This radial-tracking record deck had a lightweight turntable (only 400g) to minimise torque at starting. The automatic cueing system was also very fast-acting, so it was only a matter of a few seconds between touching the PLAY control and hearing the music.
The tone arm had built-in anti-skating and carried the MMC 4 pickup, ensuring accurate tracking and excellent sound quality. Normal PLAY and STOP functions were entirely automatic and could be operated with the lid closed; manual buttons for playing non-standard discs were located on the deck plate. In addition to automating the setting of correct speed and cueing position for each record, the Beogram’s built-in microcomputer allowed a REPEAT function, which could be programmed for up to 7 plays of the same record.
Drive was provided by a tacho-controlled DC motor via a flat rubber belt, so turntable speed was always accurate and could not be affected by fluctuations in the mains supply.
When used with Beomaster 2000, an electronic data-link allowed Beogram 2000 to be operated by the Beomaster’s controls. Beogram 2000 could also be made up as part of the Beosystem 2000, when linked together with other compatible Bang & Olufsen products.
Beocord 4500 cassette recorder housed exciting details and distinguished technology. Like Auto Reverse, so you did not need to turn over the tape. Automatic registration of the type of tape, and Bang & Olufsen’s patented HX-PRO recording system that provided optimal sound reproduction. Both in design and technology, Beocord 4500 was a direct extension of Beomaster 4500.
The cassette recorder featured Bang & Olufsen’s own HX-PRO recording system which ensures that recordings are made as perfectly as possible. With the Beolink 1000 terminal or by lightly touching the panel itself, you could select a particular piece of music you wanted to hear. The search system found it automatically whether it was on Side 1 or Side 2 of the cassette. For Beocord 4500 had Auto Reverse so you did not have to turn the tape over.
The recorder was also equipped with Dolby B and knew exactly what type of tape you were using. Beocord 4500 could be used as part of the Beosystem 4500 hi-fi system.
Beocenter 2300 was dedicated to the CD enthusiast who, for example, like to store the titles of favourite CDs, or permanently skip unwanted tracks. It was known as Beosystem 2300 when connected to the BeoLab 2500 active speakers. It was eventually surpassed by BeoSound 3000 when it included more features and received a facelift in 2001.
Beocenter 2300 was developed from the idea of a flexible music system that could compete with the sound quality of heavy music systems. Thanks to the advent of active speakers, this was a possibility with both Beocenter 2300 and its similarly-equipped sibling (which also had cassette tape recording and playback) the Beocenter 2500. With active speakers, each of the powerful bass and treble units were equipped with their own separate amplifiers. In addition, the electronic cross-over network ensured full bass reproduction.
The loudspeakers were located on both sides of a centre console, where two clear glass covers automatically glided to the side when a hand was passed in front of them. Behind the glass covers there was access to the operating panel, receiver, CD player and a cassette recorder.
The receiver allowed the option of presetting 2 x 20 FM/AM radio stations. The cassette recorder featured Auto Reverse, Automatic Recording level, search function and Bang & Olufsen’s HX-PRO recording system, a system which ensures that the sensitive treble range is captured in recording. The memory in Beocenter 2300’s CD player allowed you to edit up to 100 CDs.
Both systems could be operated via their operating panel or a Beolink 1000 or Beolink 5000 remote control. There were sockets for headphones and connection to additional sound sources; extra loudspeakers can also be connected.
Beocenter 2300 was available with loudspeaker panels in cobalt grey, black, white, cerise or jade and could be made up to the Beosystem 2300 when incorporated with the BeoLab 2500 active loudspeakers.
Mounting Options
This classic design was reincarnated over a 21 year period with various mounts and stands. Floor stands were available with a pole stand or CD and tape storage, wall mount solutions allowed for the Hi-Fi only, or with BeoLab2500 speakers until these were discontinued
Designed as a perfect match, both physically and technically, for the Beomaster 2000, this advanced slim-line cassette deck was nonetheless a serious hi-fi product in its own right, combining a high-performance specification with supreme ease of operation.
Despite its unassuming appearance, Beocord 2000 contained a full pay-load of advanced circuitry plus a few extra features rarely found in cassette decks within this price frame. The primary controls – those concerned with tape movement – were totally electronic and designed on the Sensitouch principle. There were no knobs to turn or keys to press; a light fingertip touch was sufficient to activate any function.
