax cable up in typical a la B&O style. I use a Beocentre 2. The whole set-up took 5 minutes. Including connecting them to two separate Belkin AV Pure surge protectors – an investment which I hope I will never need to rely on. Calibration is easy; one at a time, a light 3 second touch of the top lens activates the ABC calibration. Like a light-sabre from StarWars, the LED glows green and menacing. In the first 20 seconds the Beolab 5 emits a monotone so low in frequency you can only just hear it. However it was “loud” and the give-away was the fact your clothes throbbed. Sequentially, the emitted tones increased in frequency and shortened in duration. The cycle repeated twice per speaker with increasing extension of the microphone.

 

Then “that” moment had finally arrived. I selected Pink Floyds legendary “Dark Side of the Moon”. Having been used to playing CD’s with the Beocentre 2 via my Beovision 1 loudspeakers, the volume was set default at 50 (out of 90). Pheww! The first notes are of the heartbeat, which make you feel very strange –like having an embolism in your head. Your blood-pressure rises with each beat as the music gets louder and louder until breaking out into the main track. Quickly realising that the listening room in Manchester was way too small for these brutes and better suited to my larger living room, I reached for my classical music CD collection.

 

First, I played the last 5 minutes of Tchaikovsky’s 1812 Overture. Bang! Bang! Blown away! The clarity, separation and detail of these loudspeakers is totally awesome. I cannot write justice here of how they sound; only a poet could do so. The music presses right into you, envelops you, penetrates you. The cannon shots pounded the plasterboard walls with precise and punchy sound salvos. No hint of common or garden low-frequency smudge associated with separate sub-woofers. Even the Beolab 2, which I have owned, loved and sold for these loudspeakers just does not come anywhere close.

 

Further, the Beolab 5’s mock you to turn the volume right up. I reached for Coplands “Fanfare for the Common Man”. I went straight for the jugular:- Max Volume. Dum dum dum, blarrrrr went the kettledrums and horns blowing my eardrums to jelly. Everything remained crystal clear and totally undistorted (only the room bent and bowed). Just how loud that track was is unknown but after taking 5 minutes outside in the garden for some air, my ears were still ringing and I know that prolonged listening like this will, no matter how good it sound, will result in me selling-up all my audio equipment though hearing loss. These Beolab 5’s should carry a health warning; the total lack of any distortion fools the brain it to believing the sound is not loud. It is.

 

Over the weekend, I practically listened to every CD I own. Classical, Opera, Rock, Blues, Chill etc..etc.. Everything was delivered precisely and in a way I can only describe as emotional. I have fallen back in love with music – all music again. There was no hint of stress, aggressiveness or even coming close to the loudspeakers operating envelope with anything I played. It is totally incredible and like a blind man who can now see, I had several hundred new CD’s to listen to – and I’m a seasoned B&O owner. Track’s like Satie’s – Gymnopedie No.1 – that melodic piano solo is so moving. Get the volume right, close your eyes and you can see every key being pressed, every foot pedal depression, every string being struck and reverberate to decay – I kid you not. In fact, simple uncomplicated tracks containing solos, unplugged, blues etc. is delivered so life-like, it is easy for the loudspeakers to convince you that the artists are actually performing inside your living room. Yesterday, Norah Jones came to visit.

 

These loudspeakers do it all. They have enough brute power for you never to need more but delivered with a grace and finesse so life-like. They dare you to play them loud in a “come-and-have-a-go-if-think-your-hard-enough” way (And you do). They expose pirated CD’s for what they are and finger some recording studios for poor quality mixing and for not doing their job properly. Everything sounds good; even with music genres you may never have liked before. The acoustic lenses work magnificently making very little difference tonally from one side of the room to the other. (Naturally balance does change – but only slightly it seemed).

 

These controversial loudspeakers will I am sure be a design classic and in time be a true benchmark for all other loudspeakers – both B&O and others alike. Watch out Wilson and Sonus.

 

I cannot recommend them more highly enough. You will be moved.

Sound quality 100%

Ease of use 100%

Design 100%

Build quality 100%

Value for money 200%

Desirability 100%

 

Emotionally does it.

