BeoCom 1600 was a tabletop telephone which combined a modern design with ease of use and was the same telephone as the BeoCom 2400 but without the alpha numeric memory functions. It however, did have the normal numeric memory functions. Using this phone was easy.
As with all other Bang & Olufsen telephones, BeoCom 1600 was equipped with a bass reflex speaker giving clear and easy recognisable voices. An infra-red module was available as an optional extra, giving the user the ability to control the volume on other Bang & Olufsen audio and video products. It was designed by the Swiss industrial designer Martin Iseli.
The vertical placement of the BeoCom 1600 handset made it easy to answer a call. Making a call was equally simple due to the position and curved surface of the keypad. The ultra light handset ensured that even long telephone conversations never seemed tiring.
Design
Reach out to towards BeoCom 1600 and enjoy a telephone that was simple to understand and easy to use. The ultra light handset weighed only 115g – which made it comfortable to hold even during the longest of conversations. The intelligent layout of the sloping keypad also ensured that your fingers moved intuitively and easily from button to button and from function to function.
Features
With BeoCom 1600’s built-in memory you could store the 10 telephone numbers you used the most and enjoy quick one-button access to them. As well as a volume control that allowed you to adjust the sound level during a call, BeoCom 1600 also offered a built-in loudspeaker function and the possibility to mute the microphone in the handset.
Colours
There was a choice between black, blue, red, yellow, green, terracotta, and grey.
A/V Control
With an optional A/V volume control incorporated into BeoCom 1600, you could adjust the sound on your Bang & Olufsen audio-video products directly from the telephone.
BeoCom 1400 and BeoCom 1500 were the first in the ‘new’ series of Bang & Olufsen telephones after the classic BeoCom 2000. The 1400 and 1500 series had a keypad integrated into the handset and not within the base like BeoCom 1600 and 2400.
This made the phone very compact. However, the sound quality was just as high as the more expensive phones because the two phones featured the same type of bass reflex speaker. Since everything is integrated in the handset, Bang & Olufsen offered no less than five different holders. Three different holders for wall mounting, one simple, and one with a built-in notebook.
There was also a version with an infra-red module to control the volume on main Bang & Olufsen equipment. Two table bases were also available, with and without the above-mentioned infra-red module. The main difference between BeoCom 1400 and 1500 is that the 1400 didn’t have memory capabilities or volume control.
BeoCom 1401 is an easy-to-use telephone with simple functionality. Choose between a wall-mounted version and a table top model offering optional volume control for recent B&O products and from a wide array of strong colours. It’s also a no-nonsense telephone. The range is simple, straightforward and functional and at the same time offering incredible flexibility. It’s possible to combine different colours with both a wall and table holder and to incorporate a volume control for Bang & Olufsen’s audio-video products.
Features
Memory for 10 numbers, redial function for the last number, adjustable volume control, microphone mute and optional AV volume control
Flexible
With its wide range of colours and unlimited placement options, BeoCom 1401 offers a level of flexibility that makes it just as easy to live with as it is to use
Colours
Do you want your telephone to match with the surroundings or to stand out from the crowd? Take a look at the different colours you can choose for your BeoCom telephone and decide for yourself. Choose between black, blue, yellow, red, terracotta, green and grey
A/V Control
Have you ever tried to hold a telephone conversation while the television or loud music is blaring away in the background? With the optional AV volume control in the tabletop version of BeoCom 1401 you can adjust the volume on your Bang & Olufsen audio-video products directly from your telephone
General keypad
The keypad is built directly into the handset of BeoCom 1401 offering easy access to all functions.
BeoCom 1400 and BeoCom 1500 were the first in the ‘new’ series of Bang & Olufsen telephones after the classic BeoCom 2000. The 1400 and 1500 series had a keypad integrated into the handset and not within the base like BeoCom 1600 and 2400.
This made the phone very compact. However, the sound quality was just as high as the more expensive phones because the two phones featured the same type of bass reflex speaker. Since everything is integrated in the handset, Bang & Olufsen offered no less than five different holders. Three different holders for wall mounting, one simple, and one with a built-in notebook.
