Designer: Jacob Jensen

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BeoGram 2400

Bang & Olufsen BeoGram 2400

Beogram 2200/2400 were identical except that, when coupled to the Beomaster 2400, Beogram 2400 could also be operated by remote control.

To play records on either model it was necessary to simply press START and let the automatic system do the rest. As an additional safeguard, all functions could be operated with the protective lid closed. The electronic servo drive system kept turntable speed constant and correct, even during fluctuations in the mains supply. Careful arm geometry ensured that tracking angle was kept well below the level where it could affect the quality of the reproduced sound.

Bias effect was compensated automatically and needed no adjustment. The extreme lightness of the arm, together with the highly polished nude elliptical diamond carried by the MMC 20EN pickup in the 2400, resulted in an unusually low Effective Tip Mass (ETM). This means that your records would suffer very little wear, even after continual playing. Neither would they be damaged if the stylus was accidentally skidded across the surface.

Beogram 2400 could be made up as part of the Beosystem 2400 when linked together with other compatible Bang & Olufsen products.

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BeoGram RX2

Bang & Olufsen Beogram RX2

This fully-featured radial record player brought an extra dimension to all kinds of music systems.

It was ideal for those who love partying, with automatic anti-skating to prevent distortion, and Bang & Olufsen’s special chassis suspension which made the record player virtually ‘dance-proof’.

There was also automatic registration of record size and speed. Fine quality sound reproduction was provided by the lightweight tone-arm.

This deck was the last of the B&O radial tracking decks and was closely related to the excellent Beogram 5000. This is an excellent choice as a source for vinyl in a modern system requiring very little in the way of set up yet offering good audio performance.

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BeoGram 5000

Bang & Olufsen BeoGram 5000

Beogram 5000’s radial-tracking record deck was the perfect match for Beomaster 5000. Operation was entirely automatic. One touch on the PLAY control started the motor and activated the deck’s logic circuits which assessed the size and correct speed of the record and instructed the arm to lower the stylus into the run-in groove.

This was a very fast-acting yet highly accurate control system which gave you music within about 8 seconds – far more quickly and gently than the human hand could guarantee. This system was also error-proof; for example, it was impossible to lower the stylus unless there was a record on the turntable, so expensive mistakes and accidents just couldn’t happen.

At the end of the record the motor automatically switched itself off and the arm returned to its rest position. If you wished, you could hear the same record over and over again automatically; it was necessary to just press PLAY once for each repeat required. Up to 7 consecutive performances could be pre-programmed in this way.

Beogram 5000’s sound quality was everything you would expect from so sophisticated a unit. The ultra-lightweight arm had built-in anti-skating and tracking weight adjustment. It carried the MMC 4 pickup with a framed elliptical diamond stylus that tracked the record groove accurately and with minimum wear.

As a final grace note there was also an interior light that switched itself on automatically when the lid was opened and stayed alight while the unit was in play.

When connected to Beomaster 5000, Beogram 5000 offered the added convenience of full infra-red remote control. The record deck could also be used as part of the Beosystem 5000.

Finish: brushed aluminium, dark grey translucent dust cover

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BeoGram 2200

Bang & Olufsen BeoGram 2200

Beogram 2200/2400 were identical except that, when coupled to the Beomaster 2400, Beogram 2400 could also be operated by remote control.

To play records on either model it was necessary to simply press START and let the automatic system do the rest. As an additional safeguard, all functions could be operated with the protective lid closed. The electronic servo drive system kept turntable speed constant and correct, even during fluctuations in the mains supply. Careful arm geometry ensured that tracking angle was kept well below the level where it could affect the quality of the reproduced sound.

Bias effect was compensated automatically and needed no adjustment. The extreme lightness of the arm, together with the highly polished elliptical diamond carried by the MMC 20E pickup in the 2200, resulted in an unusually low Effective Tip Mass (ETM). This means that your records would suffer very little wear, even after continual playing. Neither would they be damaged if the stylus was accidentally skidded across the surface.

Beogram 2200/2400 could be made up as part of the Beosystem 2200 when linked together with other compatible Bang & Olufsen products.

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BeoGram 2202

Bang & Olufsen BeoGram 2202

Beogram 2202 and Beogram 2402 replaced models 2200 and 2400 and were eventually replaced by Beogram 2404 (looking the same externally as the former units) in 1983.

To play records on the fully-automatic Beogram 2202/2402 decks, it was necessary to simply press “start” and let the integrated systems do the rest. As an additional safeguard, all functions could be operated with the protective dust lid closed.

