The smaller version of the Bang & Olufsen ‘Goliath’ Plasma Televisions, the BeoVision 4- 85 featured the latest Panasonic 3D enabled Plasma Screen. Processing was done via the 3D BeoSystem 3 (Type 7711) and to be fair, at the time this was fantastic image quality and motion handling. The panel itself was housed in the rounded frame style of the current (at the time) 50″ and 65″ versions of the BeoVision 4 which gave quite a smooth and slick look.
The default ‘package’ for most Dealers saw the screen sitting on the incredible piece of engineering which was the hydraulic ‘motorised floor stand’ which lifted the screen up and then slightly backwards to reveal the BeoLab 10 Mono Centre Speaker. The BeoSystem 3 and associated cabling was housed behind an MDF cabinet which hooked onto and over the rear. This motorised floor stand was a very theatrical way to turn the TV on, but after spending almost £70,000 on a TV you’d certainly demand some entertaining
” BeoSound 1 is maximum expression. Simple, elegant and easy to move around. Use it in your home, in the office, or bring it with you on holiday. Sleek and sturdy the BeoSound 1 fits in wherever you have a desire for great sound “ B&O Catalogue 2001 – 2002
With a tough, robust construction, BeoSound 1 is constructed to be moved and used anywhere. From the home to the work place, and everywhere in between, it offers you CD and radio with the simplest of plug-and-play functionality. And hidden behind the compact design lies a set of exceptionally powerful loudspeakers, capable of producing a dynamic sound far beyond the modest dimensions of the cabinet.
Sound
From intense rhythms to laid-back listening – the impressive three-way loudspeaker system hiding behind the cool aluminium front will handle the deepest bass and highest notes with ease. With its integrated handle, BeoSound 1 is easy to pick up and move around. It’s small enough to fit in anywhere, but still big enough to power a party with a sound that’s true, pure and clear. With its integrated handle, BeoSound 1 is easy to pick up and move around. It’s small enough to fit in anywhere, but still big enough to power a party with a sound that’s true, pure and clear.
Design
Life can be rough, but BeoSound 1 is built to take all the knocks. Tough, robust and solid, it’s a piece of musical freedom that’s always ready for take off. Do you want BeoSound 1 to stand out or blend in? Should it make a statement or become a part of its surroundings? The perforated aluminium front comes in 5 different colours – natural aluminium, black, blue, green and russet – which lets you decide for yourself.
Operation
Just plug it in and BeoSound 1 is at your command. All the buttons are concealed behind the front panel and in a layout that’s easy to understand and simple to use. BeoSound 1 can also be controlled via a Beo4 remote control. The discreet display keeps you in touch with what source you’re listening to.
CD and radio
Press “Load” and watch the CD holder flip up to accept your disc. Or switch over to Radio and listen to one of the 60 stations that can be stored in the programme memory. And if you ever need better reception, the aerial will rise at the touch of a button. BeoSound 1 was updated mid-October 2002 with an addition of a Wake Up Timer. There is also a new colour to the existing range – violet – with jade green being discontinued.
BeoSound 1 wins Japanese design award
In late 2002, the monthly magazine Nikkei BP Design marked its 15th birthday by conferring gold, silver, bronze and special “Nikkei Design” awards. Bang & Olufsen won an impressive bronze award for BeoSound 1. In their citation, the judges emphasised the striking design and that Bang & Olufsen are challenging the market for portable music . They also emphasised that the relatively low price will appeal to young people, while the straightforward functionality will “appeal to the older generation”. (From Beolink magazine 5, March 2003) BeoSound 1 – a golden opportunity to purchase the first models on the Internet – Press Release August 2001 Reach out for BeoSound 1 on the Net – Limited edition of new movable sound system may only be ordered via Internet ” On 15 September the first ever Internet event from Bang & Olufsen will be launched. Running simultaneously with the release of a newly revised home page, this special event will feature on-line reservation of a limited edition BeoSound 1. The newest audio product from B&O integrates a CD player, FM radio and powerful active loudspeakers in a surprising design. Encased in an exclusive Internet-only russet yellow colour, these 1,000 units will be available for pre-launch reservation only through visiting the Bang & Olufsen Web site.
On-line reservation
On-line reservation of the limited edition BeoSound 1 takes place quickly and simply; the visitor only needs to click on the appropriate photograph and fill out the registration fields that appear next. Filling out his or her name, address, e-mail and the like, he or she will receive a special BeoSound 1 screen saver as well. The 1000 units will be reserved on a first-come, first-served basis. When they are no longer available, the special BeoSound 1 screen saver will be provided to event visitors, along with an invitation to visit their local B&O dealer to receive a product demonstration.
