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BeoSystem 3500

Bang & Olufsen BeoSystem 3500

BeoSystem 3500

Beosystem 3500 was unique, both in looks and price

The system’s lines were pure with everything superfluous omitted. It was specially designed to hang either on a wall or sit on a shelf or table. A light touch on its illuminated display gave immediate access to AM/FM receiver, CD player and cassette recorder; all of which were the latest and best in their respective fields. The system was completed by a pair of RedLine RL35 speakers and operated via a Beolink 1000 remote control unit.

BeoSystem 3500 Product Details

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BeoSystem 4

BeoSystem 4

BeoSystem 4 Product Details

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BeoSystem 4500

Bang & Olufsen BeoSystem 4500

BeoSystem 4500

BeoSystem 4500 – A touch of magic

The simplicity of the exterior was matched by simplicity of operation. A light touch directly on the illuminated display gave immediate access to the system. Or, you could operate BeoSystem 4500 with the BeoLink 1000 terminal, summoning forth magical sounds from the comfort of your favourite chair.

BeoMaster 4500

The BeoMaster 4500 receiver received both FM and AM – and was your communication link to the other sound sources in the system. Its operation was simplicity itself with an illuminated menu presenting all the options available. 20 radio stations could be pre-set providing you with instant access together with automatic fine tuning.

BeoCord 4500

The BeoCord 4500 cassette recorder housed exciting details and distinguished technology. Like Auto Reverse, so you did not need to turn over the tape. Automatic registration of the type of tape, and Bang & Olufsen’s patented HX-PRO recording system that provided optimal sound reproduction.

BeoGram CD 4500

The sound reproduction achieved by Bang & Olufsen’s CD 4500 CD player was truly outstanding. It played both 12cm and 8cm compact discs and had an ingenious ‘step’ function which allowed you to go straight to a chose track selected from anywhere on the disc.

BeoGram 4500

In building the BeoGram 4500 turntable, Bang & Olufsen applied all its classic principles to ensure reproduction as close to perfection as possible. The electronically-controlled tangential arm played each record exactly as it was recorded. And there were built-in systems that helped prevent vibrations reaching the cartridge or turntable. BeoGram 4500 employed a finer, ultra-light MMC2 cartridge that combined distinguished sound reproduction with maximum protection for your records.

Designed by Jacob Jensen, Beosystem 4500 in 1989 received the Japanese Good Design Award for its elegant design

 

If you crave maximum audio-visual performance for your hard-earned cash, there’s only one route to take: go for separates. Buying separate audio and AV components means you cherry-pick the very best in each category. What’s more, beefier (with individual power supplies), selected components plus better screening against interference inevitably deliver a higher standard of baseline performance.

Alright, they usually take up more space, but separates-based audio and AV systems are much more interference-resilient and offer vastly more potential for future expansion – an important advantage in the fast-changing world of hi-fi, video and home cinema. The only real downer is that you have to sift through hundreds of components in order to find the gems but if its sound and performance you’re after, there’s only one way to go!

BeoSystem 4500 Product Details

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BeoSystem 5000

Bang & Olufsen BeoSystem 5000

BeoSystem 5000

In the decade between 1970 and 1980 Japanese manufacturers were on the war path and the Bang & Olufsen board of directors was sweating. The popular trend was to stack components on top of each other in a rack, but the strategy adopted by Beosystem 5000’s designer – Jacob Jensen – was different altogether.

Jacob felt that the Japanese ideas were a mistake and spoke to B&O Board of Directors out loud, after which he jumped up and down on the stack of models he had designed. He looked at the group of 10-15 businessmen, now wide awake and expected a reaction but no one said anything except the economy executive Poul Skifter: “Well, we would like a note of credit for those models”.

The Japanese direction was abandoned. Later a compromise was made called Beosystem 5000, a B&O rack, which was named “The Best of Two Worlds”.

Beosystem 5000 was the first series of components from Bang and Olufsen in many years which returned to a ‘box’ design. The original units in the system were the Beomaster 5000, Beocord 5000, Beogram 5000 (Record Deck) – (and later in production the Beogram 5005 Record Deck), a two-way remote control unit unique to the 5000 system – the Master Control Panel 5000, a one-way hand-held remote control and a wide selection of Beolink® possibilities which could allow the 5000 to be operated from any room in a home, office or building. Beogram CD50 was later added to the System for playing compact discs.

Long, medium and FM wavebands were featured on this high-technology 2 x 55 watts receiver that served as the heart of Beosystem 5000 introduced in 1983 – the Beomaster 5000. A frequency synthesized tuner with automatic fine tuning and two-speed manual drive all contributed to fast, accurate location of radio programmes and superb reception quality. Nine station frequencies (on any combination of wavebands) could be stored in the Beomaster’s microcomputer memory for instant recall.

The low-distortion stereo amplifier included a very advanced feature, unique to Bang & Olufsen: Automatic Power Handling Control. This special circuit continuously monitored the dynamic range and power of the signal and instructed the microcomputer to decrease volume if the combined effects of these two parameters threatened to cause amplifier “clipping” or damage the speakers. This type of overload became increasingly common since the introduction of Compact Disc, which produces signals of enormous dynamic range, but it did not occur in the Beomaster 5000.

An internal, variable-speed fan ensured the proper dissipation of heat, even when the Beomaster is used in a stack format.

Beomaster 5000 had no visible controls. Normal operation was by means of the master Control Panel – a slim, table-top keypad that gave chair-side access to all functions including microcomputer programming and storage, timer facilities, status check, day and clock display, volume, tone and stereo balance adjustments and control of all sound sources. A programme-sequencing facility allowed you to pre-plan a whole evening’s listening composed of record, radio and cassette music in any order and combination. Once set, this “command performance” could play continuously as instructed without further use of the controls.

Direct operation of all primary functions was available on the Beomaster itself should the master Control Panel not be to hand. These controls were located beneath a hinged cover which sprang open at a touch. A separate, small Terminal – Terminal 5000 – was also available as an accessory to control Beomaster’s main functions.

The recommended speakers to complete Beosystem 5000 were Beovox S55. An ideal bookshelf speaker, Beovox S 55 could also be used as a wall-mounting speaker or free-standing model with the optional fittings available separately. The pressure cabinet contains an 22cm bass driver, an 11cm mid-range/phase-link unit and a 2,5cm tweeter. Power handling was 55 watts RMS.

If you crave maximum audio-visual performance for your hard-earned cash, there’s only one route to take: go for separates. Buying separate audio and AV components means you cherry-pick the very best in each category. What’s more, beefier (with individual power supplies), selected components plus better screening against interference inevitably deliver a higher standard of baseline performance.

Alright, they usually take up more space, but separates-based audio and AV systems are much more interference-resilient and offer vastly more potential for future expansion – an important advantage in the fast-changing world of hi-fi, video and home cinema. The only real downer is that you have to sift through hundreds of components in order to find the gems but if its sound and performance you’re after, there’s only one way to go!

BeoSystem 5000 Product Details

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BeoSystem 5500

Bang & Olufsen BeoSystem 5500

BeoSystem 5500

Beosystem 5500 – raw power, civilised manners

At first sight Beosystem 5500 looked almost too refined to be a musical powerhouse.

