Beocord 1900 equalled Bang & Olufsen’s top-of-the-line cassette deck (Beocord 5000) in terms of specifications and performance, but it but it did not have the same wide range of facilities and operational refinements.

This does not mean that the Beocord 1900 was difficult to operate. On the contrary, the slanting front panel which contained all the operational facilities made the set’s controls handy and easily accessible. The cassette eject mechanism was air damped so that delivery was gentle and controlled. Two large VU meters enabled accurate setting of recording levels.

The microphones socket was placed discreetly under a sliding panel together with a balance control which enabled signal level adjustment in both channels. All the features which characterised high quality and high performance levels in cassette decks were incorporated. These included a combined recording/play-back Sendust tape head and Dolby B Noise Reduction circuits.

Beocord 1900 used precision techniques that ensured stable tape drive and the highest standards of recording and playback. Yet despite its comprehensive facilities it was easy to use and harmonised comfortably with many different Beosystems.

Beocord 1900 could be made up as part of the Beosystem 1900 or Beosystem2400, when linked together with other compatible Bang & Olufsen products.

When you used metal tape cassettes in the Beocord 8000 you obtained the same high quality sound you were used to from a good gramophone record. Careful choice of components and materials, creative engineering and technical excellence all made this possible.

But superb sound reproduction was only one of the benefits you got from this advanced cassette deck, which replaced Beocord 5000. Of equal importance was the fact that time, through Beocord 8000, came to the cassette deck. Bang & Olufsen used it to measure tape consumption. Quite simply, instead of using meaningless digits, minutes and seconds were used instead. This allowed you to locate specific tracks of music easily and accurately for immediate replay. Just tell the Beocord 8000 where to start, in minutes and seconds and let the set’s microcomputer do the rest.

This feature also helped you plan recordings and thereby ensure maximum use of your tapes. During play, Beocord 8000 measured and displayed the exact amount of tape consumed so that you always knew how much playing time was left on the cassette. And the Beocord wouldn’t let you make mistakes: if you gave incorrect instructions, reject signals flashed on the set’s display panel. The microprocessor which made the real time counter possible was also used to provide a digital clock for timer recording. In normal use the clock did not show on the display, but it could be programmed to start the tape either playing back or recording any time within 24 hours.

The button marked ‘RETURN’ afforded great convenience during recording. Together with the automatic tape position indicator, it enabled you to edit your tapes electronically. The split-channel Peak Programme Meter eased the setting of recording levels and was extremely accurate. It indicated the actual signal that was being fed to the tape, for each channel, rather than that which was being received at input.

Underneath the brushed aluminium panel was the cassette compartment, sliders for setting recording level, an independent slider for adjusting volume level on headphones, facilities for timer programming and adjustments for secondary functions.

For example, you could instruct Beocord 8000 to make recordings of radio programmes while you are out. In short, everything was done to ensure total listening pleasure in terms of sound reproduction and convenience.

Beocord 8000 could be used as a stand-alone tape cassette recorder or as part of hi-fi systems such as Beosystem 6000 or Beosystem 8000.

Beocord 1500 matched several Beomaster receivers in design, concept and performance level. It was also technically compatible with non-Bang & Olufsen products. If you simply wanted to record and play back cassettes without any extra refinements or facilities, this deck was for you.

The slanted control panel was logically planned and really simple to use. The VU meters and sliding input control made the setting of correct recording levels easy and accurate. The 3-digit tape counter had a memory function that helped you locate the start of a particular passage of music.

Quality recording and playback was further ensured by the super Permalloy tape head, highly stable motor/drive system and Dolby B Noise Reduction circuit.