This was a rare and interesting model. It boasted a new arm and motor compared to the Beogram 1000 but retained quite a lot of the design and the uninspired rubber mat.
It also had a most unusual dust cover with a metal surround with only the top panel being transparent. This design was to be seen also in the prototype Beogram 6000 but not in any production model.
Beocord 4000 Video is shown here with Beovision 500 monitor (1969).
Video Camera 4000 could also be used with the video recorder, shown in the photo.
Beocord 1800 stereo tape recorder
At the 1969 Hanover Fair Bang & Olufsen and Jacob Jensen were presented with the iF award for no less than 4 products for ‘outstanding industrial design’ including Beocord 1800.
“If you already own a hi-fi music system or a good radio set with a tape socket – in other words, if you have an amplifier system capable of replacing that provided in a tape recorder you may prefer this 2-track recording machine. Technical specifications are equal to those of the Beocord 2000de Luxe K, but there is no mixer section or output amplifier.
The Beocord 1500 de Luxe has built-in playback pre-amplifiers and is sold complete with gramophone/radio record pre-amplifier. This recording pre-amplifier may be exchanged for a microphone pre-amplifier if direct microphone recordings are required.
Dimensions: 205mm high, 450mm wide, 335mm deep. Choice of teak or Brazilian rosewood finish” – taken from the 1967 – 1968 Bang & Olufsen product catalogue.
Beocord 1500 DL was a stereo tape recorder which you could use with an existing stereo system. There was no built-in amplifier or microphone – the unit’s raison d’être was a means to make really good recordings from records or the radio. A single stereo input channel of standard DIN level was the only source, but two outputs were provided: one of a fixed DIN level, and the other (Line) of a variable level controlled by a concentric (L,R) knob on the control panel. With a special lead and the correct Beomaster, it was possible to do off-tape monitoring during recordings (although by using standard DIN connection through the ‘radio’ socket this function was not available).
An elegant steel undercarriage on smooth-running castors was separately available for the Beocord models at that time. It was available in two versions: for Beocord 1100/Beocord 2000 de Luxe T, and Beocord 1500 de Luxe/Beocord 2000 de Luxe K, respectively.
Beocord 1500 DL was replaced by Beocord 1800 in 1970, which looked very similar but included several detail improvements, such as a die-cast chassis and optical automatic stop. Mechanically, Beocord 1500 DL was the same as Beocord 2000 DL and was offered in the same way in either 2 track + 4 track replay and 4 track only models. The Beomaster 900 RG Compact radiogram featured a recess of the exact size to fit Beocord 1500 DL which made it into a complete audio system.
Beocord 1600 Type 4205 was a reel-to-reel tape recorder. Among its special features it had sound on sound, automatic recording level control and mixing controls The PA Amplifier could be operated without the motor running.
Bang & Olufsen’s Beocord 1600 tape recorder was designed by Jacob Jensen and was the second product to receive the iF Award in 1971.
“What Advantages does your Beocord 2400 give you in the Form of Facilities, Performance and Reliability? Pressure diecast chassis for the mechanical section – provides a high degree of mechanical stability, assuring you that your Beocord 2400 is transport-proof. Silicon transistors in the fully transistorized amplifiers – a guarantee of highly stable operation, good signal-to-noise ratio, minimum distortion, and low power consumption.
Separate tape heads for record and playback – permit you to monitor the tape while a recording is in progress. 4-track record and playback – permits maximum playing time for your tapes, both mono and stereo. Two-hand operating of record function – protects you against accidental erasure of tapes.
High degree of channel separation – in mono recordings, too, you will have good separation between the two channels. Twin-faders – make it easy for you to adjust for stereo balance on both record and playback.
Besides, the dual amplifier of your Beocord 2400 gives you the following interesting facilities: Sound on sound (part-song) recordings; adding echo to recordings; synchronous recordings such as pilot signals for slide projectors synchronized with sound reproduction; language laboratory: recording a foreign-language text on one track and conversation exercises synchronously on the other track.
Photo-stop feature – permits you to stop tape during programme scanning, if tape breaks, and at end of tape. Line jack – facilitates tape-copying from or to another Beocord; also permits connection to a large hi-fi system such as the BEOLAB 5000.
Your Beocord 2400 will operate as a hi-fi amplifier – the amplifier may be used without the motor running. It has separate inputs for microphone, gramophone, radio or FM/AM tuner and provision for connection of two pairs of stereo speakers. And your Beocord 2400 meets the minimum specifications for the DIN 45 500 Standards”
Beocord 1200 Type 4207 was a reel-to-reel tape recorder. Among its features it had sound-on-sound, automatic recording level control and mixing. The in-built PA amplifier could be operated without the motor running.
Beosystem 1200 – made up of Beomaster 1200, Beocord 1200 and Beogram 1200 was Bang & Olufsen’s B&O’s first designed system. The design ‘kinship’, which emphasised the interdependence between B&O’s various products, became a characteristic of B&O for many years. Beosystem 1200 was one of the first products selected by New York’s Museum of Modern Art for the museum’s permanent collection (not exhibition) in 1972.