The clean, streamlined design, devoid of buttons and dials, gave no indication of the massive potential beneath. Looks are deceptive, however. Below those polished surfaces was a technologically-advanced record player, tape recorder, radio and compact disc player, plus an amplifier that could more than hold its own among the heavyweights.

Intelligent remote control

Beosystem 5500 was technologically at its best – extremely powerful in design, wonderfully easy to use. The Master Control Panel gave you access to every function – and kept you informed as well.

Each time you gave the system an order, the light display would tell you what was going on. You could also programme ahead, just as easily. For example, if you want to be woken at a certain time in the morning with your favourite music or news, it was all there at your fingertips. The same applied if you wanted to tape a programme when you were out. Naturally, Beosystem 5500 was designed to form part of Bang & Olufsen’s round-the-house system, so it could also be operated through the Beolink 1000 remote control.

Where you want – and when you like

The modular design of Beosystem 5500 gave you complete flexibility in where you placed the different units. Stack them, range them side by side, or disperse them around the room. You could also acquire the system gradually – start perhaps with the radio/amplifier and tape recorder. Then treat yourself to the record player and CD player when you couldn’t wait any longer.

Beosystem 5500 was made up of the following individual units:

Beomaster 5500

This was the brains of the system. Connected by Datalink to the record player, tape recorder and CD player it allowed you to remote-control the whole system via the Master Control Panel. The 2 x 60 watt/8 ohm tuner/amplifier gave you true hi-fi quality. Bang & Olufsen’s Automatic Power Handling Control system prevented overloading and distortion, regardless of how many speakers were connected. You could preset up to 20 stations on the tuner, and the frequency synthesizer would take care of automatic search and fine tuning of stations. The result – superb reception of LW, MW and FM wavebands, and impressive ease of use.

Beogram CD5500

The quality of this CD player took time to fully appreciate. Take, for example, the elegant disc tray with its completely smooth and silent drive. Or the way that the disc drive system was mounted to isolate it from vibrations. Perhaps you were most impressed by the way that a built-in circuit in the player compensated for the tiniest faults on the disc itself (contrary to popular belief they’re not always perfect!) Finding tracks was fast and easy – just ask the Master Control Panel for the track number you wanted to hear. You could programme tracks to be played in any order, or sample each track briefly. There was a light display which shows you the length of the track you were playing, and the remaining time on the disc – invaluable for recording.

Beocord 5500

This advanced tape recorder was close to professional standard, bristling with features you would love to use., There was Auto Reverse, letting you play or record both sides of a cassette as one continuous tape. And automatic adjustment of sound levels avoided annoying volume changes from one recording to the next. Then there was B&O’s famous HX-Pro recording system which gave a vastly superior sound quality on the higher frequencies, creating a richer, more detailed sound image.

Beocord 5500 automatically adjusted itself to match standard, chrome or metal tapes. There was also the option of Dolby B or C during recording. During playback, the recorder automatically switched itself to the noise reduction system you needed. There was also of course, the refinement of automatic track search – just key in the track number and the recorder did the rest.

Beogram 5500

 

You couldn’t do better than Beogram 5500 to look after your valuable record collection. The electronically-controlled tangential arm played the record at the exact angle that the original master was cut. This allowed the ultra-sensitive MMC 4 pick-up to give the most precise possible reading of the signals in the groove. And with a stylus pressure of only 1,2g, this extraordinarily gentle touch added years to the life of your precious records.

Beogram 5500 was a tough customer though; dancing feet wouldn’t shake it up, courtesy of the special chassis suspension and short, rigid tone arm. There were also extra features such as the automatic registration of record size and speed; plus full track search and record repeat facilities, via the Master Control Panel.

Master Control Panel 5500 was designed for BeoSystem 5500.

 

However, if you treated yourself to B&O’s round-the-house TV, video and hi-fi system, you’d find the panel very useful.

For example, if you were in one of the linked rooms, you could look at the control panel to see what the music system in the main room was doing. Right down to checking details such as recording level.

Beosystem 5500 was Bang & Olufsen’s most advanced music systems up to the time of its introduction. With a minimum of operating procedures, you could enjoy musical experiences that were considered impossible a few years’ earlier. It controlled tapes cassettes, records, radio and compact discs and could be operated via Master Control Link.

 

Master Control Panel MCP 5500 – the key to the whole system

The operating panel MCP 5500 gave you access to the whole of Beosystem 5500.

With this at hand, you could remote control all the units of the system and all of its functions. The infra-red two-way communications system ensured that you only had to look at the Master Control Panel to see what was happening and if your commands were being actioned upon. In other words, you were always in close contact with the system – no matter how far away it was… simple and logical.

All the elements in Beosystem 5500 were connected by Bang & Olufsen data link which meant in effect that each unit had a built-in microcomputer that controlled all functions. When they were connected they became a system that communicated collectively with the Master Control Panel.

In practise this meant that you could operate the system units from one location rather than operating each on its own. By enabling the units to communicate in this way, Bang & Olufsen devised very simple but effective operating procedure.

The Master Control Panel had buttons for controlling all the day-to-day functions of the record player, tape recorder, radio and compact disc player. And because each unit spoke the same language, each button controlled several functions. You could for example, use the FORWARD button to move the record player tone arm further inwards, go to the next track on a compact disc, fast-forward a tape cassette or move from one radio station to another. When you operated one unit in the system, you could operate them all!

Under the flap of MCP 5500 you found the operating panel for all the special functions like programming, which enabled you to order the system to wake you with music or record a concert even though you were not at home.

BeoSystem 5500 Product Details

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BeoSystem 6000

Bang & Olufsen BeoSystem 6000

BeoSystem 6000

BeoSystem 6000 :

  • BeoMaster 6000
  • BeoCord 8004
  • BeoGram 8002
  • Terminal 6000 Remote Controller

Alternatively to BeoCord 8004, there was the BeoCord 9000, which was similar to BeoCord 8004, but had Computer Controlled Calibration, which chose the best setting for each cassette.

Accessories:

  • – Active AM Antenna AA 10
  • – System Furniture SC 60

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BeoSystem 6500

Bang & Olufsen BeoSystem 6500

BeoSystem 6500

Beosystem 6500 – A masterpiece in four movements

The word masterpiece, when applied to Beosystem 6500, described both the sounds that emanated from its four functions receiver, CD player, cassette recorder and turntable and the look of its supremely elegant cabinet.

The eye immediately registered the power and self-confidence inherent in its clean unambiguous design. The distinguished sound quality provoked absolute enjoyment, without distraction. And the simple easy operation and programming provided amazing options for interchange and interplay.

Advanced two-way communication

The Master Control Panel allowed you to fully utilise the enormous potential of the Beosystem 6500. The components were made for each other. They spoke the same language and sought the same goal: perfection. And at any time you could access the Master Control Panel display and see which function you activated: radio, turntable, CD player or cassette recorder. You could see what level you set the volume. Which radio programme you selected or which track on your cassette or CD you were listening to.

Beomaster 6500

The Beomaster 6500 receiver was the brains behind the sound system. It communicated your wishes to the other sound sources; and ensured that they were carried out. You could receive AM and FM programming. And you could preset 20 stations which Beomaster 6500 automatically found and fine tune whenever you instructed it to.