Ferric, chrome or metal tapes could be used, and Dolby B noise reduction was included to ensure clean, hiss-free recordings. A clearly calibrated scale and input slider, together with large Peak Programme Meter, made it quick and easy to set accurate recording levels. These controls were placed adjacent to the cassette tray beneath a hinged lid which sprang open at a touch.
Beocord 2000’s built-in microcomputer made operation fast and foolproof. It was possible to switch directly between any and all tape transport modes without harming the tape, the mechanism or the motor. Microcomputer intelligence also opened the way for additional control functions that contributed in a very practical way to daily enjoyment of taped music.
A NEXT control allowed for easy track location (tape scan): one touch fast winds the tape to the next signal gap and plays the following track – automatically. So if you wanted to hear, for example, track number 5, just touch-and-wait four times and the place would be found for you. Similarly, you could repeat play-back of a favourite track up to five times with just a single touch. It’s such a convenient way of listening to exactly what you want, when you want.
Beocord 2000 had a socket for data-link connection to Beomaster 2000 so that direct switching was possible between Beomaster, Beogram and Beocord in the Beosystem 2000. The deck could also be data-linked to Beomaster 5000 or Beomaster 6000, when all tape functions could be operated via the receiver’s remote control system. Beocord 2000 could be made up as part of the Beosystem 2000, when linked together with other compatible Bang & Olufsen products. It was also part of Beosystem 3000 if that is how you wished to use it.
Beocenter 2200 was a distinctive high fidelity system offering 3-waveband radio, record player and cassette facilities in a very compact, slim-line format. Maximum power output was 2 x 25 watts RMS.
The radio section covered long, medium and FM bands. Four favourite FM stations could be pre-set for instant recall. A horizontal thumbwheel on the front of the unit controlled manual tuning: the large graph-grid tuning scale was very easy to see and use.
The record deck featured the (then) latest Bang & Olufsen tone arm carrying the ultra-light MMC 5 pickup. Operation was entirely automatic and needed just a single touch on the PHONO button. Built-in logic circuits identified the size and speed of any record placed on the lightweight turn-table and would cue the pickup arm onto the run-in groove with absolute accuracy and safety.
The cassette recorder had electronic control so you could switch directly between, say, fast rewind and PLAY without danger of straining the mechanism or damaging the tape. Dolby B noise reduction and automatic selection between ferric and chrome tapes was included. Metal tapes could also be used, so you were assured of top class sound quality for those really special recordings.
Listening to tapes was also quick and easy: the NEXT button allowed you to scan the tape track by track until you found the one you wanted to hear.
The recommended speakers for use with this system were the Beovox X25.
Connections: Mono microphone; 2 pairs speakers; headphones; external tape recorder with two-way copying; AM and FM aerials
Beocenter 2100 – three variations and a one-finger exercise
Beocenters 2200, 2100 and 4000 – each with a totally distinctive style but sharing the unmistakeable themes of Bang & Olufsen quality and simplicity.
If you loved true hi-fi but you weren’t a record fan, then Bang & Olufsen ‘had your radio perfectly taped’! Beocenter 2100 had all the features of Beocenter 2200 but without the record deck so that it took up even more of a conveniently small space.
Beovox X25 loudspeakers were the offered choice but you could equally mix and match the Beocenter with any other Bang & Olufsen speaker on the market at that time. When linked with Beovox X25 loudspeakers, the combined system was known as Beosystem 2100. A recommended record deck to complement your system would be either the Beogram RX2 or TX2.
The Socket Unit contains most of the electronics, as well as all external connections. This greatly helps the organising and concealment of the numerous cables needed in a typical A/V set-up. In BeoCenter 2 only a single thin cable, available in 1.8, 3, 5 and 10 metre lengths, connects the Master Unit to the Socket Unit. A 1.8 metre cable is delivered as standard.
The Socket Unit is fitted with MasterLink, RGB, PowerLink, power connections and other connectors so that you may connect a pair of BeoLab active speakers or link it to a home cinema system.