There was also a version with an infra-red module to control the volume on main Bang & Olufsen equipment. Two table bases were also available, with and without the above-mentioned infra-red module. The main difference between BeoCom 1400 and 1500 is that the 1400 didn’t have memory capabilities or volume control.
BeoCom 1000 was similar to BeoCom 2000 but it was not fitted with a loudspeaker or an LCD display. This lowered the cost while at the same time offering the usual high quality sound There was a choice of four colours: black, blue, green or red.
Bang & Olufsen did not invent the telephone. They just developed it a little further Bang & Olufsen’s Telecom Vision is to “constantly question the ordinary in search of surprising, long-lasting experiences”
Loudspeaker quality
Earphone coupling loss factor, receiver loudness rating value and acoustic leakage are technical terms that mean little to most telephone users. They are just some of the things that Bang & Olufsen test for to determine the sound quality of a BeoCom telephone.
The enhanced sound of the BeoCom telephone range is the result of Bang & Olufsen’s long-standing specialisation in the miniaturisation of high-performance loudspeakers. Every BeoCom handset contains a built-in pressure chamber loudspeaker that ensures optimal natural sound reproduction while minimising distortion and sound leakage.
But Bang & Olufsen telephones are not only the result of theoretical calculations and complicated acoustical analyses, the final test is the human ear itself. A listening panel made up of people with an extraordinary sense of hearing provides the most crucial evaluation of BeoCom telephones.
Telephone competence: even good telephones have bad days
Telephones are used a lot more than other electronic equipment and sometimes under tougher and more hazardous conditions. Design and technological features mean little if your telephone lets you down when you need it most, so the anticipation of what can happen to a telephone has been turned into a fine art at Bang & Olufsen.
Our telephones are exposed to extremes of heat and cold, we spill coffee over them, blow dust at them, step on them and subject them to a whole series of bumps, vibrations and falls.
And it’s not only the unexpected that’s tested for, a robot assesses daily wear and tear by methodically lifting and replacing the handset of a telephone 100,000 times, while a mechanical finger dials telephone numbers over and over again. In a space of days, we simulate the life of a telephone and everything the modern world may throw at it.
BeoCord V8000 video tape recorder matched the Beovision MX range of Bang & Olufsen televisions in looks as well as performance.
You could store a channel on the Beovision MX TV and it was automatically communicated to the V8000. Recording was a simple matter of selecting the programme directly from Teletext using the Beo4 remote control. It could be positioned by using one of the stands as part of a Beovision TV.
BeoCord V8000 rewound a three-hour tape in 95 seconds and it shifted from fast forward to play in a split second.
Other features included NTSC stereo playback. Looks-wise it embodied a black fascia with a choice of cabinets in pearlescent shades of blue, green, red, grey and black, plus glossy grey and glossy white.
BeoCenter 1 combines a state-of-the-art TV, a superior-quality DVD player and an intelligent FM radio in one product, and lets you control everything with a single, easy-to-use remote control – the Beo1.
With its impressive picture quality and powerful active speaker system, Beocenter 1 provides total entertainment in a minimum of space. And the integration doesn’t end with the technology. With six strong colours and five diverse stands – all with motorised turning – to choose from, Beocenter 1 can easily be assimilated into any setting.
In a world full of choices, Bang & Olufsen has already made the best ones for the consumer – and put it all at the command of a four-buttoned Beo1 remote control – the remote control unit dedicated to both Beovision 1 and Beocenter 1.
However, as from October 2002, both Beovision 1 and BeoCenter 1 were delivered with Beo4 remote control instead of Beo1 which was discontinued. In January 2003 a Dolby Digital Surround Sound kit will be available for both these TV models.
BeoCenter 1 is able to read and play DVD-R and DVD-RW discs.