BeoLab 5 Product Details

Type Numbers

Please let us know​

Designer

Manufactured

2003 -

Colour Options

Aluminium/Black

BeoLab 5 Product Specification

Dimensions/weight: Height 97 cm, Ø 49 cm / 61kg
Maximum sound pressure 108 dB (stereo, pair)
Total amplification 2500W
Power amplifier treble 250W Class D ICEPower®
Power amplifier mid-range 250W Class D ICEPower®
Power amplifier upper bass 1000W Class D ICEPower®
Power amplifier lower bass 1000W Class D ICEPower®
Effective frequency range 20 – 20 000 kHz
Cabinet principle/ net volume upper bass Sealed box / 5 litre
Cabinet principle/net volume lower bass Sealed box / 29 litre
Directivity control treble and mid-range Acoustic Lens Technology

Treble driver 1.8cm
Mid-range driver 7.6cm
Upper bass driver 16.5cm
Lower bass driver 38cm
Digital Signal Processor 32-bit floating point 180 MFLOPS, 512k byte Flash-ROM
Room adaptation Adaptive Bass Control (ABC)
Connections 2 x PowerLink, Phono (line), 2 x Digital SPDIF
Volume adjustment Built-in

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Beolab 5 Audiocritic Review

Review

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Beolab 5 Av Guide Review

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Beolab 5 HiFi News Review

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Beolab 5 Sound Vision Review

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Beolab 5 Ultra Audio Review

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BeoLab 5 User Guide

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BeoLab 2

Bang & Olufsen BeoLab 2

BeoLab 2

BeoLab 2 Subwoofer: Put yourself at the eye of the storm and enjoy a new sound experience. Just when you thought it couldn’t get any better – it does. The BeoLab 2 subwoofer has only one purpose: to exploit the new world of sound that Digital technology has opened up. Sit back, hold on tight – and experience a deep bass sensation you only thought possible at the cinema or concert hall. BeoLab 2 is the latest (2001) member of the loudspeaker family and has been specially designed to handle the low end of the sound spectrum. It completes your surround set-up and allows you to experience details in movies and music that you’ve never heard before. It just about as good as bass gets!

it’s the smallest things that make all the difference!

The new powerful BeoLab 2 adds a totally new dimension to the Bang & Olufsen sound experience. As digital technology opens up a whole new world of sound, the compact BeoLab 2 subwoofer lets you experience a deep bass sensation that you only thought possible at the cinema or concert hall. Reproducing the low frequency sounds that normal loudspeakers can’t reproduce, BeoLab 2 utilises its built-in 850 watt amplifier to ensure that you no longer only hear your favourite piece of film or music, but feel it as well.

Adaptive Bass Linearisation

Adaptive Bass Linearisation (ABL) is a process patented by B&O and is incorporated in BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension – a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce.

The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation.

ABL gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels.

Press Release July 2001

“The ultimate home entertainment experience: Bang & Olufsen launches two new products to complete its Home Cinema system

The introduction of Bang & Olufsen’s new generation of widescreen Beovision Avant television and a new BeoLab 2 subwoofer have completed a powerful home cinema experience the Bang & Olufsen way. Available from June 2001, these two products are perfect for film aficionados who want a trip to the movies from the comfort of their favourite sofa.

As the electronic curtain sweeps aside, the TV turns noiselessly to face the viewer and begins the feature screening with Dolby Digital® surround sound to ensure the best picture and sound quality ever produced from the integrated video recorder and/or the separate DVD system.

The new flat widescreen surface (called Real Flat) is not only unique, attractive and contemporary, but offers technically advanced picture quality in either 28” or 32” versions. True to Bang & Olufsen’s philosophy of simplifying rather than over-complicating technology, the whole cinema set-up is controlled by just one remote the Beo4 – it can even dim your room lighting when used with compatible light control systems.

• With the introduction of BeoLab 2, it’s now possible to fully exploit the multi-channel surround sound offered by today’s digital media. It is powerful enough to effectively reproduce the deepest bass effects, and visually appealing enough to fit into the entire Bang & Olufsen cinema set-up.

• Beovision Avant features a built-in Dolby Digital® surround sound decoder, and includes automatic detection of this 5.1 channel digital sound format

• Accessing Bang & Olufsen’s DVD 1 is fast and simple through seamless Beo4 operation

• The BeoLab 2 subwoofer delivers an exceptionally deep bass reproduction compared to it’s modest physical size. Powered by a 850 watt ICE Power amplifier, it is characterised by a combination of compactness and efficiency.

• The BeoLab loudspeaker programme features freedom in choice regarding loudspeaker design, colour and placement possibilities.

• A/V compatibility – Connecting Beovision Avant to a Bang & Olufsen audio product creates synergy, and provides a number of benefits, such as easy operation of all sources via only one remote control, and logical system functions.”

“When it comes to sound reproduction we believe there’s only one relevant parameter: How close can we come to the originally recorded sound. We feel an obligation not to disturb the intentions of the artist by adding unnatural elements to the acoustic image. Therefore all Bang & Olufsen loudspeakers share the same goal. They differ in size and shape and in terms of sound pressure level. But they are all developed to reproduce the natural, unaltered sound as closely as possible ” – Bang & Olufsen catalogue 2001 – 2002

BeoLab 2: an evolutionary history

The first design model of BeoLab 2, was finished in high gloss black . Its width was 230mm and the loudspeaker membranes were shielded behind a round grille. The model expressed the wishes of designer David Lewis to reflect proper balance between both the demands for excellent sound reproduction and good looks.