Beocord 6500

A light touch to the front of the Beocord 6500 cassette recorder released the loader which glided out slowly and silently in order to allow you to insert a cassette. You could use whichever type of cassette you prefer; or choose between Dolby B or C Noise Reduction systems. And rejoice in Bang & Olufsen’s patented HX-PRO recording system which ensured optimal sound reproduction, particularly in the difficult, high-frequency range. And, naturally, Beocord 6500 had auto-reverse so that both sides of the tape played as one.

Beogram CD 6500

If you wanted to indulge yourself with the finest sound quality then you’d do no better than listening to your favourite pieces of music on Bang & Olufsen’s Beogram CD 6500. It played both 12cm and 8cm compact discs, and housed sophisticated and advanced digital technology. And it offered sound reproduction which would satisfy even the most demanding of listeners.

Beogram 6500

If you built up an LP Collection of good music to conjure up wonderful memories, you obviously would have wanted to enjoy it for many years to come. Which is why Bang & Olufsen put so much effort into Beogram 6500. The electronically-controlled tangential arm played the record exactly as it was recorded. Built in safety systems helped prevent vibrations reaching the cartridge or turntable. And Beogram 6500 automatically registered the size of the record you were playing and adjusted the speed accordingly.

The extremely light MMC2 cartridge provided superior sound reproduction while protecting your records as fully as possible.

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BeoSystem 7000

Bang & Olufsen BeoSystem 7000

BeoSystem 7000

Beosystem 7000 was the flagship among Bang & Olufsen’s music systems. In terms of both performance and design, the system represented a power reserve that could satisfy even the most demanding hi-fi enthusiast. Each of the four units was controlled by the same remote control: Beolink 7000, Beolink 5000 or Beolink 1000.

 

Beomaster 7000

Beomaster 7000 was a combined amplifier and tuner. Among its functions were the pre-setting of up to 24 AM/FM programmes. If is is transmitted in RDS (Radio Data System) the name o the programme chosen was shown in the display on the Beolink 7000 remote control.

Beogram CD7000

The CD player, Beogram CD7000, was distinctive because of its authentic sound reproduction as well as its large dynamic range. It was equally suitable for symphonic music and rock. Its many functions allowed you to pre-programme tracks for playback in any desired order.

Beocord 7000

The order of the tracks could also be changed on the cassette recorder, Beocord 7000 and the system could also find a specific track on a tape. Other functions included Auto Reverse, Auto Record levels, Dolby B and C as well as Bang & Olufsen’s recording system HX-PRO, which ensures that the sensitive treble range is captured in recording.

Beogram 7000

Like all Bang & Olufsen turntables, Beogram 7000 was designed with a tangential arm, which ensured optimal playing of the record. It also came equipped with the patented OPP system (Optimal Pivot Point), so that the pick-up (MMC2) is not disturbed by vibrations.

Beosystem 7000 had access to ordinary, passive loudspeakers as well as Power Link connections for active loudspeakers. BeoLab Penta were recommended. There were connections for headphones, a microphone and extra cassette recorders. It could also be part of a larger AV setup, and via Beolink®, the system could serve several rooms with sound.

Beosystem 7000 Main Features:

Beosystem 7000 was the last modular Bang & Olufsen system that could be shaped to the user’s liking – in form and function. The system’s many combination and extension facilities made it an ideal choice for the discriminating user, to whom the combination of sophisticated technology, extensive operation facilities and superior design was a natural thing.

Beosystem 7000 was operated via the remote control Beolink 7000. The many features and functions in a Beosystem 7000 was closely reflected in its unique two-way interactive terminal, the key to all functions available in both Beosystem 7000 and throughout the (then current) Bang & Olufsen product range. The interactive principle of operation left nothing hidden and gave access to even the most complex operation in a convenient way. You were guided safely through the operation options in a dialogue with the Beolink 7000. It displayed only the information you needed – and all the information you needed – to make a choice and to proceed to the next operation step, until the goal of the operation was reached.

Beolink 7000 kept you informed and updated on all functions automatically and constantly, by means of an intensive infrared exchange of data with the system you were operating. Beolink 7000 was both a remote control panel and an operating guide with a superior human interface. A unique information displayed on Beolink 7000 within Beosystem 7000 was Radio Data System (RDS) information on FM radio stations. Both RDS information and a name programmed by the user was available to each radio station. The naming function applied to all radio stations, both AM and FM.

Beosystem 7000 was a very flexible system. You could combine the placement of the modules in different ways, you could select between two different coloured surfaces and you could purchase the sources of your choice. The basic system, with its four source modules, could be extended in numerous way. By connecting Beosystem 7000 to a Bang & Olufsen video system you could create a fully-fledged AV system: a Beolink system. The second Beolink feature, the ability of audio and AV distribution to other rooms in the home, was also available in Beosystem 7000 and the Beolink 7000 operated all functions in Beolink setups without restrictions, both with regard to a central AV room and in the local rooms.

Beosystem 7000 elements

The basic system consisted of four source modules and the Beolink 7000 remote operation panel. Beomaster 7000 was the audio master, where the infrared operation codes were received and processed and it contained an FM-AM radio, a preamplifier and power amplifier.

You could connect the other source modules of your choice to the Beomaster. One Beogram CD 7000, one or two Beocord 7000 cassette recorders and a Beogram 7000 could be connected simultaneously, with full two-way Datalink control. Bang & Olufsen recommended the active column loudspeaker BeoLab Penta for Beosystem 7000. In this way you could benefit from the unique Power Link connections, a line level connection with Datalink transfer of system information to the status display on the BeoLab Penta loudspeaker. Other types of loudspeakers could be connected; for example, any other BeoLab active loudspeakers or passive Beovox loudspeakers. Beomaster 7000 had connections for a Beolink AV system and sockets for a Local Control System, for the distribution of audio to other rooms in the home, with full control from these rooms.

Beosystem 7000 was delivered in three different surface versions. The anodisation process applied to the aluminium surfaces of Beosystem 7000 was beneficial in several ways. It hardened the aluminium surface considerably and made it highly resistant to physical damage such as scratching, and as the mirror finish and smooth surface without protrusions is easily cleaned, the beautiful appearance of the system should have been the same for many years. Anodised aluminium has been a Bang & Olufsen hallmark for many years, but as the mirror-finished anodisation is one of the most demanding metallurgic surface processes, Bang & Olufsen is the only manufacturer of audio and video equipment to use it. While the top surfaces were black anodised, the front was divided into two segments, with a lower extruded aluminium profile and an upper display segment in black glass. Beolink 7000 featured similar surfaces, with a lower section in mirror-finished aluminium and the operating section in black glass. The other available Beosystem 7000 surfaces also featured anodized aluminium plated surfaces, only they are white or black lacquered.

All the components in Beosystem 7000 exchanged information. Between the products this was via the two-way Datalink connection, and to and from Beolink 7000 it was via two-way infrared. As soon as you woke up the Beolink 7000 by a slight touch on the aluminium part, it started to receive information from Beomaster 7000 concerning the status of the system, which was then displayed. If the system was in stand-by, the upper level of operation was made available, with direct access to source selection. If the system was active, the present status was displayed and the operation available at this stage was presented to you.