BeoCenter 1 – Press Release 2000
” Bang & Olufsen announces the newest addition to it’s product portfolio. In combining an FM radio, a DVD player, a 25″ TV and a pair of active loudspeakers, BeoCenter 1 offers experiences as yet unmatched on the marketplace. Featuring appealing design and simple operation, the product also has the flexibility to fit in anywhere.
In continuance of the Beovision 1 concept, launched in November of 1999, the key features of BeoCenter 1 remain focused on versatility, simplicity and uncompromising picture and sound quality.
With the new BeoCenter 1, Bang & Olufsen is taking account of the varying needs of consumers when it comes to usage of audio and video equipment in the home. “
Different uses
Bang & Olufsen’s second compact A/V product (the first was BeoCenter AV5, launched in 1997), BeoCenter 1 features an elegant and unmistakably B&O design that makes its presence known, while astonishingly remaining discreet. And a wealth of the company’s long-standing values and innovative finesses lie packed in beneath the surface.
A combined A/V solution like this represents a whole new way of living with these different media – at least in modern times. But look back a few decades and radiograms and combined TV/gramophone units were de rigueur. Back then the TV was the altar at which the family congregated. But as the TV came to play a less dominant role in the home, so consumers rejected large combined systems in favour of smaller, individual audio and video products – thanks in part to new technology requiring less space.
Goes anywhere
Now the combined solution is back with a vengeance – but in minimalist guise, expressed through a design with an emphasis on flexibility rather than dominance.
BeoCenter 1’s flexibility stems primarily from a choice of five unique placement possibilities: from floating almost magically out from the wall, to sitting on a more traditional floor stand, to standing tall on a 160 cm column. Utilising the built-in motor, BeoCenter 1 can also be turned to face in different directions, simply and intuitively operated with the Beo1 remote control.
Externally, BeoCenter 1 offers a truly colourful experience. It is available in six different colours: green, black, yellow, blue, red and grey. This finishing touch helps ensure that BeoCenter 1 blends into any home interior.
But for a A/V centre to blend in absolutely anywhere, it needs to look good from every angle – not just head-on. So a lot of time was spent on making BeoCenter 1 look good from the back too – wave goodbye to gaping sockets and ungainly cable holders.
Furthermore, an A/V centre that goes anywhere also needs to produce a picture that looks good anywhere. BeoCenter 1’s automatic contrast, brightness and colour control means superb picture quality in more or less any light. Add the standard anti-reflection coated contrast glass to the 25″, 4:3 format screen, and the amount of incoming light is reduced by almost 99%, when compared with ordinary front glass.
To top it all off, the sound is rather special too. Two powerful active loudspeakers once again make Bang & Olufsen’s acoustic competencies heard loud and clear. Topping out at 96 dB stereo, the sonic experience remains true to the Bang & Olufsen goal of natural reproduction of sound.
Integrated DVD player
Surprising, intelligent, magical and discreet are some of the words of praise attracted by the DVD player. The DVD tray glides out like a tongue beneath the TV screen and naturally you get all the functions you would expect from a DVD player: Instant access to any particular film episode, pictures in studio quality and a thrilling sound experience.
Built-in FM radio
Seamlessly integrated into the compact cabinet of BeoCenter 1, the FM radio features 59 programme presets and a standard Radio Data System (RDS) module. The RDS module allows the user to see the name of the radio station in the display, provided the broadcaster transmits the proper identification signal.
Personalised Channel Groups
Another major innovation is that each user can create his or her own personal group of up to 18 TV channels (terrestrial, satellite and cable) and radio stations. Again this is in the name of simplicity – it can be hard to keep track of the rapidly increasing number of TV channels available. Another option is to have subject groups rather than personal groups – like sports channels or movie channels. Up to eight different channel groups can be created.
Simplicity even extends to remote control
The Beo1 remote control is a miniature sculpture completely unlike its traditional counterparts, in that it features a built-in base so that it can stand upright on the table. And with only a few buttons, it is also striking in its simplicity – one of the themes in BeoCenter 1. All system components are operated by using the Beo1. Simply navigate through the simple options on the display beneath the TV screen.”