In designing the new sub-woofer, the next step was to make a drawing of the exterior as a starting point, in relation to its internal components. In allowing these components to be fitted, BeoLab 2’s specifications had to be enlarged. This new width became 4cm larger. However, it was widely agreed that this was marginally too large so a compromise of 260mm was agreed upon by the design group at Struer. And this is the width of the BeoLab 2 today!

BeoLab 2 Product Details

Type Numbers

6861 (EU)
6862 (GB)
6863 (USA-CDN-TWN)
6864 (J)
6865 (AUS)
6867 (KOR)

Designer

Please let us know

Manufactured

2001 -

Colour Options

Please let us know​

BeoLab 2 Product Specification

Cabinet finish Aluminium, structure painted, grey
Power Consumption Typical: 15 watts
IEC65: 62W
Stand-by: 0.4 watts
Maximum Sound Pressure Level 110 dB (stereo)
Power amplifier module 1 unit Class D
Long-term maximum output power 850 watts
Effective Frequency range* 23 – 120 Hz (upper limit determined by setup)
Cabinet principle Double balanced passive radiator system Magnetically shielded Yes
Woofer Passive radiator 1 x 250 mm flat diaphragm
2 x 250 mm flat diaphragm
Net volume 13 litre
Bass equalization ABL (Adaptive Bass Linearisation),
Switch for loudspeaker position Free, Wall or Corner.
Input sensitivity Adjustable by three position switch. Corresponding to -7 dB (3), 0 dB (2) or +3 dB (1) for main speakers.
(* According to IEC 268-3 and 268-5.)

Connections: Power Link – Input 1
Power Link – Output 2
Mains: 1

Market specifications:
6861 EU 230 V
6862 GB 230 V
6863 USA – CND – TWN 120 V
6864 J 100 V
6865 AUS 240 V
6867 KOR 220 V

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BeoLab 2 

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BeoLab 2 User Guide

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BeoLab 2 User Guide

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BeoLab 1

Bang & Olufsen BeoLab 1

BeoLab 1

Providing the ultimate true-to-life sound experience, BeoLab 1 will open your eyes and ears to what a loudspeaker should look and sound like.

“BeoLab1 is for everyone who has a heart for superior sound. You can turn your stereo up as loud as you want and still experience music the way it was meant to be. ” The quality of a loudspeaker has never only been about its ability to play loudly. What’s just as important is being able to hear the finest nuances in your favourite piece of music – regardless of whether you’re listening at the highest or lowest volume level. As our most powerful loudspeaker, BeoLab 1 will fill the largest room in your house with a sound that’s as close to the original as you can possibly get ” – B&O catalogue 2001 – 2002.

“When it comes to sound reproduction we believe there’s only one relevant parameter: How close can we come to the originally recorded sound. We feel an obligation not to disturb the intentions of the artist by adding unnatural elements to the acoustic image. Therefore all Bang & Olufsen loudspeakers share the same goal. They differ in size and shape and in terms of sound pressure level. But they are all developed to reproduce the natural, unaltered sound as closely as possible” – Bang & Olufsen catalogue 2001 – 2002.

Eye-opening sound

If the sounds you listen to, reflect the mood you’re in, then BeoLab 1 is an invitation to express yourself to the full. Behind the elegant design lies a powerhouse of sound technology that can enhance the best of movies or take your favourite piece of music to new heights. BeoLab 1 will, quite simply, open your eyes and ears to what a loudspeaker should look and sound like.

Unique cabinet

Three years of the toughest research and development have produced a loudspeaker at the cutting edge of acoustic technology. The BeoLab 1 cabinet is divided into three individually sealed units, utilising vibration-damping materials normally only seen in the car industry. The built-in amplifiers powering each unit are calibrated and customised to ensure a uniform performance in the soundscape that’s created

Top line loudspeaker

BeoLab 1 delivers the purest, clearest sound ever heard from a Bang & Olufsen loudspeaker. With aural reproduction as close as you can get to the original, it allows you to distinguish each instrument playing in an orchestra and every word of a song. A single continuous piece of aluminium forms the rigid backbone of BeoLab 1. Strong enough to withstand the powerful vibrations, its curved design also eliminates any sharp edges or joins that could compromise sound quality.

Why build amplifiers into the loudspeakers instead of keeping them separate?

Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity. The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from.

Adaptive Bass Linearisation

Adaptive Bass Linearisation (ABL) is a process patented by B&O and is incorporated in BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension – a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce.

The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation.

ABL gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels.