Choose their own dealer
One of the most important elements in this campaign is that the visitor chooses from which Bang & Olufsen dealer he or she will purchase the physical product. It is through this dealer, and not Bang & Olufsen a/s, that all purchase-related elements will take place, including delivery and after-sales service.
Certificate and individual numbering
A special welcome envelope containing a Special Edition Certificate will accompany each product, in addition to a special silver label indicating the individual production number of the product, such as 1/1000, 2/1000, 3/1000 and so on.
Delivery upon market launch
Whilst the customer may reserve a BeoSound 1 already from 15 September, the delivery will not take place until the actual launch of the product in his or her market. This rolling launch process stretches from week 45, 2000 until week 6, 2001, dependant upon market. ”
BeoSound 1 with timer: a movable music centre
“Place your BeoSound 1 where you like. The compact design enables you to bring it with you anywhere. BeoSound 1 gives you an excellent sound experience no matter how near or far you are from the speakers. The sound is optimised and no additional settings.”
CD operation:
All buttons on BeoSound 1 are located at the back of the operation panel together with the CD compartment. Press LOAD to raise the CD compartment. With the CD compartment raised, offer the CD into the slot provided. Always load the CD with the CD label facing upwards. Press LOAD again to lower the compartment or just press CD to play your CD. If no CD is loaded when you press one of the CD buttons, the CD compartment raises, ready for you to load a CD. When the CD has stopped playing and no commands have been received for 30 minutes, BeoSound 1 switches to standby.
Radio operation:
You can store up to 59 different radio stations. To step between stored radio stations, the programme number or frequency must be shown in the display. To listen to the radio, just press one of the radio buttons, the radio will start playing on the radio station you last listened to. You can extend the built-in aerial by pressing the AERIAL button.
Features
the speakers will be muted when headphones are connected. BeoSound 1 presents essential audio sources in a compact and easily operated way the compact design and the built-in handle lets you to take the music with you remove the cover at the back of BeoSound 1 and connect the headphones to the socket the radio finds the first available station the first time you press the RADIO button press AERIAL to extend or retract the built-in aerial. You can also push the aerial down manually if no CD is loaded when you press CD, the CD compartment raises automatically, ready to be loaded with your favourite CD you can adjust and store the volume level at any time. The display will keep you informed of what you have chosen and you can set the display light to the level suitable for you. Also, choose the display mode you prefer for radio stations; programme number or frequency
Timer facilities
BeoSound 1 has a built-in 24-hour clock. If you wish to make use of the Wake-up Timer function, you must first make sure that the built-in clock in the BeoSound 1 has been set correctly. If BeoSound 1 has been disconnected from the mains for about 30 minutes, the clock must be set again. You can program BeoSound 1 to wake you in the morning. The Wake-up Timer is a once-only timer. Like an alarm clock it is deleted once it has been executed. While the Timer is being carried out, the time is shown in the display. When you operate or switch off your BeoSound 1, the display returns to the mode you have chosen. Once you have made one Wake-up Timer, BeoSound 1 automatically suggests the time you entered for the latest Wake-up Timer in the display when you enter a new one. Wake-up Timers can of course also be deleted again. When you choose radio as your source, the radio will start playing on the station you last listened to. If you choose CD as your source, it is essential that a CD is first loaded. If you do not choose a source, the radio, by default, will be used for your Wake-up Timer.
Beo4 operation
Although designed primarily for close-up operation, BeoSound 1 can also be operated from a distance. The Beo4 remote control operates all the primary functions in your BeoSound 1. With Beo4, you can switch on or off, select radio programmes or CD tracks and adjust sound. You can also use the Beo4 remote control to enter a Wake-up Timer. This is carried out while BeoSound 1 is in standby by pressing the MENU button on Beo4. Pressing the red button on the Beo4 remote control will show the time in the display. Note that if the clock has not been set, or BeoSound 1 has been disconnected from the mains for approximately 30 minutes, it is not possible to set a Wake-up Timer. The clock must be set first. You can call up the settings for the Wake-up Timer in the display to check the time or to delete the Wake-up Timer.