A command issued by the Beolink terminal as a result of your operation was received by the audio master, where it was processed and relayed to the proper source, where the command was carried out. A confirmation was then send back to update the panel, both with regard to feedback and in order to change the appearance of the Beolink 7000 to the new situation in the system. An example of how the Beolink 7000 adapted to the previous operation was the difference in display readouts depending on the source you selected.

If you switched from one source to another, the first source was switched to pause before the second started playback. Beosystem 7000 also had a Control function, that allowed you to carry out a background job during playback of another source. For example, you could rewind a tape in the Beocord while you are listening to CD, or you could switch the Beogram off while you listened to tape.

Beolink 7000 always responded to the features available in the selected source, or to the features available in a specific operating situation. The exchange of data covered all operations to secure that you were always up-to-date with even the smallest details of the operating procedure. The display gave you both information as to your previous operation and prompted you to enter new data by displaying the available operating options. The interactive operation principle required the exchange of data in real-time, and this requirement was very hard to meet by the operating language used by a remote control. The Beolink data language was probably unique in this respect, being both very fast and very comprehensive and the time it took to transmit, process, carry out, receive the feedback and display it, was kept within strict limits to facilitate the instant dialogue necessary for interactive operation.

A condition for trouble-free operation of complex systems like Beosystem 7000 was that you were constantly kept updated with information on system status. Beolink 7000 was updated continuously and dynamically, and displayed all the information you needed to carry out an operation.

You had access to exhaustive information e.g. on the radio station you were receiving – frequency, name, mono/stereo and transmitter (if RDS was broadcast) were displayed. The value of the RDS information is obvious if you wanted to make a timer programming of a specific radio programme, while away from your system.

Beolink 7000 also responded to the different appearances of a Beosystem 7000, for example, if you had two tape recorders.

If you attempted to start a recording in a system with two recorders – and only then – Beolink 7000 requested you to point out the correct recorder – A.Tape 1 or A.Tape 2. Of course it also responded to the availability of sources. If no tape was inserted, or if the tape was protected, this was indicated in the display, as was the status on all other sources.

Timer operation and record operation was easy and convenient due to the exchange of data. Timer operation in Beosystem 7000 was very comprehensive. Thanks to the Datalink connection all audio sources were available for timer play and in a Beolink system all video sources as well. Timer play could be carried out in the central room and in rooms equipped with Local Control System. Timer play could be switched off in individual rooms, e.g. you can order your Beosystem 7000 to play radio programme no. 3 every morning, Monday through to Friday, in the sleeping room only – on the condition that the room was equipped with Local Control System. With one or more LC1 light controls you even had access to timer-operated light control, i.e. the switching on and off of lights, in the central room as well as in rooms equipped with a Local Control System. Even individual light settings (light pictures) could be programmed.

All sources in the source list were available for timer recording, so in a Beolink AV system you could for example, record a music programme broadcast via satellite (radio) directly on audio tape (and/or video tape), while you are out.

Ten programming blocks were available, all with a start and stop time. Timer programming could be executed once only, or on one or more days in the week. Timer operation was accessed via the red PROGRAM key on Beolink 7000. If you entered ‘illegal’ data, such as a nonexistent time, date or programme number, Beolink 7000 responded by displaying FILL IN AGAIN in order to let you correct the wrong data. Beolink 7000 gave access to check and edit of all timer programmings, and you could suspend the daily and weekly programmings for a period, or just skip the next execution of the programming, e.g. in case of a holiday.

Another function available via the PROGRAM key was the ‘Play next’ programming function, which allowed you to program a sequence of sources to be played back, the next source starting playback automatically as soon as the previously ran out. If you selected radio as one of the sources, this selection was automatically blocked for subsequent entries, as radio is broadcast continuously. Therefore RADIO will always be the last source in a ‘Play next’ sequence. ‘Play next’ could be combined with other programmings, e.g. sequence programming of CD and tape and timer play. By applying timer play programming you could also interrupt a ‘Play next’ sequence, or timer program the system to switch off at a given time (timer operation had priority).

Finally, the PROGRAM key gave access to set the clock and date via the blue CLOCK key.

In a record operation the signal was routed from the source via the Beomaster and to the Beocord. The whole operation was remote-operated and all you had to do was to select the source and start the recording. You could even start a recording from a Local Control System room. The signal routing was automatically carried out and at the same time a record lock function prohibited the signal route from being interrupted – you could not switch source or program number while a recording was in progress. This also applied to video sources in a Beolink AV system. Of course Beolink 7000 informed you that the record lock function was active by displaying the record menu – if you tried to carry out an operation which was prohibited.

The record operation was available as a red key when you selected a source. In this way Beolink 7000 always made sure that you selected the source when you wanted to record, i.e. that the operating sequence was carried out in the right order. When you activated RECORD, Beocord 7000 switched to record pause mode (also from stand-by), and by displaying a new menu it allowed you to change source or other record parameters, e.g. Dolby Noise Reduction, switching off the auto-reverse, or making the display change from readout of record level to track counter. Note that if the A.TAPE option had been left out in the source list programming, the RECORD operation was never displayed. If two recorders were available, Beolink 7000 asked you to point out the correct recorder before it switched the recorder to record pause.

The interaction was not only to the Beolink 7000terminal. Inside the system, the exchange of data meant that the Beocord 7000 automatically switched to record pause when the source stopped (e.g. the CD finished) and vice versa: when the tape ran out, the source you were recording from automatically went into pause. The laser on CD was parked in a pause position and the stylus of the Beogram lifted off the groove. In this way you always knew on which track the recording had stopped.

Beolink 7000 was identical to Beosystem 7000, in so far that all features available in the system were operated on Beolink 7000, and Beolink 7000 was required to gain access to all operation and information levels of Beosystem 7000. For example, RDS information was read out only on Beolink 7000. All Beolink terminals from 1988 onwards use the Beolink data format, so other Beolink terminals (for example, Beolink 1000) could be used for operation also. Operating Beosystem 7000 with other Beolink terminals was different from Beolink 7000 operation (i.e. not two-way), and you could not access all functions in the system with other terminals.

Some basic system functions were also available directly on the front of the system. This applied to stand-by, mute, switching sources on, switching on to the last source/radio station, next track on CD, and step between radio stations. Furthermore, all operation of a Beogram and Beocord could be carried out directly on the source or via the Beolink 7000 terminal.

Beosystem 7000 was extremely versatile and could be extended in many directions. Even when you extended the system, e.g. into a Beolink AV system, [A=/prod_details.asp?pid=697] Beolink 7000 7000[/A] took care of all operation and the case of operation inherent in the interactive design of Beolink 7000 was an even more striking benefit in extended systems.

Conclusion

Beosystem 7000 represented the latest and last refinement of a Bang & Olufsen classic system concept. Modular in construction, yet designed to be operated as if the modules were one single unit. Beosystem 7000 was of an outstanding quality, both with regard to style, placement, operation versatility, extension facilities, system and source features.