ICEPower®

BeoLab 1 also makes use of Bang & Olufsen’s innovative ICEPower® technology. With practically no electric power loss and a greatly reduced cooling space, the new, compact digital power amplifier allows the bass unit in BeoLab 1 to produce a sound far beyond the dimensions of the cabinet.

The speaker with many names

“When the concept for BeoLab 1 was decided on almost two years ago, there was a lot to live up to. The loudspeaker project changed names several times during the process. First it was called Loudspeaker 8, then 12, 14, X and finally 15. Later on the commercial name BeoLab 1 was chosen.

From the start it stood tall at two metres. Then it was reduced by a few centimetres to the present 1.84m. Nonetheless, BeoLab 1 is actually only half as large as the Penta in terms of physical volume and only three times larger than the BeoLab 8000. The basis for the development work was to create a loudspeaker which delivers perfect sound in terms of tonal balance and authentic reproduction, with compactness of expression but also high sound pressure, which is easy to integrate with the design and furnishing of the home and which can be placed anywhere. It was truly a great challenge to achieve all this in one and the same loudspeaker.

There was no doubt that sheer amplifier power was needed to replace high volume. However, this also entailed a risk that a loudspeaker might burn up. So the department designed a completely new protective circuit which automatically turns down the amplifiers in extreme conditions, to reduce the heat in the loudspeaker units. So there is no risk of it burning off. BeoLab 1 also features ICEPower®, which is a revolutionary new Bang & Olufsen technology entailing high energy savings due to the low heat development.

Robust, sound craftsmanship

Another difficult problem to solve was that it had to be possible to adjust the loudspeaker to any room, to achieve the optimum listening experience. This is a question of avoiding too much bass when the loudspeaker stands in a corner and too little bass when the loudspeaker stands freely. The solution is the option to adjust the loudspeakers manually to give the same tonal range, no matter where they are placed.

Throughout the production process the loudspeaker is developed to ensure simplicity at every production stage. So this is an extremely robust, soundly crafted, product.

Hermetically sealed

During the process the department received a nasty shock, however, when they carried out the first tests in a hot, humid environment. The loudspeaker just would not function when it was released from the artificial tropical paradise at the Struer site. A new trial was run and the same thing happened. Now the department’s engineers were sweating as much as the loudspeaker had done in the heat cabinet, until it was discovered that the temperature had been turned up an excessive 15 degrees Celsius and the humidity by 3% more than the already very stringent test requirements. So when the loudspeaker was opened, the water practically flowed out of it.

It must have entered as steam, the same designer states today and cites an example of how a BeoLab 1 was shipped as air freight to Singapore. On its arrival, faults were found in the mid-range loudspeaker where the membrane had subsided inwards. The simple explanation was that the cabinet behind the mid-range unit was so impermeable that it could not equalise the changing air pressure during the flight. So the solution was to make a small hole in the mid-range cabinet, to avoid this problem.

Difficult cabinet process It is not the intention to adjust the cabinet to excess. It is the largest aluminium profile B&O has made so far and in fact one of the largest in Europe within high-gloss alloys. In practice, the profile consists of a very fine surface which due to its size is very difficult to manufacture without flaws. However, using specially manufactured equipment technicians have managed to achieve a polish which is both beautiful and perfect.

The process is difficult, however, primarily because the profile is both flat and round. This in itself makes the polishing work difficult.

Sheer force and true to nature

Despite its complexity the BeoLab 1 has a shorter production time than the Penta. One reason is that the entire amplifier section is received ready-assembled from a sub-supplier in Scotland, but according to B&O’s design and instructions. Furthermore, the technology is generally very compact. Engineers have devoted a lot of time and resources to this work. However, the investment is expected to be recouped via faster, more effective production.

If you ask three of the men behind it – Villy Hansen, Poul Praestgaard and Henrik Sjostrand – to say what is most wonderful about the BeoLab 1, they all agree that its supreme quality is that when the user listens to music, he or she will forget to listen for the bass, mid-range tone and descant, but simply enjoy the music. Nobody remembers that the sound is emitting from the loudspeakers. Another aspect is the interplay between form and function. It lives up to what its appearance promises, even the great expectations of the sound experience created by its height. in addition to this comes its sheer force, the high precision of the bass and the authentic reproduction, as well as the simple and robust structure, which is also to the satisfaction of the customer setting up the loudspeakers.

“It really is the best ever. It cannot be followed, and we have to say that an era is now over. We have quite simply completed the portfolio as it stands today. Now we have to use other methods to surprise. Idealand has been working on this and we will be back” the acoustics team state.

Now they are all waiting in great anticipation to see whether the demand for Penta continues, even though it is no longer produced. As was the case with the BeoLab 5000, of which an American recently ordered 30 sets. When told that production had long since lapsed, he asked quite seriously what it would cost to start it up again.