A great advantage of the compactness and relative lightness of the BeoCenter 2 Master Unit is great flexibility in placement. It can be wall mounted, attached to a dedicated floor or table stand, or simply placed on a table or shelf.
Digital Radio Module
BeoCenter 2 DAB digital radio module: this module allows users access to terrestrial free-to-air broadcasting of high quality audio and data. DAB digital radio is a new way of broadcasting radio via a network of terrestrial transmitters. It provides listeners with more choice, better sound quality and more information. DAB digital radio is like analogue radio, only much better. When available – from 3 November 2004 – the module will become a standard feature of BeoCenter 2 in the UK.
In order to make the module compatible it has been necessary to update both the Socket Unit and the Master Unit. This, however, means that DAB will not be available with past and current BeoCenter 2 models. It was originally stated upon the launch of BeoCenter 2, that it would be possible to ‘upgrade’ to DAB. Where customers purchased the model on that understanding, Bang & Olufsen will honour that commitment. The first Master Unit serial number with software suitable for the DAB functionality is 18139286.
Note: To have the DAB module fitted to your BeoCenter 2 is essential that both the Socket Unit and Master unit are the latest versions. Mixing existing stock of Master Units (pre-serial number 18139286) and DAB Socket Units (part number 1280020) is not possible.
Master unit connections: MasterLink x 1, Digital Out, SCART, S-VHS, FM Aerial, AM Aerial, audio in (L&R), audio out (L&R), PowerLink x 1 (See Specifications).
By touching ‘load’ on the anodised aluminium top panel, BeoCenter 2 opens to receive your chosen media. The product is made up of two units linked together by a special cable: the Master Unit (or Media Unit which is the player itself) and the Socket Unit.
BeoCenter 2 Press Release October 2003
Bang & Olufsen’s new music system, the BeoCenter 2, is in many ways a classic Bang & Olufsen product. It has mystique, it is elegant, it is simple and logical.
If you look at the BeoCenter 2 from a distance, the design says nothing about the many functions the system contains. Only when you make physical contact is the content behind the symmetrical polished aluminium doors revealed. If you press “load” lightly, the two wing-shaped aluminium doors slide aside elegantly to reveal a combined CD and DVD player. When the music or film is playing, the doors slide back to conceal the disc, clearly signalling that the experience is more important than the source.
It is by no means unusual for a DVD player to play CDs, but a system that offers radio, CD, DVD and MP3 CD playback is a new way of combining all sources of entertainment in one unit. “At Bang & Olufsen we always focus on integrating technologies and with the BeoCenter 2 we give our customers the chance to combine music and video sources in one unit,” says President and CEO Torben Ballegaard Sorensen.
With the oval shape of the master unit, BeoCenter 2 is yet another design step away from the traditional box-shaped units of yesteryear for playing music and images. The size of the display ensures that it can be read at a distance and a light meter behind the glass adjusts the intensity of the display according to the brightness of the room. This avoids the display completely illuminating a dark living room.
In addition to RDS (Radio Data System), the tuner in BeoCenter 2 allows you to program and name up to 60 radio stations. And, of course, the BeoCenter 2 can be integrated into a Beolink network. When connected to a Beolink PC2 it can also play digital music files stored on a computer.
Clean up the Mess
It has always been important for Bang & Olufsen to make it nice and easy for consumers to enjoy music and moving pictures. Most obviously, the concept helps to eliminate the many remote controls that typically pile up on the coffee table, replacing them with one remote control – the Beo4 – which can control all the functions of all the appliances connected, plus the lighting in the room.
Another example is the tradition of concealing cables in stands and behind screens so that the necessary cables do not mar the visual appearance of the products. And where it is not possible to conceal the cables completely, special holders are provided for the cables, making a virtue out of necessity. Finally, there is the design itself. By avoiding visual trivialities and unsightliness, which can mar an audio/video product in themselves, the products look simple and elegant.
BeoCenter 2 is a continuation, a natural development, of this line of thought. The division of the product into two separate parts means that there is great freedom to place the elegant master unit where it is best suited in the room. This may be on a table, mounted on the wall or on an aluminium floor stand specially designed to match the oval shape of the master unit.