The unique Beolink 7000 adapted to the system in all its configurations and automatically gave you a total survey of operations available at any time. It guided you Beolink 7000 all operations no matter how complex they seemed to have appeared, in a safe and transparent way. Beolink 7000 equalled Beosystem 7000 and became its partner in the examination of the immense number of functions available, no matter if you used it in the same room as the system or in a room equipped with Local Control System.

BeoSystem 7000 Product Details

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BeoSystem AV 9000

Bang & Olufsen Beosystem AV 9000

BeoSystem AV 9000

Bang & Olufsen’s Beosystem AV 9000 was a complete home theatre system introduced in 1992 and was designed by the company’s chief designer, David Lewis. The superlative system – in production for seven years – comprised a Beovision AV9000 TV set, a pair of BeoLab 8000 speakers, a pair of BeoLab 6000 speakers, and a Master Control Panel AV9000, similar to a BeoSound Ouverture. In addition, Beovision AV9000 contained not just the television, but also a Dolby Surround Sound processor, a modified Beocord VX7000 and an active centre speaker.

Beosystem AV 9000 was, in the early 1990’s the most advanced combination of sound and vision from Bang & Olufsen and was the B&O approach to complete home entertainment. The TV, video and music system used the same set of loudspeakers, so the sound always comes as close to reality as possible. AV 9000 gave you the freedom to choose one of five different sound-settings for every audio/video source – ranging from Dolby Surround Sound to monologue newsflash. Surround Sound was built into the AV 9000 monitor-unit, while the CD, radio and cassette was handled by BeoSound Ouverture, all seamlessly connected to each other. The whole system was surrounded by two set of loudspeakers: tall, slender BeoLab 8000 in front and BeoLab 6000 at the rear. A fifth source was the central loudspeaker in the triangular bottom-half of the television set. The whole system was controlled by one remote control, the Beo4.

Today it is relatively easy to build a television. But at Bang & Olufsen the company is more committed to bring customers the best possible experience. VisionClear is a simple name for a list of advanced electronics which the viewer experiences, but hardly notices, simply because they work. Automatic picture control, current colour balance correction, automatic cut-off and fine tuning of the aerial signal and a contrast screen.

If you often watch television during the day, you will recognise the problem of carpets, furniture and other home furnishings reflecting in the screen. The solution to this problem is an ultra-thin coating on the contrast screen, which reduces reflection by 90% and makes the black areas appear pitch black.

The anti-reflective contrast screen is standard on the Beovision Avant and was supplied as standard on the Beosystem AV9000. On the AV 9000 even the picture tube was coated with anti-reflective material to ensure 100% reflection-free viewing comfort.

A small electronic sensor in all Beovision TV sets registers the prevailing light conditions in the room and adjusts the picture, so that it’s always sharp, no matter whether a reading lamp is on or the rays of the sun suddenly breaks through the window. Automatic Picture Control is part of the VisionClear concept and only available on televisions available from Bang & Olufsen.

Bang & Olufsen’s products are enchanting! And the magic, the good idea, often comes into being in the course of finding a solution to some practical problem. The practical problem here was that there was a short time lag between pressing the button and a picture appearing on the screen. So you would sit and wait expectantly for a little while.

The experience of waiting reminded designer David Lewis of a theatre before the curtain went up! Behind the curtain, preparations were being made for the performance. The lighting and sound were adjusted and the actors took their places. The curtain only went up when everything was ready. The first television to have a curtain was Beovision AV 9000. The curtain was a thin steel sheet that was slid to one side by a clever mechanism when the stage was set. Bang & Olufsen’s wide-format television, the Beovision Avant, is equipped with an electronic curtain. From the moment you press the button until the curtain slides away, the technology is busily working unnoticed. No pop from the loudspeakers, no random flash of light from the screen. Only when the sound is ready and the picture is in place can the performance begin!

A brilliant problem

We all know the frustration of trying to watch television in daylight when the brilliance of a window reflection on the picture tube makes it impossible to see a part or all of the picture. This also happens to a smaller degree when light-coloured furniture or a lamp is reflected. In general, reflections lower the quality of the picture on a television screen and reduce the pleasure of watching a TV programme.

The optical process of what happens in such a case is that the contrast of the picture is effectively reduced. The Bang & Olufsen solution to the problem has traditionally been to incorporate a contrast screen. Ensuring that ambient light (which creates the reflections) travel twice through a light absorbing contrast screen whereas the picture formed in the picture tube travels only once, the brightness of the reflection is substantially reduced.

If it were possible, a better solution would be to reduce reflections directly. One method is to make the surface of the picture tube rough, either by sanding or etching the front surface of the tube or spraying a matt coating on the glass. This type of treatment does not actually reduce reflections, but by making reflections more diffuse, reduces their visibility. However, it also makes the picture itself fuzzy and less sharp, so that the overall quality is reduced.

A more attractive method is to use coatings. Coatings for glass surfaces have been used for a long time and for many purposes. The first use was probably for camera lenses, where coatings corrected for optical faults in the lens. Later, coatings were used to reduce reflections and also to correct colour reproduction when colour films became available. Most people will know of coatings from the more expensive spectacles, where coated glass is used to reduce reflections.

Anti-reflection coatings can reduce reflections to between 5% and 10% of their original brightness. They work by what is known as destructive interference and use the fact that light travels in waves of specific wavelengths. By coating the picture tube or other glass surfaces with a transparent layer of a thickness of one quarter of the wavelength of light, the light failing on the surface is reflected twice – once from the front surface and again from the rear surface of the coating. The two reflections are now half a wavelength apart and therefore in opposite phase and thus virtually cancel each other to destroy the reflection.

Of course, this happens perfectly for just one wavelength of light (or light of a single colour) and to lesser degrees for the wavelengths close to this. By adding more than one coating of different thicknesses, a more broadband removal of reflections can be achieved. Thus, for example, three coatings are used for the front screen of the Beosystem AV9000. One of the reasons that antireflection coatings are not used more often is that currently the manufacturing process is extremely expensive for large screens, allowing its use only in high-end television sets. However, as it is considerably less expensive for small screens, especially where only a single coating is used, it is a reasonably popular feature for computer monitors.

One of the features of coated picture tubes is that although reflections are drastically reduced, the coated glass appears to have a residual colour. This happens because some light is still reflected from the surface, the colour of which depends on the number and thickness of the layers. The colours that are not perfectly removed result in the colouring of the glass. This does not affect the colours of the picture, which is viewed through the coating and does not depend upon its thickness.

 

Also, the effectiveness of the anti-reflection coatings falls off at an angle to the screen, as the effective thickness of the coating changes. Seen from an angle, the colour of the reflections changes for the same reason.

The AV9000 also uses another coating, a thin layer of chrome on the back of the contrast screen. This is an anti-static layer, which is earthed to prevent the build-up of static charge, which can give problems with electrostatic shock. An appealing side effect of the anti-reflection coating of the AV9000 is that when the black curtain behind the contrast screen is closed, the effect of the coating is apparently considerably reduced, so that the whole screen surface appears to reflect. As soon as the curtain is removed, the anti-reflection coating takes full effect, forming a window in which the brightness of reflected light is reduced.

“There was a time when people bought TV and radio in order to keep informed. Today, TV and radio have developed into entertainment media, and here at Bang & Olufsen, we are convinced that this trend will continue. At any rate, that is the reason for what is perhaps our greatest innovation yet.