Taken from Beolink magazine 7, 1999

Superior sound quality

What does sound look like? What colour does it have? At Bang & Olufsen, we believe it should be as clear and precise as possible, but that doesn’t mean it has to be invisible. With BeoLab 1 sound makes a statement. It takes our pursuit for natural sound reproduction to a new level and delivers the ultimate true-to-life audio experience. We believe it’s the purest sound ever heard from a Bang & Olufsen loudspeaker. Since no two loudspeaker units have exactly the same physical characteristics, we calibrate them individually to make certain that the sound of each and every BeoLab loudspeaker leaving the factory is identical

Performance

To ensure an optimal performance every time you listen to it, a BeoLab loudspeaker constantly “fine-tunes” the signal received from the sound source before distributing it out to the separate bass and treble power amplifiers

Appearance

Using aluminium for the cabinets is not just about looking good. Despite a thickness of only a few millimetres, it’s a remarkably strong metal that’s easily shaped to eliminate the problems normally experienced with loudspeakers made by traditional materials

Colours

Once the surface has been polished until it shines like a mirror, it’s dyed and given a tough ceramic coating that seals and protects the coloured exterior. The 5 strong colours match with the existing Bang & Olufsen range, and have been carefully chosen to compliment any environment in which they’re placed. Choose between silver, blue, black, red or green (1999 – 2003 range).

BeoLab 1 Product Details

Type Numbers

6841 (EU) 2000
6842 (GB) 2000
6843 (USA-CDN-TWN) 1999
6844 (J) 1999
6845 (AUS) 1999
6846 (KOR) 1999
6849 (CHK) 2004-06

Designer

Manufactured

1999 – 2006

Colour Options

Silver, Black, Grey, Blue, Red, Green, Sky Blue

BeoLab 1 Product Specification

Dimensions Height 1843 mm
Foot ø 398 mm,
Weight 36 kg
Cabinet/cloth finish Black/black, silver/silver, dark grey/dark grey, blue/black, red/black
Stopped Sept. 2003: silver/dark grey, blue/blue, green/green, red/red
Stopped June 2005: light blue/light blue
Power Consumption IEC65: 40 W
Typical: 14 W
Stand-by: <0.5 W
Maximum Sound Pressure Level 105 dB (stereo, pair)
Power amplifiers 3 units, Bass part Class D, Midrange/Treble part Class AB
Long-term maximum output power
per amplifier Bass: 450 W/4ohm
Midrange: 125 W/8ohm
Treble: 125 W/8ohm Effective Frequency range 39 – 20,000 Hz
Cabinet principle Closed box
Magnetically shielded Yes
Woofers 2 x 16.5 cm
Midrange 7.6 cm
Tweeter 2.5 cm
Net volume 16 litres
Bass equalization ABL (Adaptive Bass Linearization)
Switch for loudspeaker position: Freestanding – Against Wall – In Corner
Input sensitivity (line) 125 mV (91dB SPL) – Auto switch on
Input sensitivity (Power Link) 125 mV (91dB SPL)
Switch off time (line) 3 min.

Connections:
Power Link 2
Phono (line) 1

Type Market Voltage
6841 EU 230 V
6842 GB 230 V
6843 USA – CND – TWN 120 V
6844 J 100 V
6845 AUS 240 V
6846 KOR 220 V

Accessories Stand 2089 Aluminium

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Beo1

Bang & Olufsen Beo1

Beo1

” Absence can be the most expressive form of presence. Especially when it comes to designing a truly user-friendly remote control. Beo1 works together with Beocenter 1 and Beovision 1 to give you maximum freedom from a minimal number of buttons. The succinct Beo1 works in all directions and will lead you directly to a personalised on-screen menu holding all your favourite programmes. The perfect balance enhances usability, and polished aluminium completes the experience ” (B&O catalogue 2001 – 2002)

Beo1 remote control: ‘Aesthetically yours’

 

Beo1 is especially for the Beovision 1 and Beocenter 1 televisions. It is made from one piece of aluminium and is a natural aluminium colour. The main functions of both these TV receivers can be controlled using the unit; a display button can be stepped through in order to control the radio, DVD or TV in Beocenter 1. The Setup options for both TVs may be controlled using this remote control, too… the smaller brother of Beo4.

” Standard remote controls are unsightly plastic objects with too many buttons. Bang & Olufsen took the hard and the outstanding new way of shaping a modern material. Aluminium plates and profiles give new experiences to the consumer and high challenges for the designers and engineers. The functionality in combination with light weight, elegant design, durability and recyclability is of a very high standard. The machining of the basis, a hemispherical formed plate, was done on a lathe and attached to the rotating fixture by a film of frozen water.