Protecting your BeoSound 1
You can choose whether or not to activate the PIN code system as a security measure against unwanted usage or theft. By activating this, BeoSound 1 is protected with a four-digit PIN code. The use of a PIN code means that if BeoSound 1 is disconnected from the mains for more than 30 minutes, the system can only be activated again by keying in your own personal PIN code. If the PIN code is not entered, BeoSound 1 automatically switches to standby after 3 minutes. If a wrong PIN code is entered, you are allowed five attempts to key in the code, after which the system is switched off and cannot be switched on for 3 hours. Should you forget your PIN code, it is necessary to contact a retailer who can assist you in receiving a Master Code from Bang & Olufsen. You need this code in order to reactivate your BeoSound 1. Note that if a wrong code is entered a second time, the cue ‘Err’ appears in the display and you must enter and confirm the code again. If you accidentally store a wrong digit, pressing STOP will delete all digits again and you can enter new ones. You may change your PIN code at any time. However, for security reasons it is only possible to change the PIN code five times within a period of 3 hours. You must enter your current PIN code before changing the code.
Changing your BeoSound 1 cover:
You can change the front cover of your BeoSound 1 to complement your new room décor by using the following tips. Like always, if you’re unsure about what you’re doing then consult a professional Bang & Olufsen technician who will be able to do this task for you easily and safely. Use the floor or some soft furnishing to avoid damaging your unit: With the BeoSound 1 isolated from mains electricity lie it down on the floor with the front panel facing upwards and the controls away from you, at the top Press firmly but gently on the outside rim of the front cover about one-third of the way down from the top; at the same time pushing the cover up, away from you This will release the mechanism and the cover will slide up and off the front of the unit To replace the cover position it onto the front of the unit- ensuring that the inner black plastic ‘screen’ is positioned in the sliders within the metal cover Gently place the cover back into its cut-out grooves on the unit, about one centimetre or so from the base Firmly but gently push down the cover towards you. The cover should gently ‘snap’ into place!
BeoSound 1 Special Edition
In 2001, before BeoSound 1 was available to purchase in High Street stores, a gold-coloured version – limited to 1000 models – could be bought only from the Internet. Needless to say, this limited edition was sold very quickly and at the time was very desirable. However, as the CD format has sadly lost it’s appeal, the value of these units has declined to the point of them only being worth what someone is prepared to pay – which isn’t much!
An update to the cheapest of the column speakers, this saw the Class AB amplification discarded along with the large heat sinks. Instead 2 cool running ICE amplifiers were fitted, both rated at 125W.
The LED was repositioned and the finish of the foot changed to match the TV range. A three position switch for wall, corner and free position settings was now fitted and the previous model’s phono plug was deleted. 2 Powerlink sockets were still present though.
” When it comes to sound reproduction we believe there’s only one relevant parameter: How close can we come to the originally recorded sound. We feel an obligation not to disturb the intentions of the artist by adding unnatural elements to the acoustic image. Therefore all Bang & Olufsen loudspeakers share the same goal. They differ in size and shape and in terms of sound pressure level. But they are all developed to reproduce the natural, unaltered sound as closely as possible ” – Bang & Olufsen catalogue 2001 – 2002
Squeeze a pair of BeoLab 4000s into the bookcase in your study and link them to the music system in the living room, via a Beolink® ‘eye’, which responds to your remote control. Whether it’s a matter of placement or simple colour co-ordination, BeoLab 4000 turns flexibility into an art form. Placing amplifiers directly in the loudspeakers themselves not only improves sound quality but allows the manufacturer to reduce the cabinet’s overall size. The result is a compact loudspeaker that can sit on a shelf, bookcase or hang, at almost any angle, from the wall or ceiling. Available in six vivid colours, BeoLab 4000 is equally at home in a stereo setup, a surround sound system or as superior multimedia speakers for your computer.
Features:
BeoLab 4000 fills the room with sound
You can’t see sound, but that doesn’t mean that it has to be totally invisible. BeoLab 4000 is formed from aluminium that’s polished until it shines like a mirror. It also comes in an array of colours – not only to suit your interior decoration, but because life itself is full of colour
Aluminium
Aluminium is the perfect material for BeoLab 4000. It’s light, but offers an impressive stiffness despite a thickness of only a few millimetres. It also makes it easier to obtain the loudspeaker’s unique curved form, which is important for avoiding problems with audible artefacts due to internal standing waves in the cabinet
Active loudspeaker
The equation used to be a simple one; the louder the sound, the bigger the loudspeaker – but not anymore. Placing the amplifier directly into the loudspeaker allows us to reduce the overall size of the BeoLab 4000 to one third of a conventional loudspeaker with the same sound capacity.