Beosystem AV 9000 is not just an independent video system and independent music system. It is an epoch-making combination of picture and sound options contained within an exciting Dolby Surround System. What is Dolby Surround anyway?

You have probably had the experience of sitting in a cinema, where the film was so real you almost ducked at the sound of horses’ hooves approaching your seat. That is Dolby Surround. With Beovision AV9000, you can benefit not only from film, but also from the many televised recordings and sports events that are produced and transmitted today with Dolby Surround.

Technically, Dolby Surround is created with the help of three front and two rear speakers. By delaying the sound in the rear speakers relative to the front speakers, you get a three-dimensional sound picture, and suddenly you are in the midst of a giant soccer stadium, a concert hall, or the action of a film. I am not exaggerating when I say that even in smaller rooms, Dolby Surround is incredible.

However, it is one thing to have cinema experience at home in your living room. The other side is that when we developed AV9000, we wanted to make sure that your living room wouldn’t look like a cinema when no one was using the system. Every element is designed to be a beautiful part of the rest of the decor of the room. Otherwise, it wouldn’t be Bang & Olufsen.

Movies no longer have to be seen in the cinema. With Dolby Surround and Bang & Olufsen active loudspeaker technology it is possible to create a sound environment that even surpasses that of cinema. The technology makes sound so pure, that it can be called natural – just the same that you would hear in a concert hall. With the AV9000 Bang & Olufsen achieved the goal of perfect sound. But, this was only one half of the secret of reproducing cinema in your living room. The other half is gained when you give Bang & Olufsen’s engineers free hand in pursuit of the perfect picture, achieved in the monitor of Beosystem AV 9000.

The built-in video tape recorder had the same capability and operations as Beocord VX7000. The VCR was PAL/NTSC compatible and discreetly hidden from view, unlike a normal free-standing recorder. Together with the active central loudspeaker, it was positioned in the triangle below the 66cm 4:3 screen. The location of the speaker enhanced the impression that the voice came directly from the screen. To direct the voice to face your sitting position, the monitor could be turned 33 degrees to both the left and right by operating its motorised stand with the Beo4 remote control. As all B&O motorised stands, movement of the monitor was entirely soundless.

Perhaps the first thing that the viewer noticed upon looking at the set, was that there appeared to be no screen! Just like in the cinema, the screen was only revealed when the mechanical curtains parted. When the TV was turned on, a black, completely light-resistant curtain glided to the left and right to reveal the picture, creating further the illusion of a small cinema screen. At the same time the monitor turned toward you to its pre-set position. The picture was incredibly sharp, with deep and clear colours.

Beosystem AV 9000 was more than a music system and more than a video system. It was an integrated approach to home entertainment, which fitted unobtrusively into any living room. The polished aluminium surfaces of the active BeoLab 8000 and BeoLab 6000 speakers took on the colours of their surroundings, while the black cloth covers blended in with outmost grace. In regard to sonic qualities, the loudspeakers are still second to none.

Carlton Sarver, a writer specialising in audio and video, with life long experience within the development of electronic media in Europe as well as the USA concluded that “I feel free to give unrestrained opinion of the Beosystem AV9000 in the larger context of integrated audio-video systems. Which is, that somebody finally got it right”.

 

The Master Panel AV9000 – or MPAV 9000 – was the ‘audio source module’ designed especially for the AV9000 system and was very similar in appearance to the BeoSound Ouverture. The earlier types of AV9000 were sold with the module and used four active speakers to create a full surround system. It used the Beolink 5000 or Beolink 7000 as a remote and was a two-way system. This was replaced when the system was updated to use the Beo4 remote control and the Master Panel was replaced with the Ouverture.

Besides its ability to play music sources, the Master Panel – as its name implies provided the user with a control interface for the entire Beosystem AV9000. This meant, for example, that it could be used to search, play and rewind all the sources in the system. At the approach of a hand the tinted glass doors automatically slid open and the panel lit up. For CD play, a touch of a button caused the CD player’s motorised clamp to lift upward for convenient loading. At another button touch the clamp moved into place, holding the CD in precise position for play. Tracks could be programmed to play in any sequence, using a Beolink 5000 terminal.

The cassette deck offered the same playback convenience as a CD. Sequential track numbers were automatically assigned to selections on a cassette. Any track on a cassette could be quickly located, simply by entering the track number. Playback in any sequence could be programmed. HX-Pro – a headroom extension system developed by Bang & Olufsen and licensed to Dolby Laboratories – was standard. It secured that high music frequencies were optimised during the recording process.

Bang & Olufsen’s microcomputer-based Auto Record Level controlled the recording level more accurately than would be possible manually. Because it subtly reduces recording level when required, never increasing it, its action is virtually undetectable.

The FM/AM tuner incorporated Bang & Olufsen’s developments that increased sensitivity, selectivity and tuning stability. Its use was exceptionally easy. Touching a station preset button – on either the Panel or the Beolink 5000 terminal – caused that station to instantly start playing, even if the system had previously been turned off. With an optional RDS decoder, FM station identification was automatically displayed on the Panel. Users could also manually name individual FM or AM presets.

 
 

BeoSystem AV 9000 Product Details

Type Numbers

Master Control Panel AV9000
2623 (ERD) (1992 - Aug 1996)
2621 (EUR) (1992 - Feb 1996)
2622 (GBR) (1992 - April 1994)
2624 (GRD) (1992 - Sept 1995)

Beosystem AV9000
4335 (EEU) (1993 - aUG 1995)
4334 (EEU) (1992- dEC 1994)
4303 (GB) (1992 - Nov 1995)
4329 (GB) (1992 - Jan 1995)
4322 (I) (1993 - Aug 1995)
4304 (I) (1992 - Aug 1995)
4306 (MAT) (1993 - Aug 1995)
4343 (MDM) (1992 - April 1995)
4311 (MDP) (1992 - April 1996)
4301 (MDT) (1992 - May 1996)
4352 (MIM) (1992 - May 1995)
4363 (MMP) (1992 - Feb 1995)
4360 (MPI) (1992 - Sept 1994)
4320 (MPO) (1992 - Nov 1995)
4333 (MPP) (1992 - Aug 1995)
4330 (MPS) (1992 - Aug 1995)
4316 (MPT) (1993 - Aug 1995)
4323 (MSA) (1992 - Aug 1995)
4310 (MSP) (1992 - Aug 1995)
4300 (MST)(1992 - April 1996)
4305 (MTA) (1992 - Aug 1995)
4340 (MTM) (1992 - Nov 1995)
4336 (MTP) (1993 - Aug 1995)
4326 (MTR) (1993 - Aug 1995)