Using the modern hydroforming technique for the organic cabinet part and sophisticated surface treatments as anodizing and grinding, gives the Beo 1 the modern but almost timeless look. Fitting the parts together, modern structural bonding techniques where used. The human experience is the centre of all efforts to ensure the fit between design and technology. The goal to realize a very friendly and a easy to use remote control in combination with a functional and elegant design was reached. “

Beo1 (with only 11 buttons) and banana-shaped cordless telephone – BeoCom 2 – are made of 100-percent polished aluminium. “We polish the round shapes with a 5-axis robot arm,” says B&O spokesman Mr. Mortensen. “We want the naked aluminium because that makes the visual difference. Bare aluminium is very touch-sensitive: if a part has a fingerprint on the surface it cannot be anodized and cannot be used (in that case, it’s recycled). And to achieve the colours we want, our designers had to acquire special anodizing knowledge.”

Plastic-free surface on remote control units

“Surface treatment is very important to Bang & Olufsen. It affects not only the appearance but also the feel of a piece of equipment” states Technology Director Peter Petersen. “A product is created to be used, and you can’t do that without touching it.”

“A Bang & Olufsen terminal – or remote control – must sit nicely and comfortably in the hand. So we don’t coat it with plastic. A plastic terminal somehow doesn’t feel as genuine as ours. And gets hot and sweaty, too. After a great deal of work on the choice of materials we have selected zinc for all our terminals. It sits well in the hand and is pleasant to touch. The heat from the hand is conducted away, so the terminal never feels clammy. In design terms, this choice represents an extra form of quality.”

Bang & Olufsen terminals, of course, are not just attractive to the eye and pleasing to the hand. User interface is in fact one of Bang & Olufsen’s main concerns, where technology is really put in the service of humankind. Through logic operations, in fact, B&O’s remote control units make life with the product a pleasant experience.

Beo1 was discontinued in the autumn of 2002 when Beo4 was used for Beovision 1 and Beocenter 1 in place of its smaller brother.

Beo1 wins top aluminium award

On 21 September 2000 in Essen, Germany, the Beo1 remote control won first prize at the Aluminium 2000 Conference.

Beo1 captured the title within the Consumer Products division up against a sea of other entries, including our own BeoLab 1 and BeoCom 2. Grounds for the selection of our newest remote control include utilising technology with innovative twists to ensure that the human experience is optimised. Never compromised.

These innovative processes include structural bonding by freezing, lightning-quick milling and flawless hydroforming – all of which yield a smooth, seamless cabinet.

The Aluminium 2000 conference was organised by The European Aluminium Association, with the goal of recognising outstanding competencies in aluminium processing.

Beo1 is the concept dedicated remote control for the Beovision 1 concept and was launched at the end of 1999.”

Handing it intuitively to Bang & Olufsen: a history of remote controls

Bang & Olufsen’s first remote control came on the market in 1974. That year, Bang & Olufsen launched two products, each with a remote control of the same design. It was the size of a small cigar case and had a steel top plate. These two remote controls, which were not integrated, were the Beovision 6000 Commander and the Beomaster 6000 Commander. The TV remote control allowed the user to select programmes and picture quality from the comfort of an armchair. The remote control for the stereo enabled the user to control a four-channel sound system.

Before too long remote controls became smaller, in the form of Beovision 6002’s Beovision Control Module. The buttons on its surface were designed so that you could use the remote control without looking at it. Those for turning down a setting were shaped to curve downwards, while the buttons for turning up a setting curved upwards.

The following Video Terminal was cast in zinc so that heat was conducted away from the palm of the hand. This remote control, which used an infrared beam, was launched in 1980. It was quite narrow, with a keypad that both resembled and functioned the same way as the buttons on a telephone. This was another way of helping the user to operate the remote control without looking at it. This version introduced additional buttons for operating Teletext TV.

The following year, Bang & Olufsen added functions for operating video recorders and a new version of the Beovision Control Module. System integration had advanced to the point of sharing a remote control between the Beovision 8800 and Beocord 8800 Video.

The next generation of remote controls arrived when it became necessary to transfer more operating information that, for purely technical reasons, could not be incorporated into a single remote control. Now sound could be transferred between the television and the stereo system. This became possible with the combination of a video terminal and an audio terminal into an AV Terminal – the forerunner of Beolink 1000 – in 1985.

In 1987, all audio, video and audio/video remote controls were integrated into one unit with the Beolink 1000. Since then, Bang & Olufsen has pursued a strategy of only having one remote control for all products – most recently with Beo4, which is capable of operating all products. Beo1 is a minor exception to the strategy. It only operated Beocenter 1 and Beovision 1 and was intended for a new customer segment, which it did not completely succeed in capturing. For this reason, it was replaced by the Beo4 from autumn 2002.