From the master unit there is just one cable to the socket unit containing the sockets for all the cables connecting BeoCenter 2 to the mains, speakers, TV, aerials, etc. The socket unit can be concealed under a piece of furniture or behind a curtain. This means that the visible part of the BeoCenter 2 is not spoiled by the jumble of cables required to integrate it into the network of the TV and speakers.
World Class Aluminium Processing
BeoCenter 2’s two sliding aluminium doors were a challenge to Bang & Olufsen. Both doors are cut from the same piece of aluminium, but only after the front has been polished in the oval shape that follows the lower edge of the display. This ensures that all details in the polishing are echoed on both doors. Both these sliding doors stay together throughout the complicated process of milling and the two surface treatments. So the doors on the final product match perfectly.
The precision requirements Bang & Olufsen sets for the visual appearance of the product mean that the machine which grinds the edges of the doors works to very small tolerances. For every 1/100 millimetre along the edge, the machine calculates and self-corrects to ensure a perfect oval shape.
When the aluminium is surface-treated in the anodisation plant, tiny pores appear in the surface. These pores are used in the screen printing employed to apply numbers and characters to the front of the doors of the master unit. By pressing the coloured lacquer down into the pores and then surface-treating the doors, very durable printing is achieved. As a result, it is virtually impossible to wear the printing off, even with very frequent use.
Controlling the BeoCenter 2 is a masterpiece of precision. The area beneath the master unit is milled down to 0.5 millimetres. So when the user presses the unit, the thin aluminium sheet bends very easily. This activates the electrical circuits used for the control function. You can neither see nor feel this, but it is enough for it to make contact with the film of conductive material underneath.
The precision processing goes one stage further with the “wheel” on the right-hand door. In a wide circle around the control areas, a further 0.1 millimetre of aluminium has been milled off. The functions of the wheel include adjusting the volume, and it functions according to the same mechanical principle as the rest of the master unit.
The Beo5 is expected to become an important part of the new B&O range. It is designed to work with all of the range but is particularly suited to use with the TV range when partnered with the BeoMedia devices.
A backlit screen, which is able to be configured via a USB connection on the docking/charging station, sits on top of a very tactile metal control sphere. The interface is a modification of the well known Beo4 layout but with the addition of a click wheel and ring of control buttons. A numeric keyboard can be activated on the touch sensitive screen by pressing TEXT. Different set ups of screen can be customised by the user though this has to be set up by the dealer. Configuration is a dealer task.
One Way Traffic
The remote is not the hoped for return to two way remote control but does allow the screen to be customised to suit a user’s system. In particular it is thought that program logos could be able to be imported onto the screen. It would appear that these are B&O defined so may be somewhat limited.
Fully Compatible
As the Beo5 uses a derivative of the original Beolink 1000 codes, it is able to be used with many products dating right back to the eighties. It will replace the Beo4 in time and will be supplemented by a basic control for sets such as the Beovision 8.
Beomaster 5500 was the brains and heart of the system which it made up.
Connected by Datalink to the record player, tape recorder and CD player it allowed the user to remote-control the whole system via the Master Control Panel. The 2 x 60 watt/8 ohm tuner/amplifier gave true hi-fi quality. Bang & Olufsen’s Automatic Power Handling Control system prevented overloading and distortion, regardless of how many speakers were connected. Up to 20 stations on the tuner could be preset and the frequency synthesizer took care of automatic search and fine tuning of stations. The result – superb reception of LW, MW and FM wavebands and impressive ease of use.
Beomaster 5500 was aesthetically balanced to match the rest of the components within Beosystem 5500
These days, these receivers are the cheapest of the Beolink 1000 controlled stackable systems. They do have the huge advantage of having not only DIN connectors but also a full complement of RCA plugs. This actually makes them ideal for present day use as the extra connections allow computer and digital music connections in addition to usual sources.
An update of the long running Beolab 8000, the Beolab 8002 introduced new drive units powered by a pair of ICE amplifiers rated at 125W each.B&O themselves commented that sound quality was unchanged and so this can be seen as a rationalising of the range rather than a radical overhaul of a much loved icon.
The mode LED was repositioned, but otherwise it seemed business as usual. A three way switch for room positioning was now included at the expense of the phono socket previously fitted. As before, only one Powerlink socket was provided.