Beosystem AV9000 Beo4
7975 (1995 - Oct 1996)
7976 (1995 - Oct 1996)
7970 (1995 - Oct 1996)
7971 (1995 - Oct 1996)
7972 (1995 - Oct 1996)
7974 (1995 - Oct 1996)
7900 (1995 - Oct 1996)
7901 (1995 - Oct 1996)
7906 (1995 - Oct 1996)
7910 (1995 - Oct 1996)
7911 (1995 - Dec 1996)
7916 (1995 - Oct 1996)
7920 (1995 - Oct 1996)
7922 (1995 - Oct 1996)
7923 (1995 - Dec 1996)
7926 (1995 - Oct 1996)
7930 (1995 - Oct 1996)
7933 (1995 - Aug 1996)
7936 (1995 - Sept 1996)
7905 (AUS) (1995 - Oct 1996)
7915 (AUS) (1995 - Oct 1996)
7934 (EEU) (1995 - Oct 1996)
7935 (EEU) (1995 - Oct 1996)
7903 (GB) (1995 - Oct 1996)
7913 (GB) (1995 - Oct 1996)
7929 (GB) (1995 - Oct 1996)
7939 (GB) (1995 - Dec 1996)
7904 (I) (1995 - Oct 1996)
7914 (I) (1995 - Jun 1996)
7932 (I) (1995 - Oct 1996)


Beosystem AV9000 IT
7975 (AUS) (1996 - Jan 2000)
7976 (EEU) (1996 - Jan 2000)
7970 (EU) (1996 -Jan 2000)
7971 (FR) (1996 - Jan 2000)
7972 (GB) (1996 - Jan 2000)
7974 (ITA) (1996 - Jan 2000)

Designer

Manufactured

1992 - 1998

Colour Options

Blue, Grey

BeoSystem AV 9000 Product Specification

Master Control Panel AV9000 Specifications

Functions: audio source module
Remote control recommended: Beolink 5000
FM tuner: 87.5 – 108 MHz
AM tuner: LW 150 – 350 kHz
MW: 520 – 1610 kHz
Preset: 30 FM-LW-MW
CD: CD player built-in
Frequency range: 3 – 20,000 Hz +/- 0.3 dB
Signal-to-noise ratio: A-weighted > 110 dB
Converter system: 2 x 16 bit 4 x oversampling
Tape: tape recorder built-in
Recording system: HX PRO
Tape transport: auto reverse
Noise reduction: Dolby B NR
Frequency range: +/- 3 dB 30 – 16,000 Hz
Signal-to-noise ratio chrome Dolby B: > 65 dB
Mains voltage: 2621: 230 V, 2622: 240 V

Power consumption: < 35 W, min. 4 W
Dimensions W x H x D: 32 x 36 x 16cm
Weight: 7 kg
Cabinet finish: black
Connections: Beocenter AV 9000 1 x Master LinkFunctions: audio source module
Remote control recommended: Beolink 5000
FM tuner: 87.5 – 108 MHz
AM tuner: LW 150 – 350 kHz
MW: 520 – 1610 kHz
Preset: 30 FM-LW-MW
CD: CD player built-in
Frequency range: 3 – 20,000 Hz +/- 0.3 dB
Signal-to-noise ratio: A-weighted > 110 dB
Converter system: 2 x 16 bit 4 x oversampling
Tape: tape recorder built-in
Recording system: HX PRO
Tape transport: auto reverse
Noise reduction: Dolby B NR
Frequency range: +/- 3 dB 30 – 16,000 Hz
Signal-to-noise ratio chrome Dolby B: > 65 dB
Mains voltage: 2621: 230 V, 2622: 240 V

Power consumption: < 35 W, min. 4 W
Dimensions W x H x D: 32 x 36 x 16cm
Weight: 7 kg
Cabinet finish: black
Connections: Beocenter AV 9000 1 x Master Link

Beosystem AV9000 Specifications

Daily operation recommended: Beo4
Sound processing: Dolby Surround Sound, Pro-logic decoder
Sound modes (sound 1-5) Mono (Centre speaker)
Stereo
Dolby-3 stereo
Stereo-4
Dolby Surround Sound
Stand turning function: +/- 33 degrees, remote operated
Power consumption, AV monitor: 75 – 200 W. Standby 7W
AV Control Centre: max 120 W, Standby 15W
AV 9000 Monitor:
Picture tube/visual picture Anti-reflex coated
70cm/66cm
Black Line S, Black Matrix
Contrast screen Grey glass, anti-reflex coated
Vision Clear: auto picture adjustment
Auto cut-off
Wideband CTI
Dynamic Luminance Peaking
Teletext Improved Teletext
FastText, 6 languages, memory TV tunes/monitor/video:
Tuner range VHF, S, Hyper, UHF
89 channels
Nicam + A2
Video Tape functions:
Video playing time, E-240 SP 4 hours, LP 8 hours
Audio playing time, E-240 LP 8 hours
Fast forward/rewind: < 5 minutes
Slow motion: 1/7 x normal speed
Still picture: noiseless
Cue 2 x and 7 x normal speed
Recording system: HQ
Sound system: Hi-Fi stereo, video/audio
Stereo decoders: NICAM + A2
Playback: NTSC AV
Timer record programming: 8, 1 year, TV, SAT, FM, AM
VPS system: built-in
Centre speaker: sound Pressure Level 97 dB (mono)

Frequency range: +4 dB – 8 dB 60 – 20000 Hz
Cabinet principle/Net volume: bass reflex/2.4 litre
Woofer: 11.5 cm
Tweeter: 1.8 cm
Crossover frequency: 3200 Hz

Market: CTV system:
7970 Europe B/G/L
7971 France B/G/L/L
7972 GB B/G/L/I
7974 Italy B/G/L
7975 AUS B/G
7976 East Europe B/G/D/K
Dimensions W x H x D: 70.5 x 108 x 60cm
Weight AV 9000 monitor: 46.5 kg
Control Center with VCR: 45 kg
Cabinet finish: black

Connections: Video: Tape 2/decoder AV 2, 21-pin AV Link
Camcorder / Auxiliary: 3 x phono sockets
Camera pause: mini Jack
S-VHS Y-C playback: 4-pin socket
Audio: 1 x Master Link

Link compatibility: Master Link

 

Beosystem AV9000 Beo4 Specifications

Daily operation recommended: Beo4
Sound processing: Dolby Surround Sound
Pro-logic decoder
Sound modes (sound 1-5) Mono (Centre speaker)
Stereo
Dolby-3 stereo
Stereo-4
Dolby Surround Sound
Stand turning function: +/- 33 degrees, remote operated
Power consumption, AV monitor: 75 – 200 W, Standby: 7W
AV Control Center: max 120 W, Standby: 15 W
AV 9000 Monitor
Picture tube/visual picture: anti-reflex coated
70 cm/66 cm
Black Line S, Black Matrix Contrast screen: grey glass, anti-reflex coated
Vision Clear Auto picture adjustment, Auto cut-off
Wideband CTI, Dynamic Luminance Peaking
Teletext Improved Teletext, FastText, 6 languages, memory
TV tunes/monitor/video:
Tuner range: VHF, S, Hyper, UHF
89 channels
Nicam + A2
Video Tape functions:
Video playing time, E-240 SP 4 hours, LP 8 hours
Audio playing time, E-240 LP 8 hours
Fast forward/rewind: < 5 minutes
Slow motion: 1/7 x normal speed
Still picture: noiseless
Cue 2 x and 7 x normal speed
Recording system: HQ
Sound system: Hi-Fi stereo, video/audio
Stereo decoders: NICAM + A2
Playback NTSC AV
Timer record programming: 8, 1 year, TV, SAT, FM, AM
VPS system: built-in
Centre speaker: sound Pressure Level 97 dB (mono)