In general, Bang & Olufsen’s development of remote controls can be summed up in a simple concept: Intuitive use. It is important to be able to adjust sound and picture from wherever you may be in the home. Accordingly, Bang & Olufsen has chosen simple functions – and that, of course, also has implications for the design of the remote control. It’s easy enough to pack a lot of buttons and functions into a remote control, but Bang & Olufsen has chosen a simple operational philosophy for the customer.

Beo4 has relatively few buttons, but it can retrieve a lot of information if required. That is what you call quality. Since the development of the first remote control cast in zinc, the company’s remote controls have had a certain intrinsic weight. This helps to give a sense of quality. Last but not least, the remote control is renowned for having a long range. You don’t have to get into a special position to communicate with the system. Once you have the remote control in your hand, you are ‘in total command’.

(Taken from Beolink Magazine: ‘The First 50 Years of Television’ © Bang & Olufsen a/s 2002)

Beo1 Product Details

Type Numbers

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Designer

Manufactured

2000 – 2002

Colour Options

Aluminium

Beo1 Product Specification

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BeoSystem 3

Bang & Olufsen BeoSystem 3_2

BeoSystem 3

BeoSystem 3 is a ‘stage manager’ for your personal home theatre. It comes alive once you connect all your A/V hardware to it.

Just like a manager working backstage at the theatre, it ensures that all the individual players in your entertainment set-up know their roles and are able to give the best performance possible. From simply displaying the images in your digital camera – to the grandest of widescreen Home Cinema experiences in 7.1 surround sound, even with the option of using two subwoofers instead of just one.

Connect almost anything to BeoSystem 3 and Beo4 is likely be able to control it. And given that BeoSystem 3 holds 70+ different plugs and cables you are left with quite ample choice.

Cinema Engine.

BeoSystem 3 is a Cinema Engine, designed to accept and optimise a variety of signal sources: cable, satellite, high-definition television, surround Sound, DVD, Hard Disc Recorders, content streamed over Broadband, game consoles, digital cameras, etc.

Whatever source you choose for your home theatre enjoyment, BeoSystem 3 will analyse and optimise all incoming signals and deliver the best possible sound and picture to your BeoVision screens, projector(s) and loudspeakers. It works particularly well with BeoVision 4, yet is designed to drive a variety of output hardware.

It is able to output up to one billion colours on BeoVision 4 and manage sound through BeoLab speakers as Dolby Digital 5.1, and 6.1/7.1 Ex, DTS 5.1, DTS ES Matrix/Discrete 6.1 or Dolby Pro Logic IIx. Whatever you can imagine, BeoSystem 3 will most likely to be able to handle it and surround you with sound.

State-of-the-art digital image and sound processing and total integration of all of the above sources, screens and loudspeakers is exactly what the new BeoSystem 3 is created to do. While you watch it, BeoSystem 3 watches the room. Using Automatic Picture Control, it measures the effects of ambient light in your room and adjusts contrast and brightness accordingly.

Put your BeoVision 4 and your projection screen on different walls and still enjoy perfect surround sound. BeoSystem 3 will turn the sound around for you to set the perfect stage.

BeoSystem 3 will even let you enjoy dual subwoofers for even better low frequency perception, literally making your walls tremble bringing the experience inside.

Dimensions

The BeoSystem 3 is a compact component with a true Bang & Olufsen design. The aluminium cabinet includes a cable management tray so it may be placed in the open if desired. It may also be concealed, so the dimensions here are with and without the cable tray attached:

BeoSystem 3 component (H x W x D): 28.6 x 47 x 10 cm

BeoSystem 3 w / cable tray (H x W x D): 33.7 x 53.4 x 10 cm

Note that the unit can be wall-mounted or stored in a cabinet in an upright position. The dimensions would then be (W x D x H) 535mm x x 100mm x 335mm.

BeoSystem 3 Product Details

Type Numbers

Please let us know​

Designer

Manufactured

2006 -

Colour Options

Silver

BeoSystem 3 Product Specification

Cabinet finish

Aluminium/black
Mains voltage range

US/Japan 100 – 127 V +10 / -15% 50-60
EU 200 – 240 V +10 / -15% 50-60 Hz
Power consumption

EU: 43W / Standby 0.8W
US, JP, KOR : 37W / Standby 0,8W
Terminal included

Beo4
Aspect ratio

16/9
Resolution

Up to 1080P
Formats

480i, 480P, 576i, 576P, 720P, 1080i, 1080P
Viewing Formats

Format 1: 16/9 Panorama, 4/3
Format 2: Letterbox + Soft Scroll.
Format 3: 16/9
HD-Ready

Yes
VisionClear

Adaptive Black, Blue Stretch, Comb filter, Digital Adaptive Dynamic Luminance Peaking, Digital Adaptive Noise Reduction, Digital Color Transient Improvement, Film Mode, Vertical Peaking, Automatic Picture Control, Source Quality Measurements, Dynamic Contrast
Teletext