In 1969 the Danish Society of Industrial Design awarded Bang & Olufsen and Jacob Jensen the ID prize for the Beomaster 1200 radio/amplifier, Beogram 1200 turntable and Beocord 1200 tape recorder for unusually beautiful and user friendly design. The jury emphasised in particular the Beomaster 1200 receiver which pointed in a new direction for the design of radios.
The 1200 series represented the logical continuation of the line of development and design which put B&O at the forefront of manufacturers of entertainment electronics.
Beogram 1500 is the acclaimed Beogram 1000 3-speed stereo record player equipped with a built-in stereo output amplifier delivering 2 x 8 watts of audio output. The Beogram 1500 has no built-in loudspeakers but may be se with external speakers e.g. the Beovox 800 or the Beovox 1000.
The Beogram 1500 has jacks for radio and for tape-recorder – the Beocord 1500 de Luxe would be particularly suitable. If you use the Beogram 1500 in connection with an FM tuner e.g. the Beomaster 5000, you have a small but complete hi-fi system.
The Beogram 1500 has separate adjustment knobs for volume (with built-in balance adjustment), bass and treble. Pushbutton panel for control of on/off, tape recorder, radio, and gramophone. All these functions are conventionally placed on the top of the instrument. Built-in voltage selector for switching between 110, 130, 220 and 240 volts AC. The Beogram 1500 is very elegantly designed and has a transparent dust cover
In the real world, this is a Beogram 1000 with a rather nice 8W per channel amplifier attached. There are two types with the later ones using the same amplifier as the very upmarket Beocord 2400 reel to reel deck. Surprisingly good though the isolation of the deck was no better.
Beogram 1200 – Types 5213, 5214, 5216, 5217 – was Bang & Olufsen’s first ‘designer’ system. The design ‘kinship’ which emphasised the interdependence between B&O’s various products, became a characteristic of B&O for many years. Beosystem 1200 was one of the first products selected by the Museum of Modern Art for the museum’s permanent collection (not exhibition) in 1972. The system components were designed by Jacob Jensen.
In 1969 the Danish Society of Industrial Design awarded Bang & Olufsen and Jacob Jensen the ID prize for the Beomaster 1200 radio/amplifier, Beogram 1200 turntable and Beocord 1200 cassette recorder for unusually beautiful and user friendly design. The jury emphasised in particular the Beomaster 1200 receiver which pointed in a new direction for the design of radios.
In 1972 the Museum of Modern Art in New York (MoMA) chose seven Bang & Olufsen products designed by Jacob Jensen to be included in their Design Collection as representing excellent examples of the Museum’s criteria for quality and historical importance; design, in fact, which had influenced the twentieth century. Beogram 1200 was one of those seven products.
The 1200 series represented the logical continuation of the line of development and design which put B&O at the forefront of manufacturers of entertainment electronics.
From an audio point of view, this was an advance in some ways – isolation from vibration was slightly better though still not up to the later decks. The peg support for the records was however not so clever as the excellent mat of the 1000 and 1800 offered far better cushioning. It did however look wonderful. Close inspection of the studs reveal that the inner studs are slightly shorter than the outer ones. They do remove for cleaning so do make sure you put them in the right places!!
The turntable and overall design was by Jacob Jensen; the tonearm and MMC cartridge principle was by Erik Rørbæk Madsen. Beogram 1000 was the recommended turntable for Beomaster 1000.
Beogram 1000 was the very first Bang & Olufsen turntable to be designated with the suffix ‘Beogram’. Before its introduction, earlier decks did not, strictly speaking, hold this product name.
This player has extremely low vibration and rumble – a decisive feature for playback of stereo gramophone records, due to the fact that the stylus must be sensitive to vibrations in all directions.
The Beogram 1000 has antimicrophonic suspension that takes up acoustic and mechanical vibrations from the support and prevents the stylus from leaving the groove. In practice, this means that mechanical vibrations from the support or from persons walking or dancing in front of the Beogram 1000 cannot make the stylus jump in the groove. Such vibrations will be absorbed in the antimicrophonic suspension and will not reach the turntable or the pickup.
Equipped with the world-famous B&O ST/L-15 pickup unit; heavy turntable designed as a stroboscope disc; built-in hydraulically damped pickup lift operating y means of a rocker button. Specially engineered speed selector (78, 45 and 33.3 rpm); built-in special centre insert for 45 rpm records. The Beogram 1000 is available in two versions: Beogram 1000V (for 240/110 volts AC) and Beogram 1000VF (for 240/110 volts AC with built-in preamplifier.
Choice of teak or Brazilian rosewood finish and with a practical transparent acrylic dust cover.
And so ends the brochure speak! The Beogram 1000 was heavily based on earlier decks and, despite what B&O said, was not that resistant to external forces. It also was not able to be played with the lid on and indeed the lid had a cut out at the back to allow the pick arm to protrude. It allowed reasonable play back and was reliable but performance led to B&O looking elsewhere for a turntable for the Beolab 5000 system.
Wall Bracket / Shelf for BeoGram
A universal shelf that will support all Bang & Olufsen turntables from the past 30 years. Including three cable entry points to allow you to bring cables from below the shelf or through the wall.