Adaptive Bass Linearisation
Adaptive Bass Linearisation (ABL) is a process patented by B&O and is incorporated in BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension – a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce.
The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation.
ABL gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels.
Why build amplifiers into the loudspeakers instead of keeping them separate?
Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity. The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other’s shortcomings. What you hear is music that sounds exactly like the instrument it originally came from.
The cube
During the development phase, all BeoLab loudspeakers are put through their paces in ‘The Cube’, Bang & Olufsen’s own acoustic measurement facility. In the 12 x 12 x 13 metre room, the entire audible spectrum is played through the loudspeaker to give a perfect picture of it’s sound ‘fingerprint’.
Performance
To ensure an optimal performance every time you listen to it, a BeoLab loudspeaker constantly fine-tunes the signal received from the sound source before distributing it out to the separate bass and treble power amplifiers.
The listening panel
Since it’s humans that will listen to BeoLab 4000, it’s important that a human ear should also measure its quality. That’s why Bang & Olufsen employs its own Listening Panel to scrutinise every step in a loudspeaker’s development. If any sonic shortcomings are discovered, the whole project is returned to the drawing board.
Individual Calibration
Since no two loudspeaker units have exactly the same physical characteristics, we calibrate them individually to make certain that the sound of each and every BeoLab 4000 loudspeaker leaving the factory is identical.
Appearance
Using aluminium for the cabinets is not just about looking good. Despite a thickness of only a few millimetres, it’s a remarkably strong metal that’s easily shaped to eliminate the problems with audible artefacts due to internal standing waves in the cabinet.
Rule of thumb
Substitute cabinet volume (the amount of space a loudspeaker takes up) for amplifier power (which doesn’t take up much) and cabinets like that of the BeoLab 4000 can be reduced to one-third the size of a conventional, passive loudspeaker with the same sound capacity.
Flexibility in placement
You can use BeoLab 4000 as your main loudspeakers or as extras in a Bang & Olufsen surround-sound set-up. Their ability to fit into the smallest of spaces, or to be hung on the wall at almost any angle, also makes them the perfect loudspeaker for the Beolink® system. BeoLab 4000 owes its shape to the fact that active loudspeakers produce heat if they have to play for a long time without a pause. Squeeze it into a bookcase and it will still have sufficient cooling air around it, no matter how many books it shares its space with. Raised on the optional stand, BeoLab 4000 presents itself at the same angle as BeoSound Ouverture.
Even Cooler?
2007 saw the introduction of the Beolab 4000 Mk2 . Almost unheralded, the main change was the use of ICE amplifiers to replace the AB type. At first glance it would appear that the amplifiers from the Beolab 4 were being used. These offered a power output of 35W each with 2 being used. This was remarkably similar to the real output of the older amplifiers and not surprisingly the maximum sound levels achievable were not changed. Indeed it was unlikely that any customers would have noticed the change if not told.
Part numbers: BeoLab 4000 front covers
Green 1603894
Grey 1603895
Black 1603896
Yellow 1603897
Blue 1603898
Red 1603899
Mounting Options
Wall mounting brackets were supplied with this model. Pole mounted Floor Stands were the only other option.
The Beolab 11 is the new lower priced subwoofer, designed in particular to accompany the Beovision 10. It utilises a design principle seen in other subwoofers of having identical units firing in opposite directions and hence making the structure more stable. Indeed the B&W PV1 does just this using B&O ICE amplification.
B&O however have added a new twist to the equation by having the two 130mm drive units firing inwardly and so allowing the external casing to be made from the same polished aluminium seen in the Beovision 10.
Amplification is via a 250W ICE unit and so the speaker can be seen to fit below the Beolab 2 in the range.
Mounting Options
As a result of the balanced drive units, the Beolab 11 will be offered both as a floor standing model and with a wall bracket. This is again designed to match the Beovision 10. The Beovision 10 in both 40″ and 46″ versions is designed so that it can be used as a stand alone set but still utilise the subwoofer output.
This should add the lower frequencies not able to be produced due to the small speaker enclosure of the Beovision 10.
The Beolab 11 will stand just 320mm high on the floor stand. The cross over frequency and bass lift is set with a collection of switches on the base. There is a Powerlink connection and two Powerlink outputs so it can be used in a stereo system.
