Posted on

BeoCord 5000 (1975)

Bang & Olufsen BeoCord 5000 1975

Beocord 5000 was a superior cassette deck with a Sendust tape head, dual capstans and a special servo drive system which secured low wow and flutter-data. Electronic recording level indicators (Peak Programme Meters) and the Fade in/Fade out functions facilitated exceptional recordings of the most demanding types of music. An automatic demagnetizing device helped ensure optimum signal/noise ratio at all times.

A Hall generator secured the most reliable automatic stop at the end of play. Because it worked electronically it was superior to mechanical systems which are always subject to wear and tear, stress and strain. Naturally Beocord 5000 incorporated Dolby B Noise Reduction circuits. You could also switch from fast forward to fast rewind, or normal play, without endangering your tapes or damaging the drive mechanism.

Despite these technological refinements Bang & Olufsen still didn’t forget the greatest advantage of the compact cassette – that of convenience. That’s why Beocord 5000 was so easy to use. The logically-arranged easy-touch buttons were clearly marked to aid simple, problem-free operation. An illuminated read-out panel told you the operational status of the deck at all times. The display could be read through the black Perspex cover which protected the cassette housing against dust. The unit had two peak programme meters which reacted faster than conventional VU meters in registering recording level and thus ensuring optimum recording quality.

There were two main design models in the Beocord 5000 range:the three head type 4705 was replaced in 1977 with the twin head 4715/4716 models.

What you need to know is that these were the only cassette deck with a B&O designed mechanism. It was designed to be to cassette decks what the Beogram 4000 was to record players. From a technical point of view, it was way ahead of its time.

However it was stupendously complicated and this hit reliability hard. The three head version hardly ever worked fully and the later two head was only a little better. Gorgeous to look at and packed with features, it will break your heart! B&O replaced this with the Beocord 8000, which had a bought in tape transport….

Posted on

BeoCord 900

Bang & Olufsen BeoCord 900

Beocord 900 was the simplest of Bang & Olufsen’s range of cassette-recorders.

Your only task was to choose the type of tape to put in: Cr02 or normal. Beocord 900 had large easy-to-read VU meters and recording controls were separate for left and right channels. There was a socket for a microphone and a push-button for mono recordings.

Tape-heads were made of Super Permalloy, a hard and extremely durable material which ensures a long useful lifetime. Wow and flutter was less than 0.28% (JIS method). Signal-to-noise ratio was better than 50 dB with chromium dioxide tapes.

Posted on

BeoCord 1100 (1975)

Bang & Olufsen BeoCord 1100

The fact that the Beocord 1100 was equipped with Dolby B Noise Reduction system immediately placed it among the market’s better cassette decks (catalogue 1977 / 78).

It had all the facilities you needed for recording compact cassettes and replaying them through an existing amplifier system. The combined record/playback head was made of Super Permalloy, an extremely durable material which ensured a long useful lifetime and had excellent magnetic properties. Other refinements included an electronic auto stop at end-of-tape and a switch for selecting between chromium dioxide and normal (ferric oxide) tapes.

The setting of correct recording levels was by way of individual controls used in conjunction with VU meters for left and right channels. Beocord 1101 was technically identical to Beocord 1100 but had a different exterior finish.

Posted on

BeoCord 1101 (1975)

Bang & Olufsen BeoCord 1101

The fact that the Beocord 1100 was equipped with Dolby B Noise Reduction system immediately placed it among the market’s better cassette decks (catalogue 1977 / 78).
It had all the facilities you needed for recording compact cassettes and replaying them through an existing amplifier system. The combined record/playback head was made of Super Permalloy, an extremely durable material which ensured a long useful lifetime and had excellent magnetic properties. Other refinements included an electronic auto stop at end-of-tape and a switch for selecting between chromium dioxide and normal (ferric oxide) tapes.

The setting of correct recording levels was by way of individual controls used in conjunction with VU meters for left and right channels. Beocord 1101 was technically identical to Beocord 1100 but had a different exterior finish.

Posted on

BeoVox 1001

Bang & Olufsen BeoVox 1001

The Beovox 1001 was a very similar loudspeaker to the Beovox 1200 (Beosystem 1200 version), but to match the new black finish of the Beomaster 1001 the metal grille was made black.

Sadly, the designers did not take the opportunity to fit a dome tweeter (as fitted to every other Beovox loudspeaker of the period), so the original (and outmoded) 2.5” cone type remained. As the Beomaster 1001 offered the facility of Ambiophonic stereo, 4 Beovox 1001s could be connected, and the model was also suggested for use with the Beogram 1500-1 record player.

Posted on

BeoVox 5700

Bang & Olufsen BeoVox 5700

Beovox 5700 high fidelity loudspeaker was of studio monitor quality with minimum distortion and maximum power handling capacity.

The loudspeaker was designed to handle 60 watts RMS or 100 watts music power with a distortion of less than 1% over the entire frequency range of 25-20,000 Hz. In order to produce these qualities, Beovox 5700 was fitted with a 25cm ABR (Auxiliary Bass Radiator) unit and a 25cm bass unit which together produced a clear powerful bass reproduction. Its mid-range dome was 5,5cm in diameter and its dome tweeter was 2cm. Dispersion was 160 degrees.

Trumpet stand
Owing to its size, Beovox 5700 could be preferably used as floor-standing speakers. For this reason Bang & Olufsen designed the trumpet stand, type 8906007. This stand had a top on which the loudspeaker could be placed, not only elegantly, but also practically so that a good sound dispersion could be achieved.