Level 2 1/2, 9 memory pages per programme.
2048 pages.
National character-set
Tuning

EU: 99 programmes, autotune, programme move and automatic naming
Japan: Channel 1-62 and Channel C13-C38
US, Korea: Cable TV 1-125, Off Air TV 2-69
TV SYSTEM:

EU: B/G/L/L/I/D/K PAL, SECAM, NTSC on AV. According to type
Japan, US, Korea: NTSC (M)
Stereo decoders

EU: A2+Nicam Stereo
Japan: EIA-J Stereo
US: BTSC Stereo, SAP
Korea: A2 Stereo
Options

O, 1, 2, 4, 5 ,6
Menu languages

EU: English, Danish, Dutch, Spanish, Italian, German, French, Swedish
Japan, US, Korea: English
PIN-code protection

YES
System modulator:

System modulator output to link room (BeoLink Video Distribution)
Frequency range

471 – 855 MHz (in 1 MHz step), Dual side band
Audio

Mono, FM sound system G : 5.5MHz or FM sound system I : 6MHz depending on setup.
Dolby® Digital Decoder:


Decoding capabilities

Dolby Digital 5.1/6.1 EX, Dolby 7.1 EX, Dolby Pro-Logic
ll/llx, DTS 5.1. DTS ES 6.1, DTS Neo:6,
Connections :
– Digital audio input
– External Beolab speakers

Coax
Powerlink
Peripheral Unit Controller:

Built in – (IR-blaster included).
Controlling sources and displays with Beo4

Supported sources: See list at BeoWise (via internet).
Connection

7 x mini jack

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BeoLab 10

Bang & Olufsen BeoLab 10

BeoLab 10

Big sound in a slender package

BeoLab 10 is a powerful new centre speaker which perfectly matches the slim design and awesome picture quality of BeoVision 4. The big internal speaker volume and digital ICEpower amplifiers offer performance that can measure up to any surround sound set-up, even complementing the mighty BeoLab 5 without running out of steam. And though BeoLab 10 has a slender, wall-hugging profile, it has still been possible to fit the case with Acoustic Lens Technology, delivering detailed sound to everyone in the audience.

Iconic symmetry

A wall-mounted BeoVision 4 is not only the perfect partner for the BeoLab 10, it is the screen the speaker was designed for. Together they form a very distinct whole, making it hard to believe that they where not developed at the same time. The synergy of the basic shapes – the square and the triangle – is iconic Bang & Olufsen television design. So simple, yet so effective.

Focus on the centre

Every movie genre sets new challenges for dialogue reproduction, from breakneck exchanges in a comedy to delicate undertones in a drama. In a surround sound setup, as much as eighty percent of voice information goes through the centre channel. Voices and other crucial sound information should appear to come directly from the screen and be every bit as clear and dynamic as the most demanding piece of music. BeoLab 10 draws on Bang & Olufsen’s unrivalled expertise in all-purpose sound and is fitted with our best technology. The next time you watch a movie, you won’t miss a whisper.

Mounting Options

The wall mount bracket for BeoLab 10 is supplied with the speaker from the factory.

BeoLab 10 Product Details

Type Numbers

Please let us know​

Designer

Manufactured

2008 -

Colour Options

Silver-Black / Black

BeoLab 10 Product Specification

DIMENSIONS (WxHxD)
MOUNTED W/BEOVISION 4-50”
95 x 48 x 13 cm (36 x 19 x 5 in)
MOUNTED W/BEOVISION 4-65”
95 x 48 x 19,5 cm (36 x 19 x 7,5 in)
WEIGHT 16 kg (35.5 lbs)
CABINET FINISH MDF and aluminium coated with
hard-wearing soft-touch lacquer.
FRONT GRILL CLOTH Silver/black, black (dark grey, red
and blue will be introduced at a later date)
POWER CONSUMPTION Typical 15 W
Standby < 0.3 W
AMPLIFIER 2 x 250 W ICEpower
LONG-TERM MAX. OUTPUT POWER Treble: 200 W / 8 ohm
Bass: 200 W / 8 ohm
EFFECTIVE FREQUENCY RANGE 45 – 20.000 Hz
CROSSOVER FREQUENCY 2000 Hz
CABINET PRINCIPLE Closed box
NET VOLUME, BASS 11 litres
MAGNETICALLY SHIELDED No
WOOFER 1 x 125 mm (5 in) cone, 6 ohm
TWEETER 1 x 19 mm (¾ in) dome, 8 ohm
BASS EQUALIZATION Free – Wall switch
INPUT SENSITIVITY (POWER LINK) 88 dB at 125 mV
PROTECTION Thermal protection
ABL (Adaptive Bass Linearization)

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