Frequency range: +4 dB – 8 dB 60 – 20,000 Hz
Cabinet principle/Net volume: bass reflex/2.4 litre
Woofer 11.5cm
Tweeter 1.8 cm
Crossover frequency 3200 Hz

Market – CTV system:
7970 Europe B/G/L
7971 France B/G/L/L
7972 GB B/G/L/I
7974 Italy B/G/L
7975 AUS B/G
7976 East Europe B/G/D/K

Dimensions W x H x D: 70.5 x 108 x 60 cm
Weight AV 9000 monitor: 46.5 kg
Control Centre with VCR: 45 kg
Cabinet finish: Black
Connections: Video:- Tape 2/decoder AV 2, 21-pin AV Link
Camcorder / Auxiliary 3 x phono sockets
Camera pause Mini Jack
S-VHS Y-C playback 4-pin socket
Audio: 1 x Master Link
Link compatibility: Master Link

 

Beosystem AV9000 IT Specifications

Daily operation recommended: Beo4
Sound processing: Dolby Surround Sound
Pro-logic decoder
Sound modes (sound 1-5) Mono (Centre speaker)
Stereo
Dolby-3 stereo
Stereo-4
Dolby Surround Sound
Stand turning function: +/- 33 degrees, remote operated
Power consumption, AV monitor: 75 – 200 W Standby: 7 W
AV Control Centre: max: 120 W, Standby: 15 W
AV 9000 Monitor:
Picture tube/visual picture: anti-reflex coated
70 cm/66cm
Black Line S, Black Matrix
Contrast screen: grey glass, anti-reflex coated
Vision Clear Auto picture adjustment
Auto cut-off
Wideband CTI
Dynamic Luminance Peaking
Teletext Improved Teletext
FastText, 6 languages, memory

TV tunes/monitor/video:
Tuner range VHF, S, Hyper, UHF
89 channels
NICAM + A2

Video Tape functions:
Video playing time, E-240 SP 4 hours, LP 8 hours
Audio playing time, E-240 LP 8 hours

Fast forward/rewind: < than 5 minutes
Slow motion: 1/7 x normal speed
Still picture: noiseless
Cue: 2 x and 7 x normal speed
Recording system: HQ
Sound system: Hi-Fi stereo, video/audio
Stereo decoders: NICAM + A2
Playback: NTSC AV
Timer record programming: 8, 1 year, TV, SAT, FM, AM
VPS system: built-in
Centre speaker: sound pressure level 97 dB (mono)

Frequency range: +4 dB – 8 dB 60 – 20,000 Hz
Cabinet principle/Net volume: bass reflex/2.4 litre
Woofer: 11.5cm
Tweeter: 1.8 cm
Crossover frequency: 3200 Hz

Market: CTV system
7970 Europe B/G/L
7971 France B/G/L/L
7972 GB B/G/L/I
7974 Italy B/G/L
7975 AUS B/G
7976 East Europe B/G/D/K
Specifications: Dimensions W x H x D: 70.5 x 108 x 60 cm
Weight AV 9000 monitor: 46.5 kg
Control Centre with VCR: 45 kg
Cabinet finish: black

Connections: Video:- Tape 2/decoder AV 2, 21-pin AV Link
Camcorder / Auxiliary 3 x phono sockets
Camera pause: mini jack
S-VHS Y-C playback: 4-pin socket
Audio: 1 x Master Link

Link compatibility: Master Link

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    Type

Audio Setup

EN

BeoSystem AV 9000 Audio Setup

BEO4 Guide

EN

BeoSystem AV 9000 BEO4 Guide

BEO4 Guide

DE

BeoSystem AV 9000 BEO4 Guide

Pipe Fitting Guide

EN

BeoSystem AV 9000 Pipe Fitting Guide

Repair Tips

DE

BeoSystem AV 9000 Repair Tips

Service Manual

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BeoSystem AV 9000 Service Manual

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BeoSystem AV7000

Bang & Olufsen Beosystem AV7000

BeoSystem AV7000

Beosystem AV 7000 was sold primarily in North America and was designed to work together with Beolink 1000. However, both the Beolink 5000 or the Beolink 7000 remote control terminals could be used but with minor restrictions:

 

” Neither the Beolink 5000 nor Beolink 7000 terminal is recommended for use with the AV7000 Control Centre and the audio/video products that are used with it. To use a function in your audio system that is only available with the Beolink 5000/7000 terminal, you must reprogram your audio system:

Press SOUND, 1, STORE on the Beolink 1000 Terminal

Then operate the function you wish to use in your audio system, using the Beolink 5000/7000 Terminal

Finally, press SOUND, 0, STORE on the Beolink 1000 Terminal to program your audio system back again for the correct setting for daily use in an AV7000 System

NOTE: If you have the sound from your Bang & Olufsen audio system extended to other rooms in the house (via a Bang & Olufsen Local Control System), a Beolink 5000 or 7000 Terminal may be used for audio operation in that room.”

The unit delivered Dolby Pro-Logic Surround Sound. The system comprised: Beosystem 7000, a Beovision MX6000 television and four active speakers. It was eventually phased out when Beosystem AV9000 was introduced.

BeoSystem AV7000 Product Details

Type Numbers

2346 (1993)

Designer

Manufactured

1993 -

Colour Options

Silver, Black/White

BeoSystem AV7000 Product Specification

Operation Beolink 1000
Sound modes: mono (1 loudspeaker), Stereo (2 loudspeaker), Stereo +Centre (3 loudspeaker), Stereo -4 (4 loudspeaker), Dolby Surround (5 loudspeakers)
Volume range: 80 dB
Treble: +/- 8 dB, 10 kHz
Bass: +/- 8 dB, 870 Hz
Centre speaker:
Output power: IHF A202 45 W / 8 ohms
Frequency response: 100 – 20000 Hz
Distortion: <0.2 %
Stereo mode:
Signal-to-noise ratio: A weighted > 86 dB (Ref.: V in = V out = 1 V
Distortion Typ: 0.1 % (1 kHz/V in = V out = 1 V
Dolby Surround Sound mode:
Left/right balance control: +/- 6 dB*
Front/Rear balance control: +/- 6 dB*
Centre level control: +/- 6 dB*
* Total range i limited to 25 dB, which can cause limitations in centre level and balance controls

Signal-to-noise ratio Left, Right, Rear: >55 dB (Ref.: V in = 300 mV, V out = 100 mV
Signal-to-noise ratio Centre: >55 dB (Ref.: V in = V out = 300 mV / 8 ohm
Channel separation: Typ. 25 dB
Time delay Surround Sound channel: 20.4 mSec

Power supply: max 71 W
Power consumption: 3 W
Dimensions W x H x D: 42 x 7.5 x 32.5cm
Weight: 8.1kg

Connections: Aux Audio, Power Link AUDIO, Aux Video, Active speakers, Centre speaker: Push terminals, Subwoofer Phono, Other TV / VCR / CDV Phono, IR transmitter 4 sockets, mini-jack
Extern IR receiver Mini-jack

Link compatibility: Datalink

 

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