Beovox 5700 could be used with Beosystem 4000, an uncompromising stereo system, top of its range in the mid-1970s.

Posted on

BeoVox 5702

Bang & Olufsen BeoVox 5702

Beovox 5700 high fidelity loudspeaker was of studio monitor quality with minimum distortion and maximum power handling capacity.

The loudspeaker was designed to handle 60 watts RMS or 100 watts music power with a distortion of less than 1% over the entire frequency range of 25-20,000 Hz. In order to produce these qualities, Beovox 5700 was fitted with a 25cm ABR (Auxiliary Bass Radiator) unit and a 25cm bass unit which together produced a clear powerful bass reproduction. Its mid-range dome was 5,5cm in diameter and its dome tweeter was 2cm. Dispersion was 160 degrees.

Trumpet stand
Owing to its size, Beovox 5700 could be preferably used as floor-standing speakers. For this reason Bang & Olufsen designed the trumpet stand, type 8906007. This stand had a top on which the loudspeaker could be placed, not only elegantly, but also practically so that a good sound dispersion could be achieved.

Beovox 5700 could be used with Beosystem 4000, an uncompromising stereo system, top of its range in the mid-1970s.

Posted on

BeoCenter 3500

Bang & Olufsen BeoCenter 3500

A combination system with the quality and specifications of “separates”

Beocenter 3500 was built upon the Beomaster 3000 and combined a top quality FM tuner, an automatic record-player and a powerful stereo amplifier. The tuner had six pre-set stations for instant selection, plus a large manual tuning scale. There was an illuminated tuning indicator and a signal-strength meter to assist easy, accurate tuning. The powerful amplifier produced 2 x 40 watts RMS of high-fidelity output and was equipped with switchable filters.

There was a comprehensive range of connection facilities including sockets for two pairs of loudspeakers, headphones and a tape recorder with monitoring. The record-layer was fully automatic with one master-control for operating all functions. You only have to select the control position applicable to the size of the record, and touch a button. Beocenter 3500 was an ideal, simple way of enjoying high quality sound from records and radio. It was fitted with a robust hinged dust cover which protects records during play.

Features:

In the high-fidelity amplifier section, emphasis was placed on specifications, frequency correction and connection facilities. The LOUDNESS feature permitted switching between an objective or a subjective linear reproduction and the LOW and I-II filter controls gave a sharper regulation of frequencies in addition to the normal bass and treble controls. The LOW filter helped reduce rumble resulting from poor records. The EH filter reduced hiss. There were sockets and push buttons for two pairs of loudspeakers. The headphone socket was on the receiver’s front. The tape connection facilitated AB monitoring. All input signals could be adjusted at the receiver’s base to give equal sound intensity on all programme sources. The FM section had six pre-set FM station selectors.

A light indicator assisted accurate tuning and an illuminated meter registered the signal strength of a station. The FM section was extremely sensitive (better than 1.4 uV I.E.C.) and harmonic distortion was a mere 0.4%. Field effect transistors, ceramic filters and integrated circuits were used. The built-in record-player was perfectly matched to the rest of the unit, from a specification point of view. The fitted pickup cartridge, the SP 10A (later SP 12A) had a spherical naked diamond and a stylus pressure of 1.2 grams. Frequency range was 20 – 25000 Hz ± 3 dB and distortion was lower than 1%. Wow and flutter was less than 0.09% and rumble was better than 60 dB.

The record player section was easy to operate: you simply selected the size of the record you intend to play – 7″, 10″ or 12″ – and press a button. The record-player automatically selected the correct speed – 33 or 45 rpm – and lowered the pick-up into the first groove. When the record ended, the pick-up arm returned to its resting place and the turntable switched off. The turntable and pick-up arm had a pendulum suspension which made the record-player section insensitive to vibrations. Deep furrows in the turntable made it easy to pick up records. A stroboscope and a spindle adaptor for centreless records was provided. Beocenter 3500 was fitted with a hinged dust lid which was easily removed by a sliding action.

Beocenter 3500 had an extra Phono input. This was a ‘hang over’ from the Beomasters of the time which allowed two Beograms to be connected to the music centre. However, Phono 2 needed an RIAA pre-amplifier as it required a line level input. This feature became ‘Tape 2’ in later models.

Posted on

BeoLit 707

Bang & Olufsen Beolit 707

Beolit 707 received radio programmes on FM, long and medium wavebands. This portable radio was Bang & Olufsen’s handiest music system. Its sound reproduction quality was so outstanding that it invites even critical music lovers to listen to music programmes when they are away from home.

Power input was specified at a pure 1 watt and frequency range was 65-20 000 Hz: exceptional for a transportable radio receiver. A large tuning scale with thumb wheels made tuning easy. Bass and treble was adjusted separately and there was an AFC facility to keep FM stations correctly tuned.

Beolit 707 could be plugged into the mains supply or run from batteries. The cabinet was finished in coloured Nextel – a synthetic material with a suede-like finish which is washable ands scratch-proof. It was designed by Jacob Jensen, the same as its FM-only sibling, Beolit 505.

The Beolit was one of the very few portable radios that were suitable for reproducing more than just news broadcasts. Sound quality was so good that music programmes could be reproduced with a quality that made them worth listening to. The Beolit was fitted with a mains transformer and a detachable lead. Operation was simple and problem-free. And since portable radios can end up in unenviable situations, the Beolit was constructed to withstand some rough treatment.

A robust chassis protects the internal circuitry and a special surface treatment protects the radio from scratches. Dirty marks were easily removed with a damp cloth.