Thanks to the fine polish of their elliptical diamonds, and the low mass of the arm, these Beograms got the very best from your records without inflicting any significant wear. Careful arm geometry ensured that tracking error was kept well below the level where it could affect sound quality. Skating effect was compensated automatically. Beogram 2202 was fitted with an MMC 20E pickup, while Beogram 2402 has an MMC 20EN. When coupled to the Beomaster 2400-2 FM stereo receiver, Beogram 2402 could be operated by remote control.

Beogram 2202 / 2402 could be made up as part of the Beosystem 1900 or Beosystem 2400, when linked together with other compatible Bang & Olufsen products.

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BeoGram 2402

Bang & Olufsen BeoGram 2402

Beogram 2202 and Beogram 2402 replaced models 2200 and 2400 and were eventually replaced by Beogram 2404 (looking the same externally as the former units) in 1983.

To play records on the fully-automatic Beogram 2202/2402 decks, it was necessary to simply press “start” and let the integrated systems do the rest. As an additional safeguard, all functions could be operated with the protective dust lid closed.

Thanks to the fine polish of their elliptical diamonds, and the low mass of the arm, these Beograms got the very best from your records without inflicting any significant wear. Careful arm geometry ensured that tracking error was kept well below the level where it could affect sound quality. Skating effect was compensated automatically. Beogram 2202 was fitted with an MMC 20E pickup, while Beogram 2402 has an MMC 20EN. When coupled to the Beomaster 2400-2 FM stereo receiver, Beogram 2402 could be operated by remote control.

Beogram 2202 / 2402 could be made up as part of the Beosystem 1900 or Beosystem 2400, when linked together with other compatible Bang & Olufsen products.

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BeoGram 2404

Bang & Olufsen BeoGram 2404

An updated 2402 but with the revised lightweight arm designed to take the MMC5 cartridge.

Rather an afterthought, the 2404 was designed to work with the Beomaster 2400-2 and was fitted with the 7 pin DIN plug to allow control by remote. This was not compatible with Datalink. The last UK model of this design and interesting simply because it had the new cartridge but the old remote control software unlike the Beogram 6000 which boasted the new software and old cartridge.

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BeoGram 2000 (1974)

Beogram 2000 was an integrated two-speed (33rpm and 45 rpm) high-fidelity stereo record player with high specifications. But it was the simple, easy operation which was the most unique feature in Beogram 2000. A single master control executed all the essential functions.

All you need to do was to select the size of a record, 7″, 10″ or 12″ and press the button marked LIFT. Immediately, the turntable began to rotate at the correct speed (33 or 45 rpm) and the pick-up lowered into the first groove. At the end of the record, the pick-up arm returned to its resting position and the turntable switched off. Beogram 2000 was fitted with its own pick-up cartridge, SP 10A. This had a spherical naked diamond stylus.

Recommended- stylus pressure was 2 g. Its frequency range was 20-25.000 Hz ±3 dB. Distortion was lower than 1%, wow and flutter lower than 0.12% and rumble better than 60dB. Thanks to the pendulum suspension of the turntable and its pick-up am Beogram 2000 was insensitive to vibrations. A transparent dust lid was fitted to Beogram 2000. It could be opened at any angle up to 60 degrees or you could slide it off with ease.

This deck finally gave the ‘peg platter’ decks a proper lid. Not quite as advanced as the 1202, it was in all ways apart from the lid, a Beogram 1203.

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BeoGram 1203

Bang & Olufsen BeoGram 1203

Beogram 1203 was an automatic, high-fidelity stereo record-player with high specifications. It was beautifully-styled and extremely easy to operate. All you need to do was select the record size: 7″, 10″ or 12″ and press a button. The turntable automatically selected the correct speed: 33% or 45, and the pickup was lowered into the first groove.

At the end of the record, the arm automatically returned to its resting position and the turntable switched off. Beogram 1203 was fitted with its own pick-up cartridge, the SP 14A which had a spherical diamond stylus and a stylus pressure of 2g. Its frequency range was 20,000 Hz. ±3 dB. Distortion was lower than 1%, wow and flutter lower than ±0.15 % and rumble better than 58dB. The turntable and pick-up arm had a pendulum suspension which made the record-player insensitive to vibrations. A transparent dust lid and a spindle adaptor for playing centreless records were supplied with Beogram 1203.

It was in fact rather simpler than its immediate predecessor, the 1202 , and was based on the Beogram 2000 rather than the top of the range 3000.