As easy on the eye as they are on the ear, BeoLab 6000 loudspeakers – designed by David Lewis – defy conventional thinking in delivering the maximum sound from the minimum of space.
There’s not much point in thinking about BeoLab 6000 in terms of watts, woofers or tweeters. There has never been loudspeakers that look like this – or so clear and rich a sound produced from such slender cabinets. BeoLab 6000 represents both the engineering skills as well as the design capabilities from Bang & Olufsen.
BeoLab 6000 is probably one of the most famous speakers around today being a part of the standard exhibition at the Museum of Modern Art in New York along with some other Bang & Olufsen equipment, namely the Beovox Cona (a subwoofer) and the Beocord VX5000, which by the way looks almost exactly as the VX7000 does. BeoLab 6000 is a smaller version of the BeoLab 8000 with the same active construction but with even smaller net volume: 3 litres.
A great advantage with the BeoLab 6000 is the fact that it has two PowerLink connections giving the possibility to loop-through the signal to the second speaker directly. This speaker is used very often as the second pair in a Dolby Pro-Logic setup for example in the AV9000 system.
” When it comes to sound reproduction we believe there’s only one relevant parameter: How close can we come to the originally recorded sound. We feel an obligation not to disturb the intentions of the artist by adding unnatural elements to the acoustic image. Therefore all Bang & Olufsen loudspeakers share the same goal. They differ in size and shape and in terms of sound pressure level. But they are all developed to reproduce the natural, unaltered sound as closely as possible ” – Bang & Olufsen catalogue 2001 – 2002
Features:
BeoLab 6000 fills the room with sound
The choice is simple – you can fill your home with big black boxes, or you can make a stand with BeoLab 6000 and fill it with beautiful sound and beautiful looks.
Aluminium
Formed from a single piece of aluminium, BeoLab 6000 is shaped to stand out from its surroundings, but coloured to match any Bang & Olufsen audio or video setup.
Active loudspeaker benefits
How does B&O reduce the overall size of a loudspeaker, but improve its sound performance? It can only be done by placing the amplifiers directly into the loudspeaker cabinet. It’s called ‘Active Loudspeaker Technology’ and is used to combine the purest of sounds with the smallest and simplest of shapes.
Fits any room
With a height of just 110cm and a depth of 10cm, finding space for a pair of BeoLab 6000 speakers is never going to be a problem. Its superior sound capabilities ensure that its performance will never dictate your placement options. The polished aluminium cabinet is available in a range of colours – black, blue, green, red and natural – that will match any Bang & Olufsen audio or video setup.
Materials and finish
The deliberate choice of material, and the final surface treatment of the products’ finish, are characteristic of Bang & Olufsen and one of their true core competences. B&O’s designers know that people use several of their senses in experiencing a product. They therefore derive great pleasure from tactile experiences, whether they are touching a cold or a warm surface, or one that is smooth or textured. The span of materials used for Bang & Olufsen products is wider than that of any other company within the trade, and they are carefully selected for their high quality and their ability to fit naturally into a home environment. The finish is then refined to perfection and created to provide a tangible experience that supports the visual impression.
Why build amplifiers into the loudspeakers instead of keeping them separate?
Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity. The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units.
Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from (See active speakers)
Deep bass: how to make deep bass with a shallow cabinet
All loudspeakers, regardless of brand, size or construction, make sound by converting electric energy into acoustic energy. They push air in waves, which is what our ears pick up. To get high sound pressure, you need to move a lot of air.
You can use a very large diameter loudspeaker membrane, which moves a very short distance. Or (as Bang & Olufsen prefer), you can make the membrane “deeper”, in other words, make it move a greater distance with a smaller diameter. Imagine two balloons, one round and shaped like a ball, the other long and tubular. Both contain the same amount of air; it’s simply their shapes that are different.
A side benefit to the deeper membrane is that it allows a smaller cabinet, with greater freedom as far as form and function are concerned.
Since no two loudspeaker units have exactly the same physical characteristics, Bang & Olufsen calibrate them individually to make certain that the sound of each and every loudspeaker leaving our factory is identical. By employing an active electronic crossover network with equalization, we’re able to adjust frequencies before they’re amplified. The signal from the sound source is shaped before distribution to the separate power amplifiers for bass and treble.
In this way, the performance of the various components is “fine-tuned”, until they produce an ideal, harmonised output, which will be the same, no matter which BeoLab loudspeaker you feast your eyes upon. The custom made driver units of a BeoLab loudspeaker feature extra-heavy membranes with longer movement, which help produce a deeper bass.
Adaptive Bass Linearisation
Adaptive Bass Linearisation (ABL) is a process patented by B&O and is incorporated in BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension – a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce.
The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation.
ABL gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels.
BeoLab 6000: active loudspeaker, 2 power amplifier modules, adaptive bass linearisation and aluminium cabinet.
” When it comes to sound reproduction we believe there’s only one relevant parameter: How close can we come to the originally recorded sound. We feel an obligation not to disturb the intentions of the artist by adding unnatural elements to the acoustic image. Therefore all Bang & Olufsen loudspeakers share the same goal. They differ in size and shape and in terms of sound pressure level. But they are all developed to reproduce the natural, unaltered sound as closely as possible ” – Bang & Olufsen catalogue 2001 – 2002
Squeeze a pair of BeoLab 4000s into the bookcase in your study and link them to the music system in the living room, via a Beolink® ‘eye’, which responds to your remote control. Whether it’s a matter of placement or simple colour co-ordination, BeoLab 4000 turns flexibility into an art form. Placing amplifiers directly in the loudspeakers themselves not only improves sound quality but allows the manufacturer to reduce the cabinet’s overall size. The result is a compact loudspeaker that can sit on a shelf, bookcase or hang, at almost any angle, from the wall or ceiling. Available in six vivid colours, BeoLab 4000 is equally at home in a stereo setup, a surround sound system or as superior multimedia speakers for your computer.
Features:
BeoLab 4000 fills the room with sound
You can’t see sound, but that doesn’t mean that it has to be totally invisible. BeoLab 4000 is formed from aluminium that’s polished until it shines like a mirror. It also comes in an array of colours – not only to suit your interior decoration, but because life itself is full of colour
Aluminium
Aluminium is the perfect material for BeoLab 4000. It’s light, but offers an impressive stiffness despite a thickness of only a few millimetres. It also makes it easier to obtain the loudspeaker’s unique curved form, which is important for avoiding problems with audible artefacts due to internal standing waves in the cabinet
Active loudspeaker
The equation used to be a simple one; the louder the sound, the bigger the loudspeaker – but not anymore. Placing the amplifier directly into the loudspeaker allows us to reduce the overall size of the BeoLab 4000 to one third of a conventional loudspeaker with the same sound capacity.
Adaptive Bass Linearisation
Adaptive Bass Linearisation (ABL) is a process patented by B&O and is incorporated in BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension – a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce.
The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation.
ABL gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels.
Why build amplifiers into the loudspeakers instead of keeping them separate?
Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity. The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from.
The cube
During the development phase, all BeoLab loudspeakers are put through their paces in ‘The Cube’, Bang & Olufsen’s own acoustic measurement facility. In the 12 x 12 x 13 metre room, the entire audible spectrum is played through the loudspeaker to give a perfect picture of it’s sound ‘fingerprint’.
Performance
To ensure an optimal performance every time you listen to it, a BeoLab loudspeaker constantly fine-tunes the signal received from the sound source before distributing it out to the separate bass and treble power amplifiers.
The listening panel
Since it’s humans that will listen to BeoLab 4000, it’s important that a human ear should also measure its quality. That’s why Bang & Olufsen employs its own Listening Panel to scrutinise every step in a loudspeaker’s development. If any sonic shortcomings are discovered, the whole project is returned to the drawing board.
Individual Calibration
Since no two loudspeaker units have exactly the same physical characteristics, we calibrate them individually to make certain that the sound of each and every BeoLab 4000 loudspeaker leaving the factory is identical.
Appearance
Using aluminium for the cabinets is not just about looking good. Despite a thickness of only a few millimetres, it’s a remarkably strong metal that’s easily shaped to eliminate the problems with audible artefacts due to internal standing waves in the cabinet.
Rule of thumb
Substitute cabinet volume (the amount of space a loudspeaker takes up) for amplifier power (which doesn’t take up much) and cabinets like that of the BeoLab 4000 can be reduced to one-third the size of a conventional, passive loudspeaker with the same sound capacity.
Flexibility in placement
You can use BeoLab 4000 as your main loudspeakers or as extras in a Bang & Olufsen surround-sound set-up. Their ability to fit into the smallest of spaces, or to be hung on the wall at almost any angle, also makes them the perfect loudspeaker for the Beolink® system. BeoLab 4000 owes its shape to the fact that active loudspeakers produce heat if they have to play for a long time without a pause. Squeeze it into a bookcase and it will still have sufficient cooling air around it, no matter how many books it shares its space with. Raised on the optional stand, BeoLab 4000 presents itself at the same angle as BeoSound Ouverture.
Even Cooler?
2007 saw the introduction of the Beolab 4000 Mk2 . Almost unheralded, the main change was the use of ICE amplifiers to replace the AB type. At first glance it would appear that the amplifiers from the Beolab 4 were being used. These offered a power output of 35W each with 2 being used. This was remarkably similar to the real output of the older amplifiers and not surprisingly the maximum sound levels achievable were not changed. Indeed it was unlikely that any customers would have noticed the change if not told.
Part numbers: BeoLab 4000 front covers
Green 1603894
Grey 1603895
Black 1603896
Yellow 1603897
Blue 1603898
Red 1603899
Mounting Options
Wall mounting brackets were supplied with this model. Pole mounted Floor Stands were the only other option.
Quality loudspeakers provide well-modulated sound expression, and at the same time a visual personality that also commands attention. Bang & Olufsen’s BeoLab 3000 and Beovox 3000 loudspeakers had both the voice and the looks for a leading, acoustic role. Because of their thin shape, they became known as Panel loudspeakers.
Panel loudspeakers were one of the most exciting examples of how Bang & Olufsen united advanced technology and stunning design to achieve totally new effects. They didn’t look like high specification loudspeakers,, but their sound gave them away. Even at full volume they kept the total sound picture in perfect balance.
The elegant, flat loudspeakers were designed to be hung on the wall. And with their calm surfaces of blue or grey fabric coupled with beautiful, polished steel they looked like works of art presented in their own right. The idea of the panel speakers was based upon an advanced, acoustic principle that uses the wall as an active part of the sound reproduction, without causing the wall itself to vibrate.
They were available with or without amplifier and display showing which source was playing, at what volume, and which track number on a CD or tape you were listening to.
With display and amplifier the panel, speakers were called BeoLab 3000. Without, they were known as Beovox 3000.
The options depended on which Bang & Olufsen sound system was connected. You obtained maximum utilisation from Beosystems 6500, 4500, 3500 and Beocenters 9500 and 8500.
Why build amplifiers into the loudspeakers instead of keeping them separate?
Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity.
The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from.
Mounting Options
Wall mounting brackets were supplied with this model. No other mounting solution wall offered.
Bang & Olufsen’s preferred supplier for brackets and stands, STBbrackets, have made a range of solutions specifically for this model. Distributed throughout the World by the Bang & Olufsen store network, the STB options add to the diversity of mounting options and positions available.
»Wall Mounting Brackets
Wall Bracket for BeoVox & BeoLab flat panel speaker range
WB3000 has been introduced to meet a growing demand to mount Bang & Olufsen flat panel speakers to the wall. The bracket (sold as a pair) is a faithful reproduction of the original which was supplied with the speakers. These beautiful speakers can now be installed on to the wall, where they are a genuine and authentic Bang & Olufsen